Professionalizing Doubt: Johann Daniel Major’s Observation ‘On the Horn of the Bezoardic Goat’, Curiosity Collecting, and Periodical Publication

2021 ◽  
pp. 1-30
Author(s):  
Linda K. Hughes

To expand understanding of imbricated journalism and high aestheticism at the fin de siècle, this essay examines Vernon Lee's journalism and slow essay serials, a form spread over space (viz., different periodicals) and marked by irregular temporal issue of installments before finding new cohesion when retroactively constructed as a book. Lee's prolific periodical publication, especially her aesthetic criticism, is rarely approached as journalism. Newly available letters and Lee's negotiations with editors clarify the occluded history of Lee's journalism and her slow essay serials, a distinctive serial form at the fin de siècle, which this article conceptualizes in closing.


Author(s):  
Е.А. Борисова ◽  
П.Ю. Плечов

В 2017 году исполнилось 110 лет со времени публикации первого выпуска периодического издания музея, носящего сейчас имя академика А.Е. Ферсмана. В статье дан краткий обзор выпусков журнала за первое десятилетие его существования (период с 1907 по 1917 - 1918 гг.).


2021 ◽  
Vol 26 (53) ◽  
pp. 55-58
Author(s):  
Yuhei Takahashi ◽  
Niiden Ichinnorov ◽  
Sereenen Jargalan ◽  
Bayaraa Batkhishig

Since the publication of the first issue of Mongolian Geoscientist, in October 1996, 25 years have passed and the journal has successfully evolved over a quarter of a century into a periodical publication well-known also outside the borders of Mongolia. Background and episodes of early publications were reviewed by Y.Takahashi, N.Ichinnorov, and S.Jargalan, who were members of the JICA-IGMR project. The present status of Mongolian Geoscientist is that of an internationally peer-reviewed, open-access journal, published by the School of Geology and Mining Engineering, Mongolian University of Science and Technology, with support from the Geological Society of Mongolia; managed by Editor-in-Chief B.Batkhishig, Consultant Editorial Board member O.Gerel, and Associate Editors B.Munkhtsengel, B.Altanzul, and Kh.Tseedulam.


Author(s):  
Elizabeth Gaskell

‘I see her now – cousin Phillis. The westering sun shone full upon her, and made a slanting stream of light into the room within.’ Elizabeth Gaskell has long been one of the most popular of Victorian novelists, yet in her lifetime her shorter fictions were equally well loved, and they are among the most accomplished examples of the genre. The novella-length Cousin Phillis is a lyrical depiction of a vanishing way of life and a girl’s disappointment in love: deceptively simple, its undercurrent of feeling leaves an indelible impression. The other five stories in this selection were all written during the 1850s for Dickens’s periodical Household Words. They range from a quietly original tale of urban poverty and a fallen woman in ‘Lizzie Leigh’ to an historical tale of a great family in ‘Morton Hall’; echoes of the French Revolution, the bleakness of winter in Westmorland, and a tragic secret are brought vividly to life. Heather Glen reflects on the stories’ original periodical publication and on the nineteenth-century development of the short story in her Introduction to these immensely readable and sophisticated tales.


1794 ◽  
Vol 84 ◽  
pp. 429-434 ◽  

Letter I. Reverend Sir, Norwich, 17th April, 1794. I received your letter yesterday ; and I am extremely happy in giving you the best description in my power respecting the phenomenon I saw in the moon, on Friday the 7th of March, a few minutes before eight o'clock in the evening. I was in hopes, as it was a bright evening, that some astronomer might observe it, who would have described it in a more scientific manner than I can. The few observations I made were merely to compare with some account I expected and wished to meet in some periodical publication. My friend Mr. Beckwith having the day before told me that I might see Mercury soon after sun-set, I had been looking for that planet from the Castle-hill in Norwich, but was disappointed by a clouded horizon. I mention this merely as the reason of my being led to a more particular notice of the moon also in this evening, having lost the first object of that evening's attention.


2020 ◽  
pp. 44-64
Author(s):  
Elke D’hoker

This chapter investigates the ten short story series about working women which the Scottish popular novelist, Annie S. Swan published in the women’s magazine, The Woman at Home, between 1893 and 1918. The format of the short story series, pioneered by Conan Doyle in The Strand, lent itself particularly well to periodical publication given its patterning of periodicity and repetition with variation. The chapter shows how Swan drew on these features to depict the experiences of professional and working women while deferring the closure of the marriage plot. Although the individual stories are often moralizing, predictable and conservative in their foregrounding of women as wives and mothers, the series in their entirety emphasise the expertise and professionalism of their female protagonists. In seeking to marry an advocacy for women’s work with a more traditional domestic ideology, Swan’s story series participate in The Woman at Home’s middlebrow negotiation of the new gender roles and feminine ideals that were being debated at the time.


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