scholarly journals Latin American Art of the Twentieth CenturyArt of Latin America, 1900–1980

1996 ◽  
Vol 76 (2) ◽  
pp. 322-323
Author(s):  
Juan A. Martínez
Keyword(s):  
Latin America ◽  
Latin American ◽  
American Art ◽  
Latin American Art

Latinoarte: information on Latin American art

1995 ◽  
Vol 20 (3) ◽  
pp. 8-10 ◽  
Author(s):  
Elsa Barberena
Keyword(s):  
Latin America ◽  
Latin American ◽  
American Culture ◽  
American Art ◽  
Latin American Art ◽  
Latin American Culture

Latin American culture is very rich, yet there is insufficient documentation on Latin American art, and much of the documentation which does exist is not adequately covered by the major art indexes. A number of magazines have set out, especially since the 1940s, to disseminate information about Latin American art, but most have been short-lived. The LATINOARTE project, based in the Facultad de Filosofía y Letras at the Universidad Nacional Autónoma de México (UNAM), aims to develop and to network a database including citations to documentation available in 62 libraries and information centres inside and outside Latin America. Already, some 1,500 records are available on contemporary Latin American art. (The edited text of a paper presented to the IFLA Section of Art Libraries at the IFLA General Conference at Havana, August 1994.)

Digital Resources: The Essex Collection of Art from Latin America

2014 ◽  
Author(s):  
Joanne Harwood ◽  
Valerie Fraser ◽  
Sarah J. Demelo
Keyword(s):  
Full Article ◽  
Latin America ◽  
Latin American ◽  
American Art ◽  
Latin American Art ◽  
Forthcoming Article ◽  
Digital Resources ◽  
Latin American History ◽  
The University ◽  
Year 2000

This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Latin American History. Please check back later for the full article. The Essex Collection of Art from Latin America (ESCALA) was originally founded as the University of Essex Collection of Latin American Art (UECLAA) in 1993, but, with no permanent display space, a versatile online presence has been essential to its success as a resource for students, curators, and researchers. By about the year 2000 it comprised around 400 works from about 10 different countries. While it is important to remember that viewing a work of art onscreen is no substitute for viewing it firsthand, the digital catalogue is an essential aspect of ESCALA’s activities. It can offer resources that a paper catalogue cannot (it can provide a record of an artist’s performance, for example), it serves as a versatile resource for teaching and research, and it generates interest in the field among those who happen upon it through random searches.

scholarly journals El Arte Latinoamericano en los Estados Unidos durante el siglo XX. Exposiciones, coleccionismo, museología

2019 ◽  
pp. 118-129
Author(s):  
María Luisa Bellido Gant
Keyword(s):  
United States ◽  
Latin America ◽  
Latin American ◽  
Art Criticism ◽  
American Art ◽  
The United States ◽  
Latin American Art ◽  
Public And Private ◽  
Art Collecting ◽  
Palabras Clave

Este texto reflexiona sobre la presencia del arte latinoamericano en Estados Unidos desde la década de los veinte hasta los años noventa, con el llamado boom del mercado de arte latinoamericano. Nuestro objetivo es presentar de una manera sintética diferentes momentos que jalonaron los vínculos artísticos entre Latinoamérica y Estados Unidos, en especial la presencia, en este país, de artistas de aquella región. Analizaremos las exposiciones individuales y colectivas, el coleccionismo público y privado, la acción institucional, el papel de las galerías de arte y la incidencia de la crítica de arte. Palabras clave: Arte Latinoamericano, coleccionismo, exposiciones, XX, Estados Unidos.   AbstractThis text considers the presence of Latin American art in the United States from 1920 to 1990 with the so called Latin American art market boom. Our goal is to present in a synthetic way different moments that marked the artistic links between Latin America and the United States, especially the presence, in this country, of artists from Latin America. We will analyze individual and collective exhibitions, public and private collecting, institutional action, the role of art galleries and the incidence of art criticism. Keywords: Latin American Art. collecting. exhibitions. XX. United States.

The First History of Latin-American Art: The Second Volume

1952 ◽  
Vol 9 (2) ◽  
pp. 149-168
Author(s):  
Robert C. Smith
Keyword(s):  
Latin America ◽  
Latin American ◽  
American Art ◽  
Spanish American ◽  
Latin American Art ◽  
Major Work ◽  
Gradual Development ◽  
History Of ◽  
Extended Review

In the Issue of January, 1946, the editor of THE AMERICAS published in the form of an article an extended review of mine of a book that had appeared the year before. This was the first volume of the Historia del arte hispanoamericano, written by Diego Angulo Iniguez and Enrique Marco Dorta. Now, five years later, I have been invited to review for the same journal the second volume of this monumental work. It is not often that such a privilege is accorded and I am duly grateful for this opportunity to continue the consideration of a major work of Spanish and Spanish American scholarship, which in its gradual development is bound to be increasingly a subject of prime interest and usefulness to all who are concerned with the culture of Latin America.

Editors’ Introduction: Christianity and Latin American Art

2014 ◽  
Vol 18 (1-2) ◽  
pp. 1-4 ◽  
Author(s):  
Ronald R. Bernier ◽  
Rachel Hostetter Smith
Keyword(s):  
Latin America ◽  
Los Angeles ◽  
Latin American ◽  
American Art ◽  
Latin American Art ◽  
The Arts ◽  
History Of Art ◽  
History Of

‭This brief introduction discusses the need for scholars to turn their attention to the intersections between art and Christianity in Latin America, and traces the origins of this special double-issue of Religion and the Arts to a one-day scholarly symposium entitled “Christianity and Latin American Art: Apprehension, Appropriation, Assimilation.” This symposium was sponsored by the Association of Scholars of Christianity in the History of Art (ASCHA), and held at the Cathedral of Our Lady of the Angels in Los Angeles, California, in February 2012.‬

Sign in / Sign up

Export Citation Format

Share Document