The aim of this paper is to map manifold notions of migrant cinema and
its history, in other words, film narratives about migrations from, across,
and to the Balkans. The analysis looks at broader Balkan cinema that
features as the context for focusing the changes of the migration pattern
from and to Belgrade. The paper takes Practical Guide to Belgrade with
Singing and Crying (Praktičan vodič kroz Beograd sa pevanjem i plakanjem,
Bojan Vuletić, 2011) as its case study to show the recent reversal of migrant
narratives in which the Balkans are the desired destination, in itself
an exception to the rule. The analyses are based on the appropriated
definition of migrant cinema and complemented with notions of inner
exile and accented cinema.