Political Implications of Philosophical Parrhesia in Michel Foucault’s Late Lectures: Genealogy of Critique and Reality of Philosophy

The concept of parrhesia (free, true and courageous speech) is central to Michel Foucault’s last lecture courses. In this “late” period of his scientific career, the French philosopher started a thorough analysis of the ancient and early Christian sources with the aim to construct a detailed genealogy of the two phenomena that played a crucial role in the Western history — the genealogy of subjectivity and the genealogy of the “critical tradition” in philosophy. In order to analyze the latter, during the lecture course “The Government of Self and Others” (1982—1983), Foucault turned to the texts of Plato, which he considered foundational for the philosophical practices of veridiction in the West. The Platonic paradigm presents philosophy with a number of fundamental tasks, the main of which is the task of constantly testing the reality and seriousness — testing the words (logos) through the deeds and practices (ergon). Foucault postulates that in the modern philosophy this test invariably results in a certain attitude towards politics and power, which assumes rejection of the direct participation in political affairs, constant criticism of our mistakes and misconceptions, the search for and revelation of ways, in which we, as subjects, are able to change ourselves. In this article, the authors attempt to shed light on the genealogical significance of Foucault’s concept of parrhesia and its relationship to the modern philosophy; present the classification of parrhesia (on the basis of Foucault’s lectures) that allows to identify political and philosophical dimensions of this phenomenon and their different modalities, as well as review in a holistic way the Platonic philosophical parrhesia and consider the problem of its complex relationship with politics, which becomes especially acute when the “reality of philosophy” is being tested.

Brüche einer Gattungsgeschichte. Karikatur zwischen Massani und Sulzer

When the caricature came up in the late 16th century, the notion meant an overloaded or exaggerated – and humorous – kind of portrait. Since then its meaning has changed considerably. Today caricature is understood as a visual equivalent of literary satire. This modern understanding has its origin in the bourgeois culture of the Enlightenment. In my contribution I examine the change in the concept of caricature in Western history. The focus is on the connection between this change in meaning and the constitution of caricature as an image genre. When did caricature acquire the status of a legitimate form of invectivity? Besides caricature, special attention is also paid to parody, because both types of invective communication often overlap.

The Unpredictable Lightness of History in Nicolas Cavaillès’ Novellas on the Mauritius Islands

Nicolas Cavaillès ponders on a philosophy of history mixed with humour and irony in his historical narratives of remote islands in the Indian Ocean in two of his novellas: Life of Mr. Legaut (the story of a Huguenot who is forced to leave his native France and travels to these islands) and The Dead on the Donkey, where the wanderings of un unfortunate donkey across the Mauritius Island allow the narrator to relate the history of the island and its tragic trajectory to modernity. The idea of Western history as progressive evolution is rolled upside down with irony in Cavaillès's philosophical reflection on the circumstances leading to colonial expeditions in Life of Mr. Leguat (2013) and in the successive destruction of the Mauritius Island in the novella The Dead on the Donkey (2018). If Cavaillès builds his books hermeneutically, he also defies hermeneutics by denying all forms of possible understanding of the events described. The actions of his protagonists, human or animal, are the result of circumstances that are well known, but so absurd that they cannot form a historical narrative. If they did, this narrative would look like a hybrid of Beckett's absurd and Cioran's despair. Anti-Hegelian, since history here does not lead to individual freedom, Cavaillès's conception of history equally challenges Nietzsche's representation of unhistorical temporality in an attempt to solve humanity’s relation to the past for enacting a more desirable future. In far away Edenic islands, colonized by powerful states and inhabited by human and animal slaves, no philosophy could make sense of history.

Frederick II of Hohenstaufen and modern ecology

Emperor Frederick II’s early thirteenth-century book on falconry, De arte venandi cum avibus, is probably the most famous single source for scholars who survey the state-of-the-art in natural sciences in medieval times. Most of the research on his book has focused on the marginal illustrations featuring about 80 bird species. However, the book contains a large amount of ethological, ecological, morphological and faunistic knowledge about bird fauna. Frederick was also one of the first to conduct experiments with birds. Here, we describe the ornithological experiments and observations of Frederick and evaluate them from the perspective of modern ecology. In many contexts, Frederick expressed criticism of Aristotle and his work Liber Animalium. Frederick’s observation upon the geographical variation of species was partially in contrast to the Aristotelian typological or essentialist species concept. This is an important finding from the point of view of the western history of biology. De arte venandi cum avibus demonstrates Frederick’s deep knowledge of the ecology, morphology and behaviour of birds. This knowledge he gained via his long practice with falconry. The love of falconry made Frederick an early proponent of empiricism, and De arte venandi cum avibus was actually the most important achievement of empirical zoology in the thirteenth century.

Socially robotic: making useless machines

As robots increasingly become part of our everyday lives, questions arise with regards to how to approach them and how to understand them in social contexts. The Western history of human–robot relations revolves around competition and control, which restricts our ability to relate to machines in other ways. In this study, we take a relational approach to explore different manners of socializing with robots, especially those that exceed an instrumental approach. The nonhuman subjects of this study are built to explore non-purposeful behavior, in an attempt to break away from the assumptions of utility that underlie the hegemonic human–machine interactions. This breakaway is accompanied by ‘learning to be attuned’ on the side of the human subjects, which is facilitated by continuous relations at the level of everyday life. Our paper highlights this ground for the emergence of meanings and questions that could not be subsumed by frameworks of control and domination. The research-creation project Machine Ménagerie serves as a case study for these ideas, demonstrating a relational approach in which the designer and the machines co-constitute each other through sustained interactions, becoming attuned to one another through the performance of research. Machine Ménagerie attempts to produce affective and playful—if not unruly—nonhuman entities that invite interaction yet have no intention of serving human social or physical needs. We diverge from other social robotics research by creating machines that do not attempt to mimic human social behaviours.

Unseen Women in Psychedelic History

The drug experiences of women in Western society have been both sensationalized for their scandalous aspects and sterilized in clinical reports, but the role of women in the investigation of psychedelics in modern Western history is obscure, and the identities and activities of early women participants are often unknown. This paper explores some of the under-reported history of women’s contributions to psychedelic exploration and research in the twentieth century. Mabel Luhan and Valentina Wasson represent women whose stories have entered the canon of psychedelic history but have failed to fully represent their individual impact. Wasson’s work is often subsumed under that of her more well-known husband. Luhan is considered to be a psychedelic pioneer, but her pattern of interference in the politics of peyote in the Taos Pueblo is often overlooked. The poet Mary Barnard is well-known as a translator of Sappho, but her lyrical writing on psychedelics is less celebrated. Gertrude Paltin and Kay Parley are female therapists and authors whose valuable writing on psychedelics is almost unknown in the field. There remain many women whose significant contributions to the exploration and employment of psychedelics for spiritual development, personal discovery, individual betterment or therapeutic impact have not been well recorded.

Toward a Global History of Young Israel

This article argues that the first two decades of Israeli state-building can be compared structurally to some main processes in postwar Western-European societies, and that this approach productively situates Israel within a global perspective, uncovering new relationships between the local and the global. In addition, it proposes a methodological reading of the young Israeli society before the Six-Day War and a theoretical framework in which to place it. It provides an analysis of this young society from the perspective of Western history, constituting a new reference point that does not strive to negate other common approaches. If, until now, the history of the first two decades of Israel has been examined from a local and particular point of view – whether the state-building process or political, social, and national controversies – I propose to view the Israel of the 1950s–1960s as a postwar society that underwent the same structural processes as other Western European societies during those years, despite domestic differences.