Further Contributions to the Theory and Technique of Psycho-analysis. By Sándor Ferenczi. Compiled by John Rickman. Authorized translation from the German by Jane Isabel Suttie and others. The International Psycho-Analytical Library, No. 11. London: The Hogarth Press, 1927. Royal 8vo. Pp. 473. Price 28s.

1927 ◽  
Vol 73 (302) ◽  
pp. 450-451
Author(s):  
C. Stanford Read
Author(s):  
Fred Leventhal ◽  
Peter Stansky

This is a wide-ranging biography of Leonard Woolf (1880–1969), an important yet somewhat neglected figure in British life. He is in the unusual position of being overshadowed by his wife, Virginia Woolf, and his role in helping her is part of this study. He was born in London to a father who was a successful barrister but whose early death left the family in economic difficulty. Though he abandoned his Judaism when young, being Jewish was deeply significant in shaping Leonard’s ideas, as well as the Hellenism imbibed as a student at both St Paul’s and Trinity College, Cambridge. Despite his secularism, there were surprisingly spiritual dimensions to his life. At Cambridge he was a member of the secret discussion group, the Apostles, as were his friends Lytton Stracheyand John Maynard Keynes, thus becoming part of the later Bloomsbury Group. He spent seven years as a successful civil servant in Ceylon, which later enabled him to write brilliantly about empire as well as a powerful novel, The Village in the Jungle. Returning to London in 1911, he married Virginia Woolf the next year. In 1917 they founded the Hogarth Press, a successful and significant publishing house. During his long life he became a major figure, a prolific writer on a range of subjects, most importantly international affairs, especially the creation of the League of Nations, a range of domestic problems, and issues of imperialism, particularly in Africa. He was a seminal figure in twentieth-century British life.


2019 ◽  
Vol 24 (2) ◽  
pp. 182-194
Author(s):  
Daniel Kupermann
Keyword(s):  

Partimos da formulação de Sándor Ferenczi de que o final da análise consistiria na superação da “mentira” por parte do analisando, indicando que esta é a resposta sintomática ao “desmentido” (Verleugnung) sofrido na situação traumática. Nesse sentido o percurso de uma análise implicaria: superar a “identificação ao agressor” decorrente das experiências traumáticas, favorecendo ao analisando o gesto inspirado em sua autenticidade; a “neocatarse” necessária para que o sujeito possa perlaborar a clivagem narcísica, livrando-se da tirania dos objetos incorporados; e a “crianceria”, na forma do resgate da palavra evocativa própria da linguagem da ternura infantil.


Author(s):  
Helen Southworth

Focusing on the period up to 1924, this chapter explores Virginia Woolf’s engagement with London as much-loved home, as literary subject (from Night and Day to Jacob’s Room and Mrs Dalloway), and as professional milieu. It considers Woolf’s roots in Hyde Park Gate, her move from Kensington to Bloomsbury after the death of her father, Leslie Stephen, and the establishment of the Bloomsbury Group. At the same time, this chapter widens the lens to look at the larger London literary scene. This was a resource to which Woolf gained access through a large network of friends, including, but not limited to, other Bloomsbury Group members, and professional contacts acquired through her work as publisher along with Leonard Woolf at the Hogarth Press. The chapter closes with Woolf’s move back into the ‘centre of things’ in Bloomsbury in 1924 as both she and the press began to outgrow Richmond.


Author(s):  
Alice Staveley

‘Yet I’m the only woman in England free to write what I like. The others must be thinking of series’ & editors.’ Woolf’s 1925 homage to the impact of the Hogarth Press on her career is well known, signifying a new sense of herself as a woman writer in command of the means of creative production. Less well known is how pervasive were her private and public negotiations with the narratological implications of the feminist materialism she cultivated as a printer and publisher. This article reviews the state of the field, re-reads her early short fiction in the context of her typesetting experiments, which resonate with the conflicted history of women in the printing trades, and argues for a revisionist understanding of Woolf’s feminist modernism as isomorphic with the Hogarth Press.


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