Sounding the Powers of Place in Neighborhoods: Responses to the Urban Crisis in Washington Heights and New York City

2017 ◽  
Vol 46 (6) ◽  
pp. 1290-1316
Author(s):  
Robert W. Snyder

As scholars move from studying the city as the setting for larger social processes to exploring how cities play constitutive roles in historical change, it is important to explore the most fundamental and complex unit of urban life—the neighborhood—in all its subjective meanings and dimensions. This essay, which builds on my book, Crossing Broadway: Washington Heights and the Promise of New York City (Cornell, 2015), examines how residents of the Washington Heights section of northern Manhattan, who mentally divided their neighborhood into smaller and separate enclaves, overcame their divisions to avert the worst threats of the urban crisis in impressive displays of collective efficacy. Residents crossed and redefined neighborhood boundaries to preserve housing, empower Dominican immigrants, reduce crime, and recover parks and public spaces that had been damaged by neglect and violence. Ironically, the success of their efforts set off a surge in gentrification that threatens to displace poor and working-class residents. The study of their efforts, especially with oral history interviews, reveals the micro-neighborhoods that exist within a neighborhood boundary, the importance of thinking about space in urban culture and politics, and the value and limits of neighborhood action for social change.

2016 ◽  
Vol 38 (1) ◽  
pp. 108-128 ◽  
Author(s):  
XI PAN ◽  
JASLEEN K. CHAHAL ◽  
ROSE MARIE WARD

ABSTRACTThe concept of quality of urban life (QoUL) can be interpreted quite differently across different cultures. Little evidence has shown that the measure of QoUL, which is based on Western culture, can be applied to populations cross-culturally. In the current study, we use data from the 2006 Assessing Happiness and Competitiveness of World Major Metropolises study to identify underlying factors associated with QoUL as well as assess the consistency of the QoUL measurement among adults, aged 60 and older, in ten world major metropolises (i.e. New York City, Toronto, London, Paris, Milan, Berlin, Stockholm, Beijing, Tokyo and Seoul). Exploratory factor analysis and multiple-group confirmatory factor analysis (CFA) are used to analyse the data. Findings of the study suggest that the measure of QoUL is sensitive to socio-cultural differences. Community factor and intrapersonal factor are two underlying structures that are related to QoUL among older adults in ten metropolises cross-culturally. Results from the CFA indicate that Toronto is comparable with Beijing, New York City, Paris, Milan and Stockholm in QoUL, while other cities are not. The results provide insights into the development of current urban policy and promotion of quality of life among older residents in major metropolitan areas. Future researchers should continue to explore the relationship between QoUL and socio-cultural differences within international urban settings, while remaining cautious when making cross-cultural comparisons.


1975 ◽  
Vol 7 (3) ◽  
pp. 20-39
Author(s):  
William W. Sales

2021 ◽  
Vol 8 (1) ◽  
pp. 97
Author(s):  
María F. Carrascal Pérez

<p>Given its positive economic, social and urban impact, even with low-cost or low-tech materialization, the urban creativity encouraged by the arts is of great interest today. This narrative reviews one of the most prolific careers in this regard addressing the pioneering work by Doris C. Freedman. The late 1960s and the 1970s, in the context of two financial crises, saw a groundbreaking effort to formalize innovative artistic programs that recycled the obsolete city and integrated local communities in the processes. Doris C. Freedman was the first director of NYC Department of Cultural Affairs, the Public Arts Council, and leader of the organization City Walls. These institutions promoted an unprecedented improvement of the public urban life through the cultural action. Such experiences led Freedman to the conception of her last project, the relevant and, still, ongoing Public Art Fund of New York City. This article focuses on her early professional years, when she began and consolidated herself in the task of legitimizing art as an urban instrument for shaping the city. This research provides a contextualized critical analysis on Freedman’s less-known experimental projects before the foundation of the Public Art Fund, enabling an extraordinary source of inspiration for a current creative city-making.</p>


Global Crime ◽  
2004 ◽  
Vol 6 (2) ◽  
pp. 222-229
Author(s):  
Austin Francis Muldoon

Sign in / Sign up

Export Citation Format

Share Document