Latinoarte: information on Latin American art

1995 ◽  
Vol 20 (3) ◽  
pp. 8-10 ◽  
Author(s):  
Elsa Barberena
Keyword(s):  
Latin America ◽  
Latin American ◽  
American Culture ◽  
American Art ◽  
Latin American Art ◽  
Latin American Culture

Latin American culture is very rich, yet there is insufficient documentation on Latin American art, and much of the documentation which does exist is not adequately covered by the major art indexes. A number of magazines have set out, especially since the 1940s, to disseminate information about Latin American art, but most have been short-lived. The LATINOARTE project, based in the Facultad de Filosofía y Letras at the Universidad Nacional Autónoma de México (UNAM), aims to develop and to network a database including citations to documentation available in 62 libraries and information centres inside and outside Latin America. Already, some 1,500 records are available on contemporary Latin American art. (The edited text of a paper presented to the IFLA Section of Art Libraries at the IFLA General Conference at Havana, August 1994.)

In and Out of Digital Humanities

2020 ◽  
pp. 1-20
Author(s):  
Héctor Fernández L’Hoeste ◽  
Juan Carlos Rodríguez
Keyword(s):  
Latin America ◽  
Latin American ◽  
Digital Humanities ◽  
American Culture ◽  
General Context ◽  
Cultural Hegemony ◽  
Ample Evidence ◽  
Digital Aesthetics ◽  
Latin American Culture

This introductory chapter provides a general context for this collection, starting with the anecdotal inception of the project. It provides a list of some of the important titles in the field of digital humanities that figure prominently as academic predecessors and ponders on the consequences and implications of the digital turn in the humanities for the study of Latinx and Latin American culture. In response to the cultural hegemony of Anglocentric circles in the digital humanities, it provides ample evidence of the development and existence of the field in Latin America. Finally, it provides a brief overview of the four sections into which the book is divided: digital nations, transnational networks, digital aesthetics and practices, and interviews with Latin American DH scholars.

God, the Trinity, and Latin America Today

2009 ◽  
Vol 3 (2) ◽  
pp. 157-173 ◽  
Author(s):  
Leopoldo Cervantes-Ortiz
Keyword(s):  
Latin America ◽  
Latin American ◽  
Theological Education ◽  
American Culture ◽  
Mexican Culture ◽  
Christian Teaching ◽  
Latin American Culture ◽  
The Impact ◽  
The Trinity ◽  
Christian Beliefs

AbstractThis essay tries to show the diverse ways in which it is possible to refer to the Christian Trinity inside the Latin American culture. An example is given—the Mexican culture—where Christian beliefs are continuously changing under the impact of certain ideas and practices from the postmodern mind. Contemporary Latin American cultures are a mixture of pre-modern, modern, and post-modern elements. The belief in the Trinity is a product of these elements and expresses social, political, and ideological transformations. The traditional, dogmatic, Christian teaching of the Trinity is not the main source for comprehension in that situation. Indeed, theological education has not brought enough explanation of the better form to actualize these types of beliefs. Both Catholic and Protestant theologies need a fresh approach to this problem.

An Analysis of the Consejo Nacional de Mujeres del Peru

1975 ◽  
Vol 17 (4) ◽  
pp. 426-438
Author(s):  
Evelyn G. Schipske
Keyword(s):  
Latin America ◽  
Latin American ◽  
Women's Movement ◽  
American Culture ◽  
Growing Up ◽  
Latin American Culture ◽  
The Church

It has been noted (Tanner, 1970: 23) thata woman growing up under American ideas of liberty in government and religion, having never blushed behind a Turkish mask, nor pressed her feet in Chinese shoes, can not brook any disabilities based on sex alone, without a deep feeling of antagonism with the power that creates it.And so it is in analyzing the women's movement in Latin America that one cannot tolerate any “disabilities” of women on the basis of sex, without a deep feeling of antagonism with the culture which creates them.As de observes, “Latin countries… keep women in subjection less by the rigor of the laws than by the severity of custom.” Upon examination, one finds that Latin American culture is by nature deeply rooted in sexism and male chauvinism and is maintained by institutions such as the church and the patriarchal governments.

Justice and Law in Latin America: A Cuban Example

1970 ◽  
Vol 12 (3) ◽  
pp. 367-378 ◽  
Author(s):  
Francisco José Moreno
Keyword(s):  
Latin America ◽  
Latin American ◽  
American Culture ◽  
General Nature ◽  
Latin American Culture ◽  
Political Trials ◽  
Law And Justice ◽  
The Relationship ◽  
The Revolution

The period immediately following Castro's overthrow of Batista on New Year's Day 1959 was followed by a series of revolutionary trials that attempted to weed out and punish supporters of the fallen dictatorship and “enemies of the revolution.” One of the most unusual of these political trials became a cause célèbre that called into question the general nature of law and justice in Castro's Cuba. The analysis of this case allows us to see clearly the relationship that has traditionally existed between the ideas of law and justice in Latin American culture. This study also touches incidentally upon the ever present judicial problem of defining the responsibility of soldiers for their actions during warfare.

Digital Resources: The Essex Collection of Art from Latin America

2014 ◽  
Author(s):  
Joanne Harwood ◽  
Valerie Fraser ◽  
Sarah J. Demelo
Keyword(s):  
Full Article ◽  
Latin America ◽  
Latin American ◽  
American Art ◽  
Latin American Art ◽  
Forthcoming Article ◽  
Digital Resources ◽  
Latin American History ◽  
The University ◽  
Year 2000

This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Latin American History. Please check back later for the full article. The Essex Collection of Art from Latin America (ESCALA) was originally founded as the University of Essex Collection of Latin American Art (UECLAA) in 1993, but, with no permanent display space, a versatile online presence has been essential to its success as a resource for students, curators, and researchers. By about the year 2000 it comprised around 400 works from about 10 different countries. While it is important to remember that viewing a work of art onscreen is no substitute for viewing it firsthand, the digital catalogue is an essential aspect of ESCALA’s activities. It can offer resources that a paper catalogue cannot (it can provide a record of an artist’s performance, for example), it serves as a versatile resource for teaching and research, and it generates interest in the field among those who happen upon it through random searches.

Sign in / Sign up

Export Citation Format

Share Document