The Clinic Is My Laboratory: Life as a Clinical Geneticist

2017 ◽  
Vol 18 (1) ◽  
pp. 1-29 ◽  
Author(s):  
Judith G. Hall
2014 ◽  
pp. 161-182 ◽  
Author(s):  
Vivette García Deister

2020 ◽  
Vol 2 (2) ◽  
pp. 22-41
Author(s):  
Charles Lawson

This article traces Bruno Latour’s answer to the question ‘what is real?’ from Latour and Steve Woolgar in Laboratory Life: The Social Construction of Scientific Facts (1979) through to Latour in Down to Earth: Politics in the New Climate Change (2018). This intriguing question arises because Latour’s hypothesis in Down to Earth presumes that climate change is ‘real’, while in Laboratory Life, hard facts were considered constructions. The journey reveals Latour’s own ‘real’ lies between the extreme science realists (facts are either true or false) and extreme social relativists (facts are a social construction), although favouring the relativists. A closer analysis, however, shows that Latour’s project is really about truth claims and that the real question is couched in terms rejecting the modernist settlement of ontological assumptions and basing truth on credibility determined by the strength of associations; the more associations, the more ‘real’ the truth claim. Ultimately, Latour elegantly sidesteps the real question and how he does this is real-ly unrivalled.


2016 ◽  
Vol 20 (1) ◽  
pp. 65-72 ◽  
Author(s):  
Marin Sawa

Scientific laboratories are increasingly becoming a collaborative place to design in an emergent biodesign practice, yet there is very little literature on the actual place and practice. This paper describes an empirical account of a laboratory-based, interdisciplinary design research practice, exploring the intersection with algal biotechnology. Aimed at generating multiple applications of microalgae, the author spent 3 years (2012-2015) working in close collaboration with algal scientists in their research laboratories at Imperial College London. It expounds on the laboratory space and facilities and discusses collaborative experimentation with the intersectional outcome: Algae Printing. It reports that the sum of resultant biotechnological artefacts are scientific, aesthetic, and ecosophical with potential for the domestication of algal biotechnology. It reflects on the interdisciplinary collaborative practice with literature reviews and addresses suggestions for future practices. The main finding is that the integration of a designer into the laboratory life can lead to co-invention and that a role of designer in early stages of scientific research can be demonstrated.


2014 ◽  
pp. 161-182
Author(s):  
Vivette García Deister

Sign in / Sign up

Export Citation Format

Share Document