Archaeology of Botswana

The prehistory of Botswana concerns the sophisticated environmental knowledge, economic strategies, and social networks of the hunter-gatherer, pastoralists, and agropastoralist communities that have called Botswana home. Diverse subsistence strategies and societal structures ranging from heterarchical to hierarchical have coincided and responded flexibly to climate and environmental variables. Botswana has also played a central, but often overlooked, role in precolonial trade within the interior of Africa and across the Indian Ocean. Botswana contains well-preserved archaeological records for the Middle Stone Age, Late Stone Age, and Iron Age periods, including one of the highest concentrations of rock art in the world at Tsodilo Hills. The prehistory of Botswana extends over 100,000 years and includes successful, innovative, and adaptive occupations in a wide variety of environmental zones, from the Okavango Delta to the Kalahari sandveld, and better-watered hardveld areas in the east. Stone Age peoples adapted to both arid and wet lands, and the archaeological record includes early evidence for freshwater fish exploitation. Hunting with bone points dates to 35,000 years ago, with additional evidence for poisonous, reversible arrowheads between 21,000 and 30,000 years ago. Evidence for ritualized behavior through rock paintings, rock carvings, and the intentional destruction and abandonment of stone tools at Tsodilo Hills provides further insights to the social dimensions of early peoples. In the Iron Age, hunter-gatherer communities and agropastoralists participated in a regional and later protoglobal trade across the Indian Ocean for a thousand years before European involvement; as the regional economy intensified, large polities such as Bosutswe and even kingdoms such as the Butua state emerged, controlling access to resources such as game, ivory, salt, specularite, and gold. In the modern era, the historical archaeology of sites such as Old Palapye (Phalatswe) provide additional insight to historical documents that can contradict Eurocentric understandings of Botswana’s past.

Food History and Women in Sub-Saharan Africa

Any account of women and food history in sub-Saharan Africa must be complicated by two main factors: first, the multitude and complexity of African societies and their interactions with the different colonial powers over five centuries, and, second, by an underestimation of the importance of women’s activities by researchers imbued with colonial patriarchal ideologies. In prehistoric and precolonial times, only glimpses of women’s roles in food production and gathering can be seen, drawing on evidence from historical linguistics, ethnography, anthropology, and archaeology. What evidence there is suggests that women’s participation in these tasks was important. The written account of Ibn Battutah and the oral epic of Sundiata provide some information about what was eaten and Sundiata does point to women’s major role in growing food and in cooking. During the colonial period, from about 1500 to the 1960s, many accounts from different parts of sub-Saharan Africa stress how women played a dominant part in the farming, processing, preparation, and cooking of food. There was a varied and often complex division of labor between men and women. Instead of the more rigid gendered private/public divide often seen in the West, women in Africa have engaged in wider roles in the public sphere, for example, in the processing of food for sale. There are some indications that women’s work was changed by the introduction of new crops from Asia and the Americas. Colonial governments favored men working on cash crops so that women focused even more on the provision of food for the family. Women also showed great adaptability in assessing and using new technologies such as peanut processing machines. Cooking has remained predominantly a woman’s occupation in sub-Saharan Africa and a divide between a “high” cuisine, mainly in the hands of men outside Africa, and a “low” or humble cuisine, has not developed. Cookery books are very useful sources for evidence of the history of women’s domestic role. Those published for European settler wives in the colonial period were focused on the housewife rooted in the home and this ideology of domesticity can be found in the cookery books of postcolonial Africa. After independence, the ruling elites of African nations set about constructing discourses of national identity, flags and anthems particular to each nation, and women have contributed to this nation-building by assembling national cuisines. Since the 1980s, an epidemic of obesity has occurred in many African urban areas, with associated chronic disease, which women have suffered more than men. An ideal image of a plumper body, along with the introduction of “fast food,” has contributed to this situation. Women have also been disadvantaged by cultural food taboos in which certain foods are prohibited to them.

