African Diaspora Sailors from Latin America and the Caribbean in the Union Civil War Navy: Another Migration

2017 ◽  
Vol 51 (1) ◽  
pp. 28-57
Author(s):  
Barbara P. Josiah
1996 ◽  
Vol 24 (2) ◽  
pp. 38-39
Author(s):  
Melina Pappademos

I began graduate school in 1994 to study the history of American peoples of African descent; I saw important similarities between their cultures and their resistance struggles and sought to develop a comparative project. However, as I began casting my long term research plan— which was to compare Afro-Cubans and Afro-North Americans—I discovered and uncovered many stumbling blocks. The primary one was that academe grouped African descended people by their European and colonially derived relationships (ex: North America, Latin America, South America, and the Caribbean) and not by their Black derived positions. I may have been naive but this seemed problematic to me.


Author(s):  
Yvonne Daniel

In this essay, Yvonne Daniel highlights the necessity of employing appropriate terminology when discussing African dance forms - terminology that distinguishes dance forms based on geographical, social, and stylistic histories. Daniel provides an analysis of Afro-Cuban dance categories while bridging to similar dance traditions found throughout the Caribbean and Afro-Latin America. Daniel offers a pluralistic typography of African and Diaspora dance forms and allows a more precise legacy representation. She concludes with a set of recommendations for the mentoring of African Dance performers, researchers, and Performing Arts communities.


Author(s):  
Yvonne Daniel

This chapter examines the histories and connections between Afro-Latin America and the Caribbean by focusing on sacred Caribbean dance rituals. It begins with a discussion of African-derived rituals in sacred dance, paying attention to how dance reveals and forwards sacred potential and how a relationship between the sacred and the secular is forged in African Diaspora contexts. It then considers how similar religious and dance structures have emerged across the Diaspora from common beliefs and social conditions that were shared by thousands of Africans. It also explores African-derived sacred dance practices in the Caribbean islands, namely: French/Kreyol, English/Creole, Spanish Caribbean, and Dutch Caribbean sacred practices. Furthermore, it describes compares Atlantic Afro-Latin sacred practices, including those in Brazil, Suriname, and Uruguay. The chapter concludes with Afrogenic comparisons of ritual Diaspora dance.


Sign in / Sign up

Export Citation Format

Share Document