How Dung Beetles Steer Straight

2021 ◽  
Vol 66 (1) ◽  
pp. 243-256
Author(s):  
Marie Dacke ◽  
Emily Baird ◽  
Basil el Jundi ◽  
Eric J. Warrant ◽  
Marcus Byrne
Keyword(s):  
Milky Way ◽  
Dung Beetles ◽  
The Sun ◽  
The Moon ◽  
Fixed Bearing ◽  
Polarization Pattern ◽  
Straight Path ◽  
Ball Rolling ◽  
Wide Range ◽  
Night Sky

Distant and predictable features in the environment make ideal compass cues to allow movement along a straight path. Ball-rolling dung beetles use a wide range of different signals in the day or night sky to steer themselves along a fixed bearing. These include the sun, the Milky Way, and the polarization pattern generated by the moon. Almost two decades of research into these remarkable creatures have shown that the dung beetle's compass is flexible and readily adapts to the cues available in its current surroundings. In the morning and afternoon, dung beetles use the sun to orient, but at midday, they prefer to use the wind, and at night or in a forest, they rely primarily on polarized skylight to maintain straight paths. We are just starting to understand the neuronal substrate underlying the dung beetle's compass and the mystery of why these beetles start each journey with a dance.

scholarly journals How dim is dim? Precision of the celestial compass in moonlight and sunlight

2011 ◽  
Vol 366 (1565) ◽  
pp. 697-702 ◽  
Author(s):  
M. Dacke ◽  
M. J. Byrne ◽  
E. Baird ◽  
C. H. Scholtz ◽  
E. J. Warrant
Keyword(s):  
Dung Beetle ◽  
The Sun ◽  
The Moon ◽  
Polarization Pattern ◽  
Animal Group ◽  
Straight Line ◽  
Celestial Orientation ◽  
Polarization Compass ◽  
Celestial Compass ◽  
Diurnal Species

Prominent in the sky, but not visible to humans, is a pattern of polarized skylight formed around both the Sun and the Moon. Dung beetles are, at present, the only animal group known to use the much dimmer polarization pattern formed around the Moon as a compass cue for maintaining travel direction. However, the Moon is not visible every night and the intensity of the celestial polarization pattern gradually declines as the Moon wanes. Therefore, for nocturnal orientation on all moonlit nights, the absolute sensitivity of the dung beetle's polarization detector may limit the precision of this behaviour. To test this, we studied the straight-line foraging behaviour of the nocturnal ball-rolling dung beetle Scarabaeus satyrus to establish when the Moon is too dim—and the polarization pattern too weak—to provide a reliable cue for orientation. Our results show that celestial orientation is as accurate during crescent Moon as it is during full Moon. Moreover, this orientation accuracy is equal to that measured for diurnal species that orient under the 100 million times brighter polarization pattern formed around the Sun. This indicates that, in nocturnal species, the sensitivity of the optical polarization compass can be greatly increased without any loss of precision.

scholarly journals Mathematical modeling shows that ball-rolling dung beetles can use dances to avoid competition

2021 ◽  
Author(s):  
Zhanyuan Yin ◽  
Leif Zinn-Brooks
Keyword(s):  
Mathematical Modeling ◽  
Optimal Strategy ◽  
Rolling Direction ◽  
Dung Beetles ◽  
Time Interval ◽  
Angular Deviation ◽  
Ball Rolling ◽  
Wide Range

Abstract Ball-rolling dung beetles shape a portion of dung into a ball and roll it away from the dung pile for later burial and consumption. These beetles perform dances (rotations and pauses) atop their dung balls in order to choose an initial rolling direction and to correct their rolling direction (reorient). Previous mathematical modeling showed that dung beetles can use reorientation to move away from the dung pile more efficiently. In this work, we study if reorientation can help beetles avoid competition (i.e., avoid having their dung balls captured), and if so, under what circumstances? This is investigated by implementing a model with two different type of beetles, a roller with a dung ball and a searcher which seeks to capture that dung ball. We show that reorientation can help rollers avoid searchers in a wide range of conditions, but that there are some circumstances in which rolling without reorienting can be a beetle's optimal strategy. We also show that rollers can minimize the probability that their dung ball is captured without making precise measurements of the time interval between dances or the angular deviation for dances.

scholarly journals Lunar

JOGED ◽  
2017 ◽  
Vol 7 (2) ◽  
Author(s):  
Dewi Sinta Fajawati
Keyword(s):  
Full Moon ◽  
Big Bang ◽  
The Other ◽  
The Sun ◽  
The Moon ◽  
Big Bang Theory ◽  
Essential Idea ◽  
Visual Reaction ◽  
Night Sky ◽  
The One

Bulan merupakan sumber inspiratif dalam penggarapan karya tari ini. Secara ilmu pengetahuan, Bulan adalah benda langit yang disebut satelit, satelit satu-satunya yang dimiliki Bumi dan tercipta secara alami. Banyak teori yang mengatakan tentang terbentuknya Bulan, salah satunya adalah teori Big bang atau dentuman besar. Pada dasarnya Bulan hanyalah sebuah Benda besar berbentuk bulat yang tidak bisa bercahaya, cahaya yang kita lihat pada malam hari merupakan refleksi dari cahaya matahari. Akan tetapi keindahannya memang tidak bisa dipungkiri, karena dia paling bercahaya diantara hamparan langit yang gelap. Cahayanya tidak selalu terang, bahkan tidak selalu bulat, terkadang hanya terlihat setengah atau terlihat seperti sabit..            Penata tari memetaforakan objek bulan yang berada di tempat yang sangat tinggi sebagai sebuah cita-cita yang ingin dicapai. Seringkali lagu anak-anak yang menjadi pengalaman auditif penata tari, menjadikan bulan sebagai objek yang ingin digapai, misal lagu ‘Ambilkan Bulan Bu’. Namun intisari yang akan dipakai dalam penggarapan koregrafinya adalah tentang fase bulan yang tercipta. Bersumber dari rangsang awal melihat bulan atau rangsang visual, penata tari menginterpretasikan fase-fase bulan yang terjadi sebagai fase kehidupan yang dijalani untuk menggapai sebuah cita-cita tersebut.            Koreografi diwujudkan dalam bentuk kelompok dengan membagi dua karate penari. Delapan penari merupakan simbolisasi Bulan, dan satu penari sebagai manusia yang bercita-cita. Dengan bentuk tari dramatik, penyajiannya dibagi menjadi 5 adegan, yaitu Introduksi Big bang, Adegan 1 Moon happen, Adegan 2 Mengejar Impian, Adegan 3 Dancing with Moon, dan Ending ‘Catch Your Dream’. The moon is the essential inspirations of this choreograph. Theoretically, the moon is a sky object which is called as satellite. The one and only naturally created satellite belongs to the planet Earth. There are many theories that explain how the moon was created. One of those theories is Big Bang theory or massive crash. Basically, the moon is just a huge circle thing which is unable to shine its glow. The light that we experience in the evening is the reflection of the sun. However, thebeauty of the moonlight is undeniable as it has the significant light within the darkest night sky. Its light is not always the strongest, even it’s not always circle (full), every so often it is seemed only the half part of it or crescent moon.            The choreographer interpreted the moon that belongs in the highest as the goals that she wants to reach. Most of the time, the children songs (lullaby) that pick the moon as the main object that is desired to be reached, for example the song “Ambilkan Bulan, Bu”. The essential idea that is explored in this choreograph is the creational phase of the moon itself. It was started by way of visual reaction when the choreographer observed the moon, she interpret the moon’s phases as the phases in human’s life which are gone through to reaching their goals. Fall and recovery, passionate, and even sometimes they give it in, are interpreted from the moonlight. The full moon which has the brightest and the most perfect light is likened as the strong spirit. The crescent moon with its soft light is interpreted as low spirit and unconfident.             This in-group-choreograph is separated into two characters with 8 female dancers that are the symbolization of the moon and the other one female dancer symbolizes a human with aspire. With dramatic dance form, this choreograph is presented into five parts, including introduction part of Big Bang, Moon Happen in part one, Chasing Dream is part two, Dancing With The Moon in part three, Catch Your Dream in the ending part.

scholarly journals The role of the sun in the celestial compass of dung beetles

2014 ◽  
Vol 369 (1636) ◽  
pp. 20130036 ◽  
Author(s):  
M. Dacke ◽  
Basil el Jundi ◽  
Jochen Smolka ◽  
Marcus Byrne ◽  
Emily Baird
Keyword(s):  
Dung Beetle ◽  
Dung Beetles ◽  
Relative Influence ◽  
The Sun ◽  
Azimuthal Position ◽  
Ball Rolling ◽  
Straight Line ◽  
Celestial Compass ◽  
Compass System

Recent research has focused on the different types of compass cues available to ball-rolling beetles for orientation, but little is known about the relative precision of each of these cues and how they interact. In this study, we find that the absolute orientation error of the celestial compass of the day-active dung beetle Scarabaeus lamarcki doubles from 16° at solar elevations below 60° to an error of 29° at solar elevations above 75°. As ball-rolling dung beetles rely solely on celestial compass cues for their orientation, these insects experience a large decrease in orientation precision towards the middle of the day. We also find that in the compass system of dung beetles, the solar cues and the skylight cues are used together and share the control of orientation behaviour. Finally, we demonstrate that the relative influence of the azimuthal position of the sun for straight-line orientation decreases as the sun draws closer to the horizon. In conclusion, ball-rolling dung beetles possess a dynamic celestial compass system in which the orientation precision and the relative influence of the solar compass cues change over the course of the day.

scholarly journals Stars and Cultural Astronomy

2018 ◽  
Vol 4 (1) ◽  
pp. 129-133
Author(s):  
Bernadette Brady
Keyword(s):  
Spatial Relationship ◽  
Human Mind ◽  
The Sun ◽  
The Moon ◽  
Night Sky

Stars are ubiquitous; the Sun and Moon are singletons. The Sun and the Moon visually dominate the sky. They change in the amount of light they produce, either monthly or yearly. They also rhythmically change how they embrace the horizon, creating a measure of time and seasons. In contrast, the stars are many and their light is small. Their place in the sky is fixed and, ignoring precession, their relationship to the horizon is constant, always rising or setting at the same point. They are different in almost every way to the luminaries, in their multiplicity, light, fixed spatial relationship to each other and fixity in a landscape. These distinct characteristics mean that the stars are a catalyst for sky narratives quite different from those of the luminaries. The most easily recognisable stellar sky narratives are the constellation stories. The multiplicity of the stars produces a scattering of lights across the night sky according to a fixed pattern which, to the human mind - with its apophenia, the tendency to see patterns - results in the heavens becoming a vast storyboard of constellations and clusters. These stories are placed on bright stars, dim stars, coloured stars, dark gaps or voids, and milky hazes. Every spot of the dome of the heavens holds some culture's myth, some culture's cosmic narrative, and every visible place in the dome of the heavens has been claimed by most cultures. Their consistency of movement and fixedness in orientation to each other, however, also offer humanity something quite unique: a view of eternity.

scholarly journals Archaeoastronomical Aspects of the Archaeological Monuments of Siberia

2012 ◽  
Vol 16 (1 and 2) ◽  
pp. 109-117
Author(s):  
Leonid Marsadolov
Keyword(s):  
The Sun ◽  
The Moon ◽  
Astronomical Observations ◽  
The North ◽  
Ancient People ◽  
Celestial Bodies ◽  
Night Sky

The necessity of astronomical observations for nomadic peoples of Eurasia was based on the sacral meaning of time. The celestial bodies, the Sun and the Moon were parts of cult of the Sky. During annual migrations, in particular those where there were no reliable landmarks, nomads navigated with the North Star and the main constellations of the night sky. Remains left by these nomads, including rock pictures, barrows and observation posts are the legacy of a complex, organised system reflecting the relations of ancient people with the cosmos.

Hera and Herakles

Numen ◽  
1970 ◽  
Vol 17 (3) ◽  
pp. 245-246 ◽  
Author(s):  
A.J. Rutgers
Keyword(s):  
Milky Way ◽  
The Moon ◽  
Night Sky

AbstractFor reasons of symmetry between Zeus and Hera, Hera is identified with the night sky; further arguments in favour of this interpretation are the myth about the origin of the Milky Way, Hera's epitheton bo-opis (with the great shining eye, the Moon) and the etymological argument, that old-indian svarga means the sky. A further result of this interpretation is not only that the enmity between Hera and Herakles, the night sky and the morning sun, becomes intelligeable, but also the etymology Herakles = "he who is famous by Hera"; for Herakles' deeds, which have made him famous, are performed on the twelve constellations of the Zodiac, which ornate the night sky However, if it is tried to set the twelve deeds of Herakles in parallel to the successive overpowering of the twelve constellations of the Zodiac by the morning sun, it is seen that this correspondence holds only for 4 out of 12 cases.

scholarly journals Compass Cue Integration and Its Relation to the Visual Ecology of Three Tribes of Ball-Rolling Dung Beetles

Insects ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 526
Author(s):  
Lana Khaldy ◽  
Claudia Tocco ◽  
Marcus Byrne ◽  
Marie Dacke
Keyword(s):  
Visual Cues ◽  
Relative Weight ◽  
Dung Beetles ◽  
Visual Ecology ◽  
Line Orientation ◽  
The Sun ◽  
Tall Grass ◽  
Directional Information ◽  
Ball Rolling ◽  
Straight Line

To guide their characteristic straight-line orientation away from the dung pile, ball-rolling dung beetles steer according to directional information provided by celestial cues, which, among the most relevant are the sun and polarised skylight. Most studies regarding the use of celestial cues and their influence on the orientation system of the diurnal ball-rolling beetle have been performed on beetles of the tribe Scarabaeini living in open habitats. These beetles steer primarily according to the directional information provided by the sun. In contrast, Sisyphus fasciculatus, a species from a different dung-beetle tribe (the Sisyphini) that lives in habitats with closely spaced trees and tall grass, relies predominantly on directional information from the celestial pattern of polarised light. To investigate the influence of visual ecology on the relative weight of these cues, we studied the orientation strategy of three different tribes of dung beetles (Scarabaeini, Sisyphini and Gymnopleurini) living within the same biome, but in different habitat types. We found that species within a tribe share the same orientation strategy, but that this strategy differs across the tribes; Scarabaeini, living in open habitats, attribute the greatest relative weight to the directional information from the sun; Sisyphini, living in closed habitats, mainly relies on directional information from polarised skylight; and Gymnopleurini, also living in open habitats, appear to weight both cues equally. We conclude that, despite exhibiting different body size, eye size and morphology, dung beetles nevertheless manage to solve the challenge of straight-line orientation by weighting visual cues that are particular to the habitat in which they are found. This system is however dynamic, allowing them to operate equally well even in the absence of the cue given the greatest relative weight by the particular species.

scholarly journals Lunar

JOGED ◽  
2017 ◽  
Vol 8 (2) ◽  
Author(s):  
Dewi Sinta Fajawati
Keyword(s):  
Full Moon ◽  
Big Bang ◽  
The Other ◽  
The Sun ◽  
The Moon ◽  
Big Bang Theory ◽  
Essential Idea ◽  
Visual Reaction ◽  
Night Sky ◽  
The One

Bulan merupakan sumber inspiratif dalam penggarapan karya tari ini. Secara ilmu pengetahuan, Bulan adalah benda langit yang disebut satelit, satelit satu-satunya yang dimiliki Bumi dan tercipta secara alami. Banyak teori yang mengatakan tentang terbentuknya Bulan, salah satunya adalah teori Big bang atau dentuman besar. Pada dasarnya Bulan hanyalah sebuah Benda besar berbentuk bulat yang tidak bisa bercahaya, cahaya yang kita lihat pada malam hari merupakan refleksi dari cahaya matahari. Akan tetapi keindahannya memang tidak bisa dipungkiri, karena dia paling bercahaya diantara hamparan langit yang gelap. Cahayanya tidak selalu terang, bahkan tidak selalu bulat, terkadang hanya terlihat setengah atau terlihat seperti sabit..            Penata tari memetaforakan objek bulan yang berada di tempat yang sangat tinggi sebagai sebuah cita-cita yang ingin dicapai. Seringkali lagu anak-anak yang menjadi pengalaman auditif penata tari, menjadikan bulan sebagai objek yang ingin digapai, misal lagu ‘Ambilkan Bulan Bu’. Namun intisari yang akan dipakai dalam penggarapan koregrafinya adalah tentang fase bulan yang tercipta. Bersumber dari rangsang awal melihat bulan atau rangsang visual, penata tari menginterpretasikan fase-fase bulan yang terjadi sebagai fase kehidupan yang dijalani untuk menggapai sebuah cita-cita tersebut.            Koreografi diwujudkan dalam bentuk kelompok dengan membagi dua karate penari. Delapan penari merupakan simbolisasi Bulan, dan satu penari sebagai manusia yang bercita-cita. Dengan bentuk tari dramatik, penyajiannya dibagi menjadi 5 adegan, yaitu Introduksi Big bang, Adegan 1 Moon happen, Adegan 2 Mengejar Impian, Adegan 3 Dancing with Moon, dan Ending ‘Catch Your Dream’. The moon is the essential inspirations of this choreograph. Theoretically, the moon is a sky object which is called as satellite. The one and only naturally created satellite belongs to the planet Earth. There are many theories that explain how the moon was created. One of those theories is Big Bang theory or massive crash. Basically, the moon is just a huge circle thing which is unable to shine its glow. The light that we experience in the evening is the reflection of the sun. However, thebeauty of the moonlight is undeniable as it has the significant light within the darkest night sky. Its light is not always the strongest, even it’s not always circle (full), every so often it is seemed only the half part of it or crescent moon.            The choreographer interpreted the moon that belongs in the highest as the goals that she wants to reach. Most of the time, the children songs (lullaby) that pick the moon as the main object that is desired to be reached, for example the song “Ambilkan Bulan, Bu”. The essential idea that is explored in this choreograph is the creational phase of the moon itself. It was started by way of visual reaction when the choreographer observed the moon, she interpret the moon’s phases as the phases in human’s life which are gone through to reaching their goals. Fall and recovery, passionate, and even sometimes they give it in, are interpreted from the moonlight. The full moon which has the brightest and the most perfect light is likened as the strong spirit. The crescent moon with its soft light is interpreted as low spirit and unconfident.             This in-group-choreograph is separated into two characters with 8 female dancers that are the symbolization of the moon and the other one female dancer symbolizes a human with aspire. With dramatic dance form, this choreograph is presented into five parts, including introduction part of Big Bang, Moon Happen in part one, Chasing Dream is part two, Dancing With The Moon in part three, Catch Your Dream in the ending part.

BATTLE DESCRIPTION IN THE ANCIENT HISTORIANS, PART I: STRUCTURE, ARRAY, AND FIGHTING

2017 ◽  
Vol 64 (1) ◽  
pp. 39-64 ◽  
Author(s):  
Jon E. Lendon
Keyword(s):  
Milky Way ◽  
Solar Array ◽  
The Sun ◽  
Right Wing ◽  
The Moon ◽  
Spider Web ◽  
The Right ◽  
Structure Array

When Endymion, king of the Moon, devised war upon Phaethon, king of the Sun, he decreed that a race of spiders as big as the Cyclades should weave a web between Venus and his lunar dominion, to serve as the battlefield for their regal rumble. And in that region of the heavens he arrayed his army: the king himself led his elite Hippo-vultures in the clouds on the right wing, 80,000 strong; his other cavalry, mounted on giant birds with wings like lettuce leaves, held the left. The Moon's stalwart infantry held the centre, posted on the spider web: Millet-launchers and Garlic-fighters, and his light-armed Flea-archers and Wind-runners, whose long tunics carried them about like sailboats in the fierce winds of the celestial realm. To Endymion's Hippo-vultures, Phaethon opposed the Sun's Hippo-ants (and near two hundred feet long were the insects that bore these cavalry). On the opposite flank of the solar array came the Air-mosquitoes and the formidable radish-flinging Air-dancers. The spears of Phaethon's phalanx, in the centre, were stalks of asparagus, and their round shields were mushrooms. Phaethon's allies, the Cloud-centaurs, expected at any moment from the Milky Way, had not arrived in time for battle.

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