Interpretations of Dante’s Esotericism in the Italian and French Studies in the Middle of the Nineteenth and the Second Half of the Twentieth Century

This article has a historiographic and methodological nature and is devoted to the problematic interpretations of the esoteric content of Dante’s ideas and works by French and Italian scholars from the middle of the nineteenth century to the second half of the twentieth century. Various definitions of Western esotericism are discussed in the light of contemporary approaches. The current interest in the study of Dante’s esotericism and the relevance of this topic are substantiated. The tradition in the interpretation of Dante's esotericism in Italy and France can be traced back to the occultists of the 19th century, who referred to each other's works: G. Rossetti, E. Arou, F. Boissard, J. Péladant, G. Pascoli and others. It has been demonstrated that the studies of Dante's esotericism during 1920s reached a new level of quality, which was adequate to the contemporary scientific requirements for Dante studies: in Italy, this happened in the person of Luigi Valli and his students, Arturo Reghini and then Julius Evola; and in France, at the same time, in the person of René Guénon. The criticism of Valli in the works by Guénon is analyzed in detail. The context of Dante's interpretation by Guénon is revealed in connection with the issue of Templar, Rosicrucian and Islamic influences (Sufism, Arab Neoplatonism). In this respect, a significant difference of tones was observed in the perception of Dante's esotericism within the general paradigm of integral traditionalism between Guénon and his Italian colleagues Julius Evola and especially Guido de Giorgio, whose fundamental work is still unknown to Russian scholars. An intense politicization of the perception of Dante's heritage by Evola and de Giorgio is also remarked in this article. Special attention is then paid to the study of Dante's esotericism by one of the leading Roman Catholic theologian of the twentieth century, Romano Guardini, who engaged a polemic correspondence with the integral traditionalists. Based on the results of our study, it was concluded that the research of Dante's esotericism by French and Italian authors for more than a hundred years can be characterized as a continuous chain of dialogue and polemics of various authors who knew about each other's works and used the appropriate links.

From Metapsychology to Magnetic Gnosis: An Esoteric Context for Interpreting Traumatic Modes of Transcendence in Sándor Ferenczi's Clinical Diary and Elizabeth Severn's The Discovery of the Self

It has been argued that the essential themes in Sándor Ferenczi's Clinical Diary (1932) centre around three major axes (theoretical, technical and personal). This paper proposes a fourth: namely, an occult or esoteric axis. To make the case for its presence in the Clinical Diary, the article provides a brief introduction to the academic study of Western esotericism in order to more adequately situate its proximate fin de siècle occult precursors vis-à-vis psychoanalytic metapsychology. A brief account of Ferenczi's correspondence with Freud on the role of the occult in psychoanalysis is then provided. This constitutes the necessary context for embarking upon an investigation into the ‘psychognostic’ metapsychology co-developed during the course of Ferenczi's ‘mutual analysis’ with the so-called ‘evil genius’, Elizabeth Severn. By way of conclusion, James Grotstein's account of a ‘numinous and immanent psychoanalytic subject’ is highlighted as the locus for a synergistic rapprochement between pre-Freudian and contemporary psychoanalytic conceptualizations of the subject congruent with the ‘Orphic trajectory’ outlined in this paper.

“Yo’ Kin Cut All Kinda Tricks”: Crossroad Ordeals, Peavine Drills, and Other Technologies of the Self in African-American Vernacular Esotericism

The vernacular magical, divinatory, and healing practices associated with the Afro-American Gulf South, alternately called “Hoodoo” or “Conjure,” offer a window into an intriguing world of “everyday esoterica.” Practitioners envision a world of competing human desires, which move and are moved by an array of malign and benign spiritual forces. They cope with this world with a pharmacopeia of symbolically powerful physical substances, but also through works of bodily discipline, prayer, meditation, and other practices aimed at the cultivation of will, self-awareness, and self-regard. These latter tools and techniques comport closely with Michel Foucault’s concept of technologies of the self. Exploring Hoodoo ritual through Foucault’s lens offers opportunities to re-imagine American Hoodoo as an esoteric system that enables practitioners to manipulate and transform themselves as well as their circumstances. This examination serves to increase our appreciation for the sophistication of these traditions, while simultaneously enlarging and enriching Foucault’s paradigm – offering new ways to consider the techniques by which one might come to know and understand oneself. This inquiry addresses a lacuna in the scholarship of Hoodoo and Conjure and also situates these traditions more firmly (and accurately) within the wider corpus of Gnostic Studies and Western Esotericism.