: The Shape of Fear: Horror and the Fin de Siecle Culture of Decadence . Susan J. Navarette.

1999 ◽  
Vol 53 (4) ◽  
pp. 549-551
Author(s):  
Kathy Alexis Psomiades
Keyword(s):  
2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.


Author(s):  
Megan Coyer

If Blackwood’s helped to generate a recuperative medical humanism in the first half of the nineteenth century, what was its legacy? This ‘Coda’ turns to the fin de siècle to trace some key examples of a resurgence of the magazine’s mode of medical humanism at a time of perceived crisis for the medical profession, when many began ‘to worry that the transformation of medicine into a science, as well as the epistemological and technical successes of the new sciences, may have been bought at too great a price’....


2020 ◽  
Vol 150 (1) ◽  
pp. 1-31
Author(s):  
Abby Holekamp

Focusing on a close, contextualized reading of a single case of invented identity from 1906, this article illustrates how, in fin de siècle Europe, a mutually generative relationship between the real, the imagined, and the rapidly proliferating mass media transformed the female “nihilist” from an apocryphal Russian figure into a durable Russian archetype—an archetype that had significant consequences in the shaping of European public opinion about Russia.


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