Worlds apart, drawn together: Bears, penguins and biodiversity in climate change cartoons

2021 ◽  
pp. 096366252199250
Author(s):  
Sara Moreno-Tarín ◽  
Tatiana Pina ◽  
Martí Domínguez
Keyword(s):  
Climate Change ◽  
Point Of View ◽  
Climate Change Communication ◽  
Change Communication ◽  
Biogeographical Distribution ◽  
Climate Crisis ◽  
Positive Point

This study shows how cartoonists use iconic and stereotypical animals in their works to reflect society’s knowledge about the effects of climate change. Studying 1022 climate change cartoons including depictions of animals, we noticed that there is very little biodiversity depicted in cartoons. Cartoonists generally avoid using animals indigenous to their own countries; this point is especially true regarding the low presence of insects and other invertebrates. This text also encourages cartoonists to adhere to some recommendations to improve climate change communication. These guidelines are (1) using indigenous wildlife, (2) depicting invertebrate wildlife, (3) improving their knowledge about the biogeographical distribution of each species to avoid spreading misconceptions and (4) developing climate change communication from a positive point of view, appealing to potential improvements against the climate crisis, both for humans and for the rest of the species.

Climate Change Communication in Argentina

2017 ◽  
Author(s):  
M. Teresa Mercado-Sáez ◽  
César Galarza
Keyword(s):  
Climate Change ◽  
Media Coverage ◽  
Academic Research ◽  
Point Of View ◽  
Climate Change Communication ◽  
Climate Change Research ◽  
Change Communication ◽  
Civil Sphere ◽  
The Media ◽  
Almost All

Climate change research in Argentina focuses on its physical aspects (natural sciences) and not so much on the social aspects, beyond the various surveys measuring perceptions and concerns of Argentinians about climate change. There are few studies that address the problem of communicating the issue from a social sciences standpoint, and these refer to analysis of its coverage in the leading newspapers. And almost all have been published in Spanish. The links between media coverage, policy, and public perceptions in Argentina have not been the subject of academic research thus far. Given the lack of specific bibliography examining the climate change communication from a transversal outlook, in-depth interviews were used to find this out. This study presents an overview of the communication of climate change in Argentina considering not only the journalistic point of view but also that of other social actors. Five areas of interest were defined: the political, the scientific, the media, NGO environmentalists, and what this article refers to as “other sectors.” This fifth area incorporated other voices from the business sector or the non-specialized civil sphere in order to complement the panorama of representative actors that have something to say about the communication of the climate change in Argentina.

scholarly journals The Pathogenesis of the Modern Climate

2020 ◽  
Vol 11 (1) ◽  
pp. 80-98
Author(s):  
Michael Boyden
Keyword(s):  
Climate Change ◽  
Eighteenth Century ◽  
Semantic Analysis ◽  
Future Climate Change ◽  
Open Future ◽  
Climate Change Communication ◽  
Change Communication ◽  
Recent Emergence ◽  
Historical Semantics ◽  
Climate Crisis

      This article offers an exploratory semantic analysis of the concept of climate through the lens of Reinhart Koselleck’s theory of historical semantics. After discussing reasons for its absence in Koselleck’s own scholarly investigations into the semantics of modernity, the article argues that the word climate acquired the properties of a freestanding concept in the course of the eighteenth century. The steep rise in the word’s relative frequency at that time is explained in terms of its relevance to contemporary perceptions of time, and more particularly the rise of the progress narrative as a driver of human-made history. The article equally traces the concept’s decline in the course of the nineteenth century by pointing to developments in the sciences and the secularization of eschatology. Finally, the article reflects on the concept’s revival since the latter half of the twentieth century. Focusing specifically on the recent emergence of collocations such as “climate crisis,” the article argues that, in its orientation towards an open future, climate change communication reveals its reliance on the temporal framework of accelerating progress that it at the same time holds responsible for our warming planet. The article concludes with a plea to pay closer attention to the temporal presuppositions underlying climate change communication. 

scholarly journals Perspectives of artist–practitioners on the communication of climate change in the Pacific

2018 ◽  
Vol 10 (2) ◽  
pp. 323-339 ◽  
Author(s):  
Stuart Capstick ◽  
Sarah Hemstock ◽  
Ruci Senikula
Keyword(s):  
Climate Change ◽  
Pacific Islands ◽  
Climate Impacts ◽  
Climate Change Communication ◽  
Content Type ◽  
Change Communication ◽  
The Pacific ◽  
Research Interviews ◽  
Practical Implications

Purpose This study aims to investigate the role of the visual arts for communicating climate change in the context of the Pacific islands, through the perspectives of artists and climate change practitioners. Design/methodology/approach As part of an “Eco Arts” project carried out in Fiji, semi-structured research interviews were undertaken with artists and climate change practitioners. Findings Participants’ motivations to produce art reflected their personal concerns about, and experiences of, climate change. There was an intention to use art-based approaches to raise awareness and promote action on climate change. The artwork produced drew on metaphors and storytelling to convey future climate impacts and aspects of climate change relevant to Fijian and Pacific communities. Research limitations/implications The study reports the perspectives of participants and discusses the potential uses of arts communication. Conclusions cannot be drawn from the findings regarding the effectiveness of specific artwork or of arts communication as a general approach. Practical implications The research offers suggestions for the inclusion of creative approaches to climate change communication within education and vocational training. A consideration of the perspectives of artist–practitioners has implications for the design and conduct of climate change communication. Social implications The involvement of artist–practitioners in the communication of climate change offers the potential for novel discussions and interpretations of climate change with individuals and within communities, which complement more formal or scientific communication. Originality/value The present study identifies the motivations and objectives of artist–practitioners involved in climate change communication. The authors highlight the role of personal experience and their use of artistic concepts and creative considerations pertinent to the geography and culture of the Pacific region.

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