Renaissance Monarchy: The Reigns of Henry VIII, Francis I and Charles V (review)

Parergon ◽  
2003 ◽  
Vol 20 (1) ◽  
pp. 263-265
Author(s):  
Sybil M. Jack
Keyword(s):  
Archaeologia ◽  
1982 ◽  
Vol 107 ◽  
pp. 165-213 ◽  
Author(s):  
J. R. Kenyon

The value of MS. 129 in the library of the Society of Antiquaries of London, bought by the Society in 17902 has already been brought to the attention of scholars and students by H. A. Dillon, who published in an earlier volume of Archaeologia the inventories of the ordnance, arms and armour at the Tower of London, Westminster and Greenwich (Dillon, 1888). The manuscript is an inventory of the effects of Henry VIII compiled in the reign of his successor, Edward VI. A large section (ff. 250–374r) is concerned with details of the ordnance and other munitions in castles and towns, and the artillery fortifications built by Henry VIII in response to the threat of an invasion by Emperor Charles V and Francis I of France in 1538–39. The English possessions in France are also included. It was originally planned to omit the inventory of the Tower of London from this article, but for the sake of completeness and as there are a few errors in Dillon's transcription it seemed fit to include it.


2003 ◽  
Vol 34 (2) ◽  
pp. 465
Author(s):  
Andrew A. Chibi ◽  
Glenn Richardson
Keyword(s):  

1982 ◽  
Vol 35 (2) ◽  
pp. 151-163 ◽  
Author(s):  
Richard F. Hardin

The advent of the great autocrats of the sixteenth century—Francis I, Charles V, and Henry VIII—was a source of concern and perplexity to many sensitive observers of that age, a reaction that was more than the mere aversion to magnificence that Hans Baron saw motivating an earlier civic humanism. The sixteenth century brought with it a series of disastrous wars and an expansion of monarchies the likes of which the preceding century had not known. The Holy Roman Empire came to include, at least nominally, a vast area of Europe from Austria to the Netherlands; the ambitious Francis I had designs on Italy and the Netherlands; Henry VIII was pursuing the reconquest of France.


Archaeologia ◽  
1945 ◽  
Vol 91 ◽  
pp. 137-155 ◽  
Author(s):  
B. H. St. J. O'Neil

For some years before 1538 the politics of western Europe had been dominated by the mutual jealousy of the Emperor Charles V and Francis I, king of France. Henry VIII's diplomacy had often tended to increase the tension between them, since it was clearly in England's interest to divide her potential enemies. The Pope on the other hand sought to reconcile them, and in June 1538 he succeeded so far as to negotiate a truce for ten years between the rivals.


1996 ◽  
Vol 39 (1) ◽  
pp. 1-31 ◽  
Author(s):  
Susan Brigden

ABSTRACTFrom prison Sir Thomas Wyatt wrote a poem to Sir Francis Bryan, warning him to keep the secrets they shared. This article seeks to discover what the secrets were, and from whom they must be kept. The secrets concerned their lives as courtiers and ambassadors at times of great suspicion and insecurity at home and abroad, c. 1536–41. As diplomats, Wyatt and Bryan were charged to mediate between Henry VIII, Francis I, and Emperor Charles V, but they also had more sinister undercover missions. They were sent to spy upon, and even to assassinate the papal legate, Cardinal Pole. Poetry reveals much about these men which other sources cannot.


Archaeologia ◽  
1782 ◽  
Vol 6 ◽  
pp. 179-220
Author(s):  
John Topham

The general advantages which arise to the Antiquary and Historian from the preservation of auch authentic historical representations as are coeval with the transactions they record, and the reasons which occasioned the interview between the two kings of England and France, as well as the manner in which that scene of pomp and magnificence was conducted and carried into execution, have been already so ably and elaborately demonstrated by our late worthy Vice President, Sir Joseph Ayloffe, Bart. in his “Historical description of an antient pic-“ture in Windsor Castle representing the interview between “king Henry VIII. and the French king Francis I. between “Guînes and Ardres, in the year 1520,” printed in the works of this Society [a] ; that it will now only be necessary to refer to that learned description upon those heads, and confine our present observations to the matters arising from a view of the picture before us, distinctly from the other painting ; and for that purpose, to bring to the recollection of the Society, that after every regulation had been made, and preliminary settled by Cardinal Wolsey for this interview taking place in June 1520, king Henry VIII. removed from his palace at Greenwich on the 21st of May on his way towards the sea ; the first day he went to Otford, then to Leeds Castle, then to Charing, and from thence on the 25th he reached Canterbury, where he proposed to keep the approaching festival of Whitsuntide [b].”


Author(s):  
Stella Fletcher

According to the Florentine historian Francesco Guicciardini, Italy enjoyed peace and plenty in the years around 1490. From 1494 it was plunged into what he and others regarded as a series of “calamities,” triggered by the French kings Charles VIII (r. 1483–1498) and Louis XII (r. 1498–1515), who claimed to rule the kingdom of Naples and the duchy of Milan, respectively. Francis I (r. 1515–1547) retained the claim to Milan, and the wars themselves continued through the reign of Henry II (r. 1547–1559). Rule over Naples was contested and secured by Ferdinand II of Aragon (r. 1479–1516) and maintained by his Iberian successors. Milan was an imperial fief, so was contested by Ferdinand’s grandson Charles V in his capacity as Holy Roman emperor (r. 1519–1556). The conflicts waged in Italy in the names of these various princes between 1494 and 1559 are collectively known as the Italian Wars. They include the War of the League of Cambrai (1508–1516), that of the League of Cognac (1526–1530), and the War of Siena (1552–1559). This article approaches the wars by means of Reference Works and Overviews specifically devoted to the Italian Wars, though it is also worth teasing information from histories of Renaissance Warfare. Contemporary Sources provide innumerable angles on a subject that can be difficult to define beyond events on the battlