Words Made Flesh

2019 ◽  
Vol 23 (3) ◽  
pp. 240-272
Author(s):  
Jonathan Homrighausen
Keyword(s):  
Twentieth Century ◽  
Sacred Text ◽  
Sensory Modalities ◽  
Roman Alphabet

Abstract This essay explores the potential of calligraphy for engaging sacred text through an analysis of two works by Donald Jackson, British calligrapher and creator of The Saint John’s Bible. Closely situating these works in the contexts of the twentieth-century Roman-alphabet calligraphy revival, in Jackson’s own career, in his own writings on calligraphy, and in the context of his medieval predecessors, reveals not only a visual but a multisensory exegesis of scripture through reading, seeing, hearing, touching, and moving. Through his use of lettering and gilding to engage many different sensory modalities, Jackson’s works exemplify the Bible’s role as an iconic text in which script becomes image. Theologically, they embody an incarnationality revealing the spirit of the scribe and the Spirit inspiring the scribe.

“It’s all by someone else!”

2008 ◽  
Vol 3 (1) ◽  
pp. 57-76
Author(s):  
Christopher K. Coffman
Keyword(s):  
Twentieth Century ◽  
American Literature ◽  
Basic Element ◽  
Long Poem ◽  
Sacred Text ◽  
Late Twentieth ◽  
Twentieth Century American Literature ◽  
Changing Light ◽  
Late Twentieth Century ◽  
Changing Light At Sandover

James Merrill’s The Changing Light at Sandover is the outstanding visionary long poem of late twentieth-century American literature. Despite its somewhat unusual mode of composition and the rather eccentric heavenly pantheon with which Merrill claims to have communicated, Sandover is presented as the transmission of an authentic prophetic message and the narrative of the manner in which that message was received. One of the more intriguing aspects of the text is its self-reflexive nature. A substantial amount of the poem’s dialogue and a number of narrative manipulations interrogate the technologies of the poem’s composition and the relation of Merrill’s medium and method to his task as the author of a sacred text in a skeptical age. These internal tests ultimately confirm his efforts by celebrating the most basic element of any author’s craft—language—as not only the medium for the message but also the mechanism of humankind’s redemption.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

Twentieth Century Classics

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  
Twentieth Century

Twelve Landmarks of Twentieth-Century Analysis

2015 ◽  
Author(s):  
Denis Choimet ◽  
Hervé Queffelec
Keyword(s):  
Twentieth Century
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