Research Overview of Teaching Moral Conflict

2021 ◽  
Vol 11 (05) ◽  
pp. 1721-1727
Author(s):  
亚兰 唐
Keyword(s):  
2013 ◽  
Vol 95 (1) ◽  
pp. 36-64 ◽  
Author(s):  
Jens Timmermann

Abstract: This paper explores the possibility of moral conflict in Kant’s ethics. An analysis of the only explicit discussion of the topic in his published writings confirms that there is no room for genuine moral dilemmas. Conflict is limited to nonconclusive ‘grounds’ of obligation. They arise only in the sphere of ethical duty and, though defeasible, ought to be construed as the result of valid arguments an agent correctly judges to apply in the situation at hand. While it is difficult to determine in theory what makes some of them stronger than others, these ‘grounds’ can account for practical residue in conflict cases and for a plausible form of agent regret. The principle that ‘ought implies can’ survives intact.


2018 ◽  
Vol 177 (3) ◽  
pp. 633-651
Author(s):  
Robert Mullins
Keyword(s):  

2015 ◽  
Vol 115 (7) ◽  
pp. 13
Author(s):  
Michelle Burrill
Keyword(s):  

Moral Change ◽  
2020 ◽  
pp. 87-96
Author(s):  
Cecilie Eriksen
Keyword(s):  

2018 ◽  
Vol 5 ◽  
pp. 129
Author(s):  
Miriam Yvonn Márquez Barragán

Resumen: El baile a lo largo del tiempo ha sido visto como una actividad peligrosa para los valores morales y religiosos. El cuerpo de la mujer ha sido visto como un medio para excitar el pecado. La obra dramática de Federico García Lorca logra capturar el conflicto moral y las implicaciones sexuales del baile con personajes femeninos que luchan entre el deseo y sus  instintos. En el presente trabajo, analizo algunos de los valores sociales y morales del baile en el teatro de Lorca. Palabras clave: Federico García Lorca, Danza, trangresión, cuerpo, estigma social. Abstract: Dance over time has been perceived as an activity threatening certain moral and religious values. The female body is the expressive instrument in dancing, as a mean to incite sinful behavior. The dramatic work of Federico García Lorca capture the moral conflict and the sexual implications of the dance with female characters who struggle between desire and their instincts. In the present article, I review some of the negative social and moral values present in dancing, in Lorca’s view.Key words: Federico Garcia-Lorca, dance, transgression, body, social stigma.


Sign in / Sign up

Export Citation Format

Share Document