The flesh of imagination: locating materiality in biology inspired visual art
Abstract This paper is an exploration of the sensuous and material dimensions of artworks inspired by biological science. The study uses Maurice Merleau-Ponty's concept of “flesh” to reflect upon the embodied processes of understanding which unfold during a viewer's initial encounter with an artwork. Using Merleau-Ponty's phenomenology of perception and the work of selected artists based in India – which engage with biology and botany– the discussion locates the sensing body in a reciprocal relationship with these artworks
Keyword(s):
Keyword(s):
Keyword(s):
2018 ◽
Vol 12
(1)
◽
pp. 2-10
◽
Keyword(s):