PRO 30/55/087/068 - Copy Letter from Daniel Trener & Robert Wilson to Sir Guy Carleton

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1973 ◽  
Vol 26 (4) ◽  
pp. 30-31
Author(s):  
Ernest Callenbach
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2021 ◽  
Vol 123 (3) ◽  
pp. 709-750
Author(s):  
Alexander Teytelboym ◽  
Shengwu Li ◽  
Scott Duke Kominers ◽  
Mohammad Akbarpour ◽  
Piotr Dworczak
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1979 ◽  
Vol 73 (4) ◽  
pp. 628-646 ◽  
Author(s):  
James Crawford

In a series of articles in this Journal, Professor Robert Wilson drew attention to the incorporation of references to international law in United States statutes, a technique designed to allow recourse to international law by the courts in interpreting and implementing those statutes, and, consequently, to help ensure conformity between international and U.S. law. The purpose of this article is to survey the references, direct and indirect, to international law in the 20th-century statutes of two Commonwealth countries in order to see to what extent similar techniques have been adopted. The choice of the United Kingdom and the Commonwealth of Australia as the subjects of this survey is no doubt somewhat arbitrary (although passing reference will be made to the legislation of Canada and New Zealand). But the United Kingdom, a semi-unitary state whose involvement in international relations has been substantial throughout the century, and the Commonwealth of Australia, a federal polity with substantial legislative power over foreign affairs and defense -whose international role has changed markedly since 1901, do provide useful examples of states with constitutional and legislative continuity since 1901, and (as will be seen) considerable legislative involvement in this field.


2013 ◽  
Vol 23 (4) ◽  
pp. 568-573
Author(s):  
Louise Owen
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The Auk ◽  
1935 ◽  
Vol 52 (4) ◽  
pp. 359-361 ◽  
Author(s):  
Kalman Lambrecht
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2009 ◽  
Vol 25 (4) ◽  
pp. 303-305
Author(s):  
Maria Shevtsova

The co-editors of New Theatre Quarterly take time out here to reflect on the milestone of the journal reaching its hundredth consecutive issue, in succession to the forty of the original Theatre Quarterly. Simon Trussler was one of the founding editors of the ‘old’ Theatre Quarterly in 1971. He is the author of numerous books on drama and theatre, including New Theatre Voices of the Seventies (1981), Shakespearean Concepts (1989), the award-winning Cambridge Illustrated History of British Theatre (1993), The Faber Guide to Elizabethan and Jacobean Drama (2006), and Will's Will (2007). Formerly Reader in Drama in the University of London, he is now Professor and Senior Research Fellow at Rose Bruford College. Maria Shevtsova, who has been co-editor of New Theatre Quarterly since 2003, is Professor of Drama and Theatre Arts and Director of Graduate Studies at Goldsmiths, University of London. The author of more than one hundred articles and chapters in collected volumes, her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (co-edited with Shomit Mitter, 2005), Robert Wilson (2007), Directors/Directing: Conversations on Theatre (with Christopher Innes, 2009), and Sociology of Theatre and Performance (2009).


Modern Drama ◽  
1988 ◽  
Vol 31 (3) ◽  
pp. 454-458 ◽  
Author(s):  
Arthur Holmberg
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Author(s):  
Allan J. Willis ◽  
Thomas W. Hartquist
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