Steffen Schneider. Kosmos, Seele, Text: Formen der Partizipation und ihre literarische Vermittlung: Marsilio Ficino, Pierre de Ronsard, Giordano Bruno. Neues Forum für Allgemeine und Vergleichende Literaturwissenschaft 48. Heidelberg: Universitätsverlag Winter, 2012. 438 pp. €48. ISBN: 978–3–8253–6030–6.

2013 ◽  
Vol 66 (4) ◽  
pp. 1482-1484 ◽  
Author(s):  
Sergius Kodera
2004 ◽  
Vol 49 (4) ◽  
pp. 689
Author(s):  
Luis Carlos Bombassaro

Esse artigo pretende investigar a questão do amor intelectual na tradição platônicada Renascença, destacando a dimensão filosófica da interpretação do amor em Marsilio Ficino e Giordano Bruno. 


Author(s):  
James Hankins

Though it never successfully challenged the dominance of Aristotelian school philosophy, the revival of Plato and Platonism was an important phenomenon in the philosophical life of the Renaissance and contributed much to the new, more pluralistic philosophical climate of the fifteenth and sixteenth centuries. Medieval philosophers had had access only to a few works by Plato himself, and, while the indirect influence of the Platonic tradition was pervasive, few if any Western medieval philosophers identified themselves as Platonists. In the Renaissance, by contrast, Western thinkers had access to the complete corpus of Plato’s works as well as to the works of Plotinus and many late ancient Platonists; there was also a small but influential group of thinkers who identified themselves as Christian Platonists. In the fifteenth century, the most important of these were to be found in the circles of Cardinal Bessarion (1403–72) in Rome and of Marsilio Ficino (1433–99) in Florence. Platonic themes were also central to the philosophies of Nicholas of Cusa (1401–64) and Giovanni Pico della Mirandola (1463–94), the two most powerful and original thinkers of the Quattrocento. While the dominant interpretation of the Platonic dialogues throughout the Renaissance remained Neoplatonic, there was also a minority tradition that revived the sceptical interpretation of the dialogues that had been characteristic of the early Hellenistic Academy. In the sixteenth century Platonism became a kind of ‘countercultural’ phenomenon, and Plato came to be an important authority for scientists and cosmologists who wished to challenge the Aristotelian mainstream: men like Copernicus, Giordano Bruno, Francesco Patrizi and Galileo. Nevertheless, the Platonic dialogues were rarely taught in the humanistic schools of fifteenth-century Italy. Plato was first established as an important school author in the sixteenth century, first at the University of Paris and later in German universities. In Italy chairs of Platonic philosophy began to be established for the first time in the 1570s. Though the hegemony of Aristotelianism was in the end broken by the new philosophy of the seventeenth century, Plato’s authority did much to loosen the grip of Aristotle on the teaching of natural philosophy in the universities of late Renaissance Europe.


2021 ◽  
pp. 151-176
Author(s):  
Hiro Hirai

Along with the revival of Platonism, Renaissance Europe saw a surprising proliferation of writings on the world soul, shaping one of the most impressive eras in the history of this perennial theme. The current chapter focuses on key figures such as Marsilio Ficino, Agostino Steuco, Giordano Bruno, Tommaso Campanella, and Justus Lipsius. Presenting their major arguments, it shows the features of their interpretations and eventual interconnections. Starting from fifteenth-century Florence, it examines some important attempts to reconcile the doctrine of the world soul with Christianity. More than 100 years later, these attempts culminated in the work that revived Stoicism with a strong Platonic flavor. A clue to understanding all this evolution is the belief in “ancient theology” (prisca theologia) promoted by Ficino and developed in the stream of Renaissance Platonism.


2018 ◽  
Vol 44 (1) ◽  
pp. 73-103
Author(s):  
Jesse Russell

In the later twentieth and early twenty-first centuries, a debate has rumbled over the sources and significance of Platonic and Neoplatonic motifs in Edmund Spenser’s poetry. While this debate has focused on the presence (or absence) of various aspects of Platonism and/or Neoplatonism, critics have largely ignored the hints of magic derived from Neoplatonism. Through the probable influence of John Dee, Marsilio Ficino, and Giordano Bruno as well as Spenser’s own wide-ranging and particular reading, The Faerie Queene makes it evident that the English poet found himself attracted to an ancient hope in the restoration of a Golden Age that would be inaugurated by a great monarch. However, by the end of the poem, Spenser has largely lost faith in the restoration of this Golden Age; what he has uncovered along the way forces a retreat to Christian hope in his personal salvation.


2016 ◽  
Vol 1 (20) ◽  
pp. 65
Author(s):  
Rita Catania Marrone

http://dx.doi.org/10.5007/2176-8552.2016n20p65Se é verdade que a Modernidade representa, na opinião de muitos, o triunfo do progresso científico e da razão, é também verdade que nos seus fundamentos se encontra uma visão mágica e irracional do mundo, de maneira alguma desaparecida da nossa cultura. O presente artigo divide-se em uma introdução às raízes ocultas da época moderna, nas suas facetas artísticas, filosóficas e literárias, em seguida focando a atenção na figura de Fernando Pessoa. O poeta português, de facto, é herdeiro direto de uma antiga Weltanschauung mágica, que passa por Marsílio Ficino e Giordano Bruno, mas também por Johann Wolfang Von Goethe e por Isaac Newton, para chegar a poetas modernos como William Butler Yeats e Thomas Stearns Elliot, mas também ao próprio Pessoa. A paixão do poeta pela astrologia, pela filosofia hermética e pelo ocultismo não era apenas um passatempo, mas uma verdadeira chave de leitura para compreender o mundo, interpretá-lo e reelaborá-lo através da criação poética.


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