Are Contemporary Media Images Which Seem to Display Women as Sexually Empowered Actually Harmful to Women?

2011 ◽  
Vol 35 (1) ◽  
pp. 38-45 ◽  
Author(s):  
Emma Halliwell ◽  
Helen Malson ◽  
Irmgard Tischner
2020 ◽  
Vol 16 (2) ◽  
pp. 46-61
Author(s):  
Przemysław Kisiel

One of the most important contemporary experiences of European societies is undoubtedly the migration crisis. The resulting social fears of ‘strangers,’ which have been activated, show how important the archetypical ‘other-stranger’ pattern still is, and that it can be treated as an example of an ‘anthropological constant.’ The aim of the article is to try to look at the painting “The Wayfarer” by Hieronymus Bosch as an illustration of the archetypical ‘other-stranger’ pattern. It seems that such a reading of this work, rich in symbolic content, on the one hand perfectly justifies the thesis of the archetypical sources of contemporary attitudes towards ‘strangers’ and, on the other hand, allows one to better understand and explain the current reactions and behaviors of Europeans. This becomes particularly evident when juxtaposing the image of Hieronymus Bosch with the contemporary media images of migrants.


2019 ◽  
pp. 219-241
Author(s):  
Emma Hutchison

This chapter explores how the emotional dimensions of witnessing human hardship play a key role in shaping humanitarian practices. While images of suffering have evoked a range of emotions, contemporary commentators lament that a “politics of pity” fuels Western humanitarian practices. Even if it could seem a recent phenomenon, these emotions have a history. This chapter examines the emergence of humanitarian emotions by linking early modern depictions of suffering with contemporary media images of crises. Furthermore, it analyses how representing distant suffering has led to a “politics of pity.” Exposing the contingency of such emotions, this chapter concludes by emphasizing how feelings hold immanent possibilities for political transformations.


2020 ◽  
Vol 16 (2) ◽  
Author(s):  
Josephat Mutangadura ◽  
J C Mann ◽  
L Odendaal

Most visuals in media stories either complement or are complemented by captions that accompany them. This study sought to establish the complementary and clarifying effect of captions that go with road carnage images in The Herald newspaper, a local daily published in Zimbabwe. A study was carried out which involved an interview with photo-journalists from the stable and an analysis of three visual images chosen from the publication. It was established that even as a visual, image can stand alone (but not always); it can tell 95 per cent of the story but will only be complete with an accompanying caption. It was also established that captions need not tell the obvious, but provide that which the picture will be lacking to complete the road carnage story. Captions, therefore, help complete the story as regards the when, where, how, who and what of the depiction. The visual image and the caption combine to complete a communication activity as the verbal and non-verbal form of languages. The study recommends that captions should be edited not only by photo-editors and journalists, but also by practising language people.


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