Local and Transnational Identity, Positionality and Knowledge Production in Africa and the African Diaspora

How does shared identity between researcher and the researched influence trust-building for data generation and knowledge production? We reflect on this question based on two separate studies conducted by African-based researchers in sociology and political science in Nigeria. We advanced two interrelated positions. The first underscores the limits of national belonging as shorthand for insiderness, while the second argues that when shared national/group identity is tensioned other intersecting positions and relations take prominence. We also show that the researched challenge and resist unequal power relations through interview refusal or by evading issues that the researcher considers important, but the participant perceives as intrusive. We shed light on the vagaries, overlaps, and similarities in the dynamics of belonging and positionality in researching Africans in and outside Africa as home-based researchers. Our contribution advances the understanding of field dynamics in the production of local and cross-border knowledge on Africa/Africans.

Trumping the Devil!

African spiritualities are hardly static or unchanging. They are dynamic and constantly in flux. African spiritualities are usually not thought out in the agora of desk theology but lived out in the spiritual marketplace, imbuing every life facet in ways that cannot be separated from quotidian, mundane thought. How do African spiritualities contrast with other social dimensions of spirituality? This chapter explores African spiritualities as spiritualities of the marketplace, concerned with the pursuit of cosmic balance, harmony, and human flourishing via a matrix of worldviews and ritual praxis. Through exploring the diversity of African spirituality and cosmologies: the forms, meanings, and expressions that link them, I demonstrate how and to what extent the religious, moral values and imaginaries pervading indigenous worldviews in Africa and the African diaspora are continually contested and negotiated.

The “Africanization” of an African Diaspora Household: Toyin Falola and the Idea of Diasporic Home-Making

This essay is an exercise in the interrogation of cultural globalization, and how the idea of transnationalism generates identity responses. The authors used the concept of home-making to examine how Toyin Falola deployed an aesthetic sensibility of African art as ideological dynamics for the personalization of his home situated in a suburb in Austin, Texas. The Africanization agenda that the Falola house operationalized points at the critical role that interior decoration can play in African diaspora homes. The project is crucial because it undermines the homogenizing reach of globalization that dislocates the sense of identity of an average African transnational migrant. In the Falola home, we confront an assemblage of aesthetic consciousness, dynamics of Africanity, and identity construction.

Dispersion of the Yorùbá to the Americas: A Fatalist Hermeneutics of Orí in the Yorùbá Cosmos – Reading from Tutuoba: Salem’s Black Shango Slave Queen

Studies in African Diaspora ofen privilege the transatlantic slavery, Columbus’ discovery of the New World, and African cultural codes in the Americas. To expand the scope of the studies, this article examines the metaphysical and ontological questions on the enslavement of the Yorùbá – an African ethno-nation whose members were condemned to slavery and servitude in the Americas during the inglorious transatlantic slave trade. I used metaphysical fatalism as a theoretical model to interrogate prognostications about dispersion of the Yorùbá from their matrix as expressed in their mythology. Being a predestining agent, I examined the role of orí (destiny) within the context of rigid fatalism and its textualisation in Prince Justice’s Tutuoba: Salem’s Black Shango Slave Queen. The article argues that the transatlantic enslavement of the Yorùbá is a fait accompli willed by their Supreme Deity. Tough traumatic, transatlantic slavery reworlded Yorùbá cultural codes, birthed the Atlantic sub-group of the ethno-nation, and aided the emergence of Yorùbá-centric religions in the New World.

Toyin Falola and Akintunde Akinyemi (Eds). Encyclopedia of the Yoruba. Bloomington and Indianapolis: Indiana University Press, 2016. 371pp.

Encyclopedia of the Yoruba is a single-volume encyclopedia that is comprised of 285 entries of short essays written by 188 authors who are predominantly scholars and academic researchers from Africa, Europe and North America. The different word-ranges of the essays vary from 1000 words (for 78 entries) to 750 words (for 88 entries) and 500 words (for 119 entries). Across these entries, the encyclopedia gives a complex, yet detailed, presentation of the Yorùbá, a dominant ethnic group in West Africa and the most prominent African cultural population, identity and presence in the African diaspora including North America, the Caribbean and South America. It presents the Yorùbá with respect to their involvements in, and interactions with, different sociocultural experiences, practices and expressions by “emphasizing the peculiarities, features, and commonalities of the people” (xi). Following an alphabetical ordering, each entry in the encyclopedia is complete on its own as it examines and discusses a subject, subject matter, concept or topic that shares an affiliation with the Yorùbá world in time (the traditional past in all its distant and intricate temporal dimensions and the modern present in all its complex interrelations) and/or space (Yoruba homes across West Africa and the African diaspora. Such concentrations of the entry include persons/personalities, demographics, worldviews and cosmological values and elements, and several material and non-material aspects of the Yorùbá culture and folklore, and their corresponding affiliates. It is important to add that the completeness of the entries is considerably informed by the suitability of the word-ranges used. It is commendable that 358 Ibrahim A. Odugbemi the editors are able to determine the word-range that fits the discourse of every entry and the authors are also able to conform. By writing across the various word-limits, the authors have been able to give adequate information about their subjects of discussion. Each word-limit is moderate enough to convey the basic information on the subject or topic of every entry.

Lizbona afrykańska

African Lisbon. Difficult Heritage, Postcolonial Relations, and Crosscultural Challenges The aim of this article is to synthetically capture African cultural influences from former colonies and various manifestations of the „African presence” in today’s Lisbon. This „African presence”, in a broad sense, includes a number of phenomena such as the living conditions and customs of the African diaspora in Lisbon, African elements in the cultural and tourist offer of the city, the activities of afrodescendentes (people of African origin) in the area of postcolonial relations, African traces in the topography of the city, and others. African cultural heritage is presented as dissonant, ambivalent, subject to various interpretations, also through the practices of post-memory. To illustrate these issues, I refer to a few examples of artistic projects and initiatives dealing with the topic of postcolonial relations in the Portuguese context.