Old Religion, New Spirituality: Implications of Secularisation and Individualisation in Estonia

2021 ◽  
Author(s):  
Riho Altnurme
Keyword(s):  
2021 ◽  
pp. 1-26
Author(s):  
Silvia Rivadossi

Abstract This article contributes to the discussion on reactions and responses to the coronavirus pandemic in Japan, with specific reference to the field of “new spirituality” and, within this broad category, of shamanic spirituality. The case of the dance therapist, or “dance movement shaman,” Ms. Hiroda demonstrates how she managed to keep in contact with her practitioners and to design new ways to help them cope with the situation. The solution she offers, in line with the characteristics of shamanic spirituality, is to help each individual to acknowledge the importance of interconnectedness. In particular, Ms. Hiroda emphasizes body, community, and nature: to become aware of one’s own body again and of the necessity of connection with others and nature, especially in times of interpersonal distancing and crisis. Her response to the first wave of COVID-19 is thus to offer a strategy to live peacefully with—and despite—the virus.


Author(s):  
Kathryn Dickason

This chapter considers the role of dance in the cult of the saints, tracing the evolution of dance vis-à-vis sanctity and cultic worship. For some saints, dancing became part of their iconic image. Within the context of saintly devotion, dance helped to induce conversion, animate miracles, and promote social cohesion. Insights from performance theory help conceptualize the connection between death and dancing bodies. The first section explores the cult, relics, and reliquary of Sainte Foy, who imbued sacred dance with a significance that was at once regional and international, religious and political. The second section examines the hagiographies of St. Francis of Assisi. Francis—as a prancing preacher, jongleur saint, and living phantom—authorized a new spirituality that diverged from mainstream monasticism, yet bore the mark of apostolic, authentic piety.


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