Painting, Law and Professions, I: Paris Visual Academie and English Law

2008 ◽  
Vol 7 (1) ◽  
pp. 68-108
Author(s):  
David Sciulli

AbstractOne consensus in the sociology and history of professions is that law, not medicine, pioneered the first professionalism projects in Western history. English law is typically cited as the exemplar. We challenge this consensus by demonstrating that visual academies, led by the Academie Royale de Peinture et de Sculpture of Paris, preceded along a professionalism project centuries in advance of English law.

In his later work, Heidegger argued that Western history involved a sequence of distinct understandings of being and correspondingly distinct worlds. Dreyfus illustrates several distinct world styles by contrasting Greek, industrial, and technological practices for using equipment. By reading Being and Time in the light of Heidegger’s later concerns with the history of being, Dreyfus shows how Heidegger’s own account of equipment in Being and Time helped set the stage for technology by encouraging an understanding of being that leaves equipment and natural objects open to a technological reorganization of the world into a standing reserve of resources. Seen in the light of the relation of nature and technology revealed by later Heidegger, Being and Time appears in the history of the being of equipment not just as a transition but as the decisive step toward technology.


1968 ◽  
Vol 81 (8) ◽  
pp. 1884
Author(s):  
Gareth H. Jones ◽  
William S. Holdsworth ◽  
Arthur L. Goodhart ◽  
Harold G. Hanbury
Keyword(s):  

1895 ◽  
Vol 9 (5) ◽  
pp. 364
Author(s):  
J. B. T. ◽  
Frederick Pollock ◽  
Frederic William Maitland
Keyword(s):  

Literator ◽  
2009 ◽  
Vol 30 (1) ◽  
pp. 31-54
Author(s):  
R. Swanepoel

This article presents a theoretical exploration and reading of the notion of the grotesque in Western history of art to serve as background to the reading of the original creatures in the “Tracking creative creatures” project.1 These creatures were drawn by Marley, based on imaginary creatures narrated by his five year-old son, Joshua. The focus in this article is on the occurrence of the grotesque in paintings and drawings. Three techniques associated with the grotesque are identified: the presence of imagined fusion figures or composite creatures, the violation and exaggeration of standing categories or concepts, and the juxtaposition of the ridiculous and the horrible. The use of these techniques is illustrated in selected artworks and Marley’s creatures are then read from the angle of these strategies.


Author(s):  
Holger Schulze

Sound affects and pervades our body in a physical as well as a phenomenological sense: a notion that may sound fairly trivial today. But for a long time in Western history ‘sound’ was no scientific entity. It was looked upon merely as the lower, material appearance of truly higher forces: of more ephemeral, angel-, spirit- or godlike structures – and later of compositional knowledge. To be interested in sound was to be defamed as being unscientific, noncompositional, unmanly. Which steps were taken historically that gradually gave sound the character of a scientific entity? This article moves along recent science history: since the nineteenth century when the physicality of sound and later the corporeality of sonic experiences were first discovered and tentatively described. Exemplary studies from the science history of acoustics, musicology and anthropology of the senses are analysed and restudied – from Hermann von Helmholtz to Michel Serres. Even today, we may ask ourselves: What would an auditorily-founded research be like? Could there be a field of sensory research – via sensing sound?


1981 ◽  
Vol 43 (1) ◽  
pp. 3-21 ◽  
Author(s):  
Mark Glat

The most common assumption made about John Locke's historical sense is that he had none. In his lifetime, Locke was many things: a doctor, a philosopher, a political theorist, a policymaker and a biblical scholar. But few, if any, would say that Locke was a historian as well. Unlike Hobbes before him and Hume after him, Locke would write no history of England or of English politics. My intention in this paper then is not to make the claim that he was a “historian” in the strict sense of the word. I would therefore agree with John Pocock when he writes that Locke was the only major political writer of his age who did not try “to understand English politics through the history of English law (and English political institutions).”


1957 ◽  
Vol 15 (2) ◽  
pp. 151-162
Author(s):  
H. A. Hollond

These notes on thirty-six judges and chancellors, prompted by memory of my own requirements fifty years ago, were prepared for distribution on stencilled sheets to the students attending my lectures on legal history at the Inns of Court. My aim was to provide both indications of the principal achievements of each of the lawyers named, and also references to readily accessible sources of further knowledge.The editor of this journal has kindly suggested that it would be useful to its readers to have my notes available in print.It is not nearly as difficult as it used to be for beginners to find out about the great legal figures of the past. Sir William Holdsworth, Vinerian professor at Oxford from 1922 to 1944, placed all lawyers in his debt by his book, Some Makers of English Law, published in 1938. It was based on the Tagore lectures which he had given in Calcutta.Sir Percy Winfield, Rouse Ball professor at Cambridge from 1926 to 1943, gave detailed information as to the principal law books of the past and their editions in his manual The Chief Sources of English Legal History (1925) based on lectures given at the Harvard Law School. Twenty-four of my judges and chancellors have entries in his book as authors.By far the most numerous of my references are to Holdsworth's monumental History of English Law, in thirteen volumes, cited as H.E.L. The other works most referred to are The Dictionary of National Biography cited as D.N.B.; Fourteen English Judges (1926) by the first Earl of Birkenhead, L.C. 1919–1922; and The Victorian Chancellors (1908) by J. B. Atlay.


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