South Africa and Rhodesia/Zimbabwe

This article traces the relations between South Africa and Southern Rhodesia/Rhodesia/Zimbabwe from the end of the 19th century until the present with respect to politics; economic, military, ideological, and cultural activities; as well as foreign policy. The conflicted relationship between the two countries went through varying periods of close cooperation and also of tension, especially given the difference in power between the much larger and more economically prosperous South Africa and the smaller society and economy of Southern Rhodesia. Other important factors include the dominant influence of the Afrikaners in South Africa, from the creation of the Union in 1910 onward, and the apprehension felt by a predominantly English-speaking white population of Rhodesia, which arose from a fear of being swallowed up by Afrikaner-dominated South Africa. During the Zimbabwean liberation struggle from the early 1960s onward, South Africa gave military support to Rhodesia, at least in the early part of the conflict; it changed its policy in the mid-1970s and began to advocate for negotiations between Rhodesia’s warring parties. Between Zimbabwe’s independence in 1980 and the democratic transition in South Africa in 1994, relations between the two countries were fraught with tensions because the Zimbabwean government persistently condemned the apartheid regime and hosted representatives of South African anti-apartheid movements, although Zimbabwe was careful not to allow these movements to launch military attacks on South Africa from its soil, for fear of reprisals. On its part, the South African government conducted a sabotage campaign against its northern neighbor and exerted economic pressure on it. Despite all these tensions, however, South Africa remained Zimbabwe’s major trading partner throughout this period. The tension between the countries lessened when Nelson Mandela became president in 1994, but new tensions arose because of Mandela and Robert Mugabe’s rivalry over the leadership of Southern Africa. On coming to power in 1999, Thabo Mbeki tried to diffuse tensions by adopting a different style of foreign policy that, in Zimbabwe’s case, was known as “quiet diplomacy”—a policy that came under much criticism from Western countries and some sectors in Southern Africa. Mbeki’s successors continued this diplomatic policy toward Zimbabwe, even following a militarily assisted political transition in November 2017, which saw the overthrow of Mugabe and his replacement by Emerson Munangangwa.

Pastoralism in Eastern Africa

The Rift Valley is a stage on which the history of Eastern Africa has unfolded over the last 10,000 years. It served as a corridor for the southward migration from the Upper Nile and the Ethiopian highlands of Nilo-Saharan and Afro-Asiatic speakers and cultures, with their domestic animals, which over time defined and restructured the social and cultural fabric of East Africa. Genetic evidence suggests that, contrary to other regions in Africa where geography overrides language, the clustering of East African populations primarily reflects linguistic affiliation. Eastern Sudanic Nilotic speakers are dedicated livestock keepers whose identification with cattle over thousands of years is manifested in elaborate symbolism, networks created by cattle exchange, and the practice of sacrifice. The geographical attributes of rich grasslands in a semi-arid environment, close proximity of lowland and highland grazing, and a bimodal rainfall regime, made the Rift Valley an ideal setting for increasingly specialized pastoralism. However, specialized animal husbandry characteristic of East Africa was possible only within a wider socioeconomic configuration that included hunters and bee-keeping foragers and cultivators occupying escarpments and highland areas. Some pastoral groups, like Maasai, Turkana, Borana, and Somali, spread widely across grazing areas, creating more culturally homogeneous regions, while others settled near one another in geographically variegated regions, as in the Omo Valley, the Lake Baringo basin, or the Tanzanian western highlands, creating social knots that signal historical interlaying and long-term mutual coexistence. At the advent of the colonial period, Oromo and Maasai speakers successfully exploited the ecological potential of the Rift environment by combining the art of raising animals with social systems built out of principles of clanship, age and generation organizations, and territorial sections. Faced with displacement by colonial settlers and then privatization of rangelands, some Maasai pastoralists sold lands that they had been allocated, leading to landlessness amid rangeland bounty. Pastoral futures involve a combination of education, religious conversion, and diversified rangeland livelihoods, which combine animal production with cultivation, business, wage labor, or conservation enterprises. Pastoralists provide urban markets with meat, but, with human population increasing, per capita livestock holdings have diminished, leading to rural poverty, as small towns absorbing young people departing pastoralism have become critical. The Great East African Rift Valley has had a 10,000-year history of developing pastoralism as one of the world’s great forms of food production, which spread throughout Eastern Africa. The dynamics of pastoral mobility and dedication to livestock have been challenged by modernity, which has undermined pastoral territoriality and culture while providing opportunities that pastoralists now seek as citizens of their nations and the world.

