scholarly journals The Government’s Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two

2004 ◽  
Author(s):  
Danielle Pierce
Keyword(s):  
United States ◽  
The United States ◽  
United States Government ◽  
World War Two ◽  
World War ◽  
States Government ◽  
Poster Art

scholarly journals A Precis on How Democracies Die as a Consequence of America’s, Failure of Government Working for the People while Serving the Interests of the Wealthy

2021 ◽  
Vol 2 (4) ◽  
pp. p65
Author(s):  
Frederick D. Bedell
Keyword(s):  
United States ◽  
Free Market ◽  
The United States ◽  
United States Government ◽  
The Political ◽  
World War Two ◽  
World War ◽  
The People ◽  
States Government ◽  
The Government

This precis speaks to the failure of the United States government to sustain the wealth of the middle-class after the post-World War Two years’, while serving the wealthiest Americans. It will document how the country has become polarized and fractured along ideological and cultural lines. This situation has created a segmentation of the country that has competing visions, purpose and meaning which is tearing it apart.It will also focus on the inequality in the country that has emerged from the Oligarchy’s domination of the political and free market space-government of the 1%, by the 1% AND FOR THE 1%. Their mantra is to keep the government out of business and have business in the government.

Architecture for a Public Client: The Monuments and Chapels of the American Battle Monuments Commission

1984 ◽  
Vol 43 (2) ◽  
pp. 119-143 ◽  
Author(s):  
Elizabeth G. Grossman
Keyword(s):  
United States ◽  
World War I ◽  
The United States ◽  
United States Government ◽  
World War ◽  
States Government

Eleven prominent architects designed the 19 monuments and chapels that the American Battle Monuments Commission erected in Europe for the United States government after World War I. The records of the commission are used to reconstruct the client's interests and relation with the architects. The designs of Paul P. Cret, John Russell Pope, Egerton Swartwout, Louis Ayres, and George Howe are analyzed in terms of each architect's interpretation of the commission's program and the range of architectural concerns represented by this important American undertaking of the late 1920s.

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