"Into Life." Franz Rosenzweig on Knowledge, Aesthetics, and Politics

2021 ◽  
Author(s):  
Antonios Kalatzis ◽  
Enrico Lucca
Author(s):  
Saitya Brata Das

This book rigorously examines the theologico-political works of Friedrich Wilhelm Joseph von Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.


Naharaim ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 35-57
Author(s):  
Elad Lapidot

AbstractThis paper consists in a reflection on the conceptual nerve center of Franz Rosenzweig’s thought and heritage that is the category of redemption as an epistemological category. The reflection is articulated through a comparative study of the redemptive epistemologies of three modern Jewish thinkers: Franz Rosenzweig, Rabbi Yoseph Dov Soloveitchik and HaRav Avraham Yitzchak HaCohen Kook. The comparison arises from a basic feature that this paper identifies as common to all three modern visions of epistemic Jewish redemption: they all feature Hegelian interpretations of the traditional Jewish category of teshuva.


Ecumene ◽  
1997 ◽  
Vol 4 (4) ◽  
pp. 435-457
Author(s):  
Sarah Bonnemaison

2017 ◽  
Vol 20 (2) ◽  
pp. 191-208 ◽  
Author(s):  
E. Attila Aytekin

This article departs from analyses that underline the middle-class character of June 2013 (Gezi Park) protests in Turkey by focusing on the relationship between politics and aesthetics in the protest movement. The predominant form of protest in the movement was aesthetic political acts, which did not bring about any distinction based on class or cultural capital. Rather, the artistic practices and cultural symbols employed by protesters bridged gaps by bringing a large and diverse body of people around a common political position. The June protests constituted a moment of “dissensus” in the Rancièrean sense as the shared position was based on an essential claim for equality of the dēmos and the demands of the anonymous to be seen, heard, counted in, and to partake. The article focuses on the role Second New Wave poetry played in the protests, as the protesters appropriated the ironic and ambiguous verses of the Second New Wave poets to create a unified movement.


Communio ◽  
2017 ◽  
Vol N° 251-252 (3) ◽  
pp. 180-186
Author(s):  
Ivica Žižić ◽  
Viviane Ceccarelli Duthaut
Keyword(s):  

2021 ◽  
Author(s):  
Amanda Wasielewski

The narrative of the birth of internet culture often focuses on the achievements of American entrepreneurs in Silicon Valley, but there is an alternative history of internet pioneers in Europe who developed their own model of network culture in the early 1990s. Drawing from their experiences in the leftist and anarchist movements of the ’80s, they built DIY networks that give us a glimpse into what internet culture could have been if it were in the hands of squatters, hackers, punks, artists, and activists. In the Dutch scene, the early internet was intimately tied to the aesthetics and politics of squatting. Untethered from profit motives, these artists and activists aimed to create a decentralized tool that would democratize culture and promote open and free exchange of information.


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