Book Review: Liedeke Plate and Anneke Smelik (eds), Performing Memory in Art and Popular Culture. New York: Routledge, 2013. 229 pp., ISBN 978-0-415-81140-8

2014 ◽  
Vol 13 (4) ◽  
pp. 511-513
Author(s):  
Zhen Zhang
Keyword(s):  
New York ◽  
1997 ◽  
Vol 7 (2) ◽  
pp. 195-223
Author(s):  
Lillian Taiz

Forty-eight hours after they landed in New York City in 1880, a small contingent of the Salvation Army held their first public meeting at the infamous Harry Hill's Variety Theater. The enterprising Hill, alerted to the group's arrival from Britain by newspaper reports, contacted their leader, Commissioner George Scott Railton, and offered to pay the group to “do a turn” for “an hour or two on … Sunday evening.” In nineteenth-century New York City, Harry Hill's was one of the best known concert saloons, and reformers considered him “among the disreputable classes” of that city. His saloon, they said, was “nothing more than one of the many gates to hell.”


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