Beyond Gilroy's Black Atlantic: The Experience of the African Diaspora

2002 ◽  
Vol 11 (3) ◽  
pp. 359-382 ◽  
Author(s):  
Christine Chivallon ◽  
Karen E. Fields
Author(s):  
Bayo Holsey

West Africa and the African diaspora share an intertwined history. From the earliest moments of the development of the diaspora, West Africans and members of the African diaspora have sought ways to connect to each other. They have done so through the exploration of cultural links, travel back and forth between West Africa and the diaspora, and the development of shared philosophical and political movements. They have celebrated the idea of a collective “African” identity shaped by people on both sides of the Atlantic including the Pan-African Movement, the New Negro Movement, and Negritude. The late 20th century has seen the travel of diasporic subjects to West African countries including Ghana, the Gambia, and Senegal, which have fashioned themselves as African homelands. Artists, activists, and migrants continue to travel back and forth between West Africa and various points in the African diaspora and, in doing so, shape the contours of the Black Atlantic World. The continuous communication and contact between West Africa and the diaspora constitute an ongoing dialogue that has led to cultural innovations on both sides of the Atlantic.


2003 ◽  
Vol 46 (2) ◽  
pp. 127
Author(s):  
Solimar Otero ◽  
Kristin Mann ◽  
Edna G. Bay

2019 ◽  
pp. 171-210
Author(s):  
Yogita Goyal

This chapter examines recent celebrated fictions from the new African diaspora that remake American conceptions of race by placing them in relation to the history of the postcolonial state and its own itineraries of hope and despair, migration and return. Writers like Chris Abani, NoViolet Bulawayo, Chimamanda Adichie, Teju Cole, and Dinaw Mengestu appropriate various genres—the great American novel, the reverse imperial romance, the black Atlantic travel narrative, the ethnic bildungsroman—to delineate new conceptions of diaspora, beyond the assimilation mandated by the conventional immigrant plot or the melancholy sounded by critics nostalgic for simpler moments of opposition between Africa and the West. Often termed Afropolitan, these writers resist received notions of what constitutes African literature, even as they open up numerous critical possibilities for the study of diaspora, expanding previous geographies and weaving together race and class with location.


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