GIAMBATTISTA Vico, Liber Metaphysicus. (De antiquissima Italorum sapientia liber primus). Risposte 1711-1712. Aus dem Lateinischen und Italianischen ins Deutsche bertragen von Stephan Otto und Helmut Viechtbauer, mit einer Einleitung von Stephan Otto, Miinchen, Wilhelm Fink Verlag, 1979. PAUL RICHARD BLUM, Aristoteles bei Giordano Bruno. Studien zur philosophischen Rezeption, Miinchen, Wilhelm Verlag, 1980.

doi:10.1163/221058781x00547

GIAMBATTISTA Vico, Liber Metaphysicus. (De antiquissima Italorum sapientia liber primus). Risposte 1711-1712. Aus dem Lateinischen und Italianischen ins Deutsche bertragen von Stephan Otto und Helmut Viechtbauer, mit einer Einleitung von Stephan Otto, Miinchen, Wilhelm Fink Verlag, 1979. PAUL RICHARD BLUM, Aristoteles bei Giordano Bruno. Studien zur philosophischen Rezeption, Miinchen, Wilhelm Verlag, 1980.

Annali dell Istituto e Museo di storia della scienza di Firenze ◽

10.1163/221058781x00547 ◽

1981 ◽

Vol 6 (2) ◽

pp. 162-163

Keyword(s):

Giambattista Vico ◽

Giordano Bruno

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5. Finnegans Wake

10.1093/actrade/9780192894472.003.0005 ◽

2021 ◽

pp. 75-96

Author(s):

Colin MacCabe

Keyword(s):

Subject Matter ◽

Finnegans Wake ◽

Giambattista Vico ◽

The Family ◽

Giordano Bruno ◽

Take All

‘Finnegans Wake’ assesses James Joyce’s Finnegans Wake (1939). In Finnegans Wake, Joyce attempted to write a book which would take all history and knowledge for its subject matter and the workings of the dreaming mind for its form. Four themes surround the book: language, the family, sexuality, and death. In Joyce’s attempt to break away from the ‘evidences’ of conventional narrative with its fixed causality and temporality, two Italian thinkers, Giordano Bruno and Giambattista Vico, were of profound importance in the writing of Finnegans Wake. Bruno and Vico are used in Finnegans Wake to aid the deconstruction of identity into difference and to replace progress with repetition.

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«Un uomo che pensa per immagini». Aby Warburg lettore di Giordano Bruno tra storia della filosofia e Kulturwissenschaft

RIVISTA DI STORIA DELLA FILOSOFIA ◽

10.3280/sf2019-004003 ◽

2019 ◽

pp. 611-641

Author(s):

Salvatore Carannante

Keyword(s):

Giordano Bruno ◽

Aby Warburg

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Joyce's Indifferent Animals: Boredom and the Subversion of Fables in Finnegans Wake

Modernist Cultures ◽

10.3366/mod.2016.0134 ◽

2016 ◽

Vol 11 (2) ◽

pp. 179-205 ◽

Cited By ~ 3

Author(s):

Cliff Mak

Keyword(s):

Cultural Authority ◽

Finnegans Wake ◽

Giordano Bruno ◽

Beast Fable

This piece explores the multitude of animal figures in Joyce, especially with regards to his engagement with the classical moral mode of the beast fable. Drawing from a number of texts throughout Joyce's corpus – from his early essays on Dante and Defoe to the fables in Finnegans Wake – I show how a young Joyce's poetics of boredom (as derived from Giordano Bruno) informs his later work through the figure of the animal. Granting his animal figures a certain amount of agency, Joyce uses them to subvert the didacticism of fables, the colonial instrumentalization associated with this didacticism, and even the cultural authority of modernism itself, his own work included.

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