The East African Revival

The East African Revival was a renewalist movement that spread during the 1930s from Uganda and Rwanda into Kenya, Tanzania, Burundi, Congo , and South Sudan. It is known as the Balokole movement from the Luganda word for “saved ones” (wokovu in Swahili). Its members attempted to reform mission-initiated churches from within by emphasizing an internalized Christian faith, high ethical standards, strong bonds of corporate fellowship, and the prominence of lay leadership. Women were able to assert greater moral and spiritual authority within the Revival than had become common outside it. Its vision of a transnational community of Christians acted as a critique to ethnonationalist views current in East Africa in the mid-20th century. The same vision also influenced global evangelical movements. The Revival possessed a number of strands, although a strong mainstream element has influenced the historiography of the movement as a largely unified and cosmopolitan form of evangelical Christianity. The Revival maintained momentum into the 1990s and remains a pervasive influence on the language, morals, and spiritual practice of Protestant churches in East Africa, even as newer Pentecostal movements make an impact on the region.

Archaeology of Early Pastoralism in East Africa

The first East African pastoralists arrived at the shores of Lake Turkana soon after the end of the African Humid Period, about 5,000 years ago. In the preceding millennia of the Holocene, fishing economies characterized East Africa. The domestic animals of the early pastoralists were not indigenous to East Africa, nor did they spread through the region simultaneously. Early pastoralist archaeological sites around Lake Turkana comprise settlements and remarkable monumental cemeteries. The expansion of pastoralists further south through East Africa was a two-stage process, probably because of the challenges posed by the presence of diseases fatal to livestock. First, caprines spread south and appear to have been integrated into existing forager subsistence systems. Then, starting toward the end of the 2nd millennium bce, specialized pastoralism began to be established across central and southern Kenya and into northern Tanzania. While analysis of lipid residues on potsherds has demonstrated that these Pastoral Neolithic (PN) peoples milked their animals, the question of whether agriculture was also practiced remains unresolved. Analyses of ancient DNA have shown there were at least two episodes of demic diffusion associated with the spread and establishment of the PN in East Africa. Considerable diversity is present in the PN, with three distinct cultures generally recognized across East Africa south of Lake Turkana. Moreover, there is even greater diversity observed in the decoration and shapes of ceramics. However, this cultural diversity is not matched by human genetic diversity, at least among the analyzed skeletons from two of the three cultures—the Elmenteitan and the Savanna Pastoral Neolithic.

African Films and FESPACO

The Pan-African Film and Television Festival of Ouagadougou (FESPACO) was founded in 1969. It began as an intimate week-long gathering of filmmakers and enthusiasts in the capital of what is now Burkina Faso to watch contemporary films made by African filmmakers. At its peak in the 1990s, it attracted hundreds of thousands of spectators, both local and international. Since the 2000s, iterations have been smaller affairs, significantly impacted by both changes of government in Burkina Faso and wider political instability in West Africa, as well as ongoing debates about what films it should be showcasing. Despite such challenges (and with only one exception in the mid-1970s), however, FESPACO has remained a constant on the African continent, faithfully screening films by African and diaspora filmmakers every two years for more than half a century. FESPACO was conceived in the age of decolonization by a group of men and women who are considered to be the pioneers of African cinema, including the Senegalese writer and filmmaker Ousmane Sembène. It was established as the first sub-Saharan showcase of African filmmaking, an emergent and significant field in the era of independence when cinema was prized for its ability to make visible African realities and to (re)constitute national histories eclipsed by colonial rule. The concept of a distinctly “African” cinema was articulated most extensively by filmmaker and scholar Paulin Soumanou Vieyra and referred to films made by Africans, telling African stories, principally for African audiences. For Vieyra, Sembène, and their contemporaries, it was essential to take back control of the art of cinema on the African continent, where it had predominantly been deployed as a colonial tool; FESPACO was conceived as the regular forum for those committed to its development to come together and share their work. Through the course of its development, FESPACO has been confronted with a number of challenges regarding its form and its evolution. Its strong connections with the Burkinabe state have been seen as both a significant factor for its growth and its success, and, particularly in the era of Blaise Compaoré, as a source for concern regarding freedom of expression. Since the turn of the 21st century, questions about where video filmmaking—an industry that has proliferated on the African continent in a manner unprecedented internationally—fits within FESPACO’s definition of cinema have been consistent. The festival has, over the years, been accused of being both outdated and elitist in its commitment to celluloid, but also of straying from its original remit to showcase African stories for African audiences, accusations it has responded to by the creation of new prize categories and requirements for submission. The year 2019 was one of reflection, but many critics felt that after some difficult years the festival was showing signs of rejuvenation. Though it is now one of many film festivals on the continent committed to showcasing African cinema, there remains significant appreciation for the historic status of FESPACO as a preeminent sub-Saharan cultural institution.

Pastoralism in Africa

To find the origins of African pastoralism it is important archaeologists look for the wild progenitors of animals. The wild sheep of Africa (Ammotragus lervia) were never domesticated, so all domestic sheep and goats came from the Near East. There has been some debate over whether there was an independent domestication of African cattle, because wild cattle (Bos primigenius) remains have been found in the Nile Valley. Genetic evidence shows that the source of African domesticated cattle was the Levant, some 8,000 years ago. Cattle spread across the Sahara as the environment was conducive to pastoralism, being well watered at this time. This lasted until after 5000 bp when the Intertropical Convergence Zone (ITCZ) retreated and the Sahara dried up to its present condition. The tsetse barrier also retreated at this time, allowing pastoralists to move south into West Africa and, via the Ethiopian highlands, to East Africa, arriving c.4500 bp, although it took another 1,000 years for them to fully adapt to the grasslands of southern Kenya and Tanzania. Domestic stock then went on to southern Africa via a tsetse-free corridor, arriving around 2000 bp. The effect of herding societies on local hunters throughout Africa appears to have been an initial rapprochement, with a later hardening of relations. In East Africa, this was probably due to the need to learn about the new environment with the help of local hunters and to adjust to new epizootic diseases. In southern Africa, the first pastoralists were primarily sheep herders during the 1st millennium bce, with few cattle bones being found from this time. Pastoralists only became fully fledged cattle herdsmen around 1000 bp when they developed the attributes of the historic Khoekhoen. A further debate existed in southern Africa over whether pastoralism there was the result of immigrant herders who arrived in the northern Kalahari and then spread to the Cape, or if local hunters took up sheep herding.

Music in Cabo Verde

The landscape of Cape Verdean music is diverse, and its musical genres, like the society from which they emanate, are mostly Creole. They stem from the interactions of the local population with other peoples, not only through colonization, but also from the emigration of Cape Verdeans to other countries. In addition, maritime traffic in the Atlantic, which has always traversed the archipelago, was a fruitful channel of contact with other cultures. These factors meant that Cabo Verde remained attuned to cultural trends and lifestyles circulating around the world. Morna, koladera, batuku, and funaná are the most prominent genres on any list of musical styles considered “genuinely” Cape Verdean, if it makes sense to use this adjective in a society marked so heavily by ethnic admixture. That list must also include: 19th-century European musical styles (mazurka, waltz, schottische, polka, gallop) that local musicians appropriated by playing them; the talaia baxu, from the island of Fogo; and a group of musical expressions related to the feasts of the Catholic calendar, with songs, dances, and drumming, such as the kola sanjon (commemorating St. John the Baptist), present on several islands; the activities of tabankas (mutual aid associations that, among other activities, celebrate the dates of Catholic saints) in Santiago and the flag festivals on the island of Fogo. Other religious traditions include the litanies inherited from the Portuguese tradition sung in Creole. There are also popular songs related to work and other activities like sowing, fishing, and labor with oxen in the artisanal production of rum (grogo, grogue, grogu). The oxen work songs (kola boi) are nearly extinct. Weddings songs are also part of traditional musical practices that are either nearly extinct or performed as folklore representations only. In terms of popular music with international circulation since the 1970s, Cape Verdean youth have enthusiastically embraced rap, reggae, zouk from the Antilles, and to a lesser extent rock, by producing Cape Verdean versions of these genres.

Comics in Colonial Africa

Comic books did not appear in Africa until the arrival of the Europeans and the methodical integration of their civilization at the expense of preexisting civilizations. However, prior to their arrival, there did exist, among many peoples—particularly the Bamum people—a culture of the image. The end of the First World War corresponds to a stronger Western presence on the continent. Therefore, one finds some comic panels and strips in newspapers intended for an audience of Europeans and literate Africans. The 1940s and 1950s—and even earlier in South Africa and Madagascar—mark the appearance of some of the first publications aimed at youth on the continent. Many contained comic strips, but these were often reproductions of stories that had already appeared in Europe. Examples include Kisito, a Catholic youth magazine (1954), and Ibalita (1957). Local missionaries also used graphic narratives to instruct, to arouse interest in particular vocations, and to evangelize. This is particularly true in the Belgian colonies. In fact, it was probably in the Belgian Congo that one of the first comic books appeared on the continent (Les 100 aventures de la famille Mbumbulu, 1956), while the first comic series (Matabaro) was born in 1954 in Ruanda-Urundi. The case of Egypt is of particular interest: it has an old tradition of publishing newspapers, magazines, and journals, including journals for children like Sindibad created in 1952.