The Victorian Gentleman Dandified: Aspects of Dandyism in Charles Dickens’ Bleak House and A Tale of Two Cities

2011 ◽  
Vol 16 (2) ◽  
pp. 579-592
Author(s):  
Katri Sirkel

The Victorian Gentleman Dandified: Aspects of Dandyism in Charles Dickens’ Bleak House and A Tale of Two Cities

2009 ◽  
Vol 31 (1) ◽  
pp. 2-3
Author(s):  
Jeanne Simonelli

It was the best of times, it was the worst of times… Charles Dickens wrote this about the era in which he set A Tale of Two Cities. That book was set in difficult times, an era when the grassroots found its voice, and forced revolutionary change. This issue of Practicing Anthropology is also being compiled during wonderful and difficult times. With the November elections just over, we saw a greater percentage of Americans exercise their right to speak through the vote than in any election since 1908. But the economy is encased in difficulties that push at the ideology that drives it, unemployment is rising, and the challenge of raising the national phoenix faces new President Barack Obama.


2020 ◽  
Vol 6 (1) ◽  
pp. 45-49
Author(s):  
Romanna Romanna ◽  
Gaguk Rudianto

This study aims to describe the id and ego of the characters in the novel A Tale of Two Cities by Charles Dickens using the approach of psychological approach. This type of research is a qualitative descriptive study and the data obtained from this study produce a psychological analysis in the Charles Dickens novel entitled "A Tale of Two Cities". There are two psychiatric structures that are described in this study, namely the id and the ego using the theory of Sigmund Freud.


2019 ◽  
Vol 7 (1) ◽  
pp. 38-48
Author(s):  
Mohammed Rasul Murad Akoi

This paper, Understanding Violence in Charles Dickens’ A Tale of Two Cities, deals with violence in its various forms in Charles Dickens’ novel, A Tale of Two Cities. The novel recounts the French Revolution of 1789. In the novel, Dickens portrays a terrifying scene of blood and brutality. Violence appears in different forms. Critics have paid attention to Charles Dickens’ own fear of a similar revolution in England. The paper attempts to find the substance of that fear. The paper will discuss the three forms of violence in Dickens’ A Tale of Two Cities; namely, violence as an inherent part of the French Revolution; violence committed by the crowds or mobs, and the evil that rises and grows as the Revolution continues. It will be argued that Dickens’ depiction of the crowd and mob behavior in A Tale of Two Cities captures the potential which is in the mentality of any crowd to grow violent. That is, a seemingly innocent start could lead to evil. A socio-psychological approach will also be consulted to analyze violence in the novel; violence as part of the revolution; violence committed by the mobs, and finally how the revolutionary masses turn evil.


Author(s):  
Jan-Melissa Schramm

Charles Dickens was among those writers who responded to the tragic losses of the Crimean War with renewed attention to the cultural significance of sacrifice. He followed the war effort with care, protesting publicly about the bureaucratic bungling that had cost British lives in Sebastopol. His novels written immediately after the cessation of the war provide us with insight into the aesthetic uses of different models of sacrifice. In Little Dorrit (1856), Dickens explores the vocation of self-sacrifice popularized by feminine service in the war; in A Tale of Two Cities (1859), Dickens depends upon the dynamics of barbaric sacrifice to achieve closure as the Christlike Sidney Carton lays down his life for his brother man on the scaffold. This chapter draws upon the work of the theologians Nancy Jay and Yvonne Sherwood to probe the contradictions inherent in Victorian imaginings of sacrifice—both Protestant and Catholic, male and female.


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