scholarly journals Fin-de-Siècle Yeats: Artistry and affect in “The Cap and Bells”

2018 ◽  
Vol 4 (2) ◽  
pp. 31-40 ◽  
Author(s):  
MacDonald P. Jackson

There have been various interpretations of W. B. Yeats’s “The Cap and Bells”, but little attention has been paid to those elements of its organization which make it effective as poetry. This article is concerned less with what the poem means than with how it means, through the choice and placement of words, phrases, and images in a sequence that not only tells a story but shapes it so as to engage our feelings. The essence of this verbal artefact lies in the emotional progression, conveyed with consummate skill, from frustrated longing to fulfilment. Comparison between the version that Yeats first published in The National Observer in 1894 and the revised version included in The Wind Among the Reeds (1899) reveals Yeats’s increased technical skill.

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.


Author(s):  
Megan Coyer

If Blackwood’s helped to generate a recuperative medical humanism in the first half of the nineteenth century, what was its legacy? This ‘Coda’ turns to the fin de siècle to trace some key examples of a resurgence of the magazine’s mode of medical humanism at a time of perceived crisis for the medical profession, when many began ‘to worry that the transformation of medicine into a science, as well as the epistemological and technical successes of the new sciences, may have been bought at too great a price’....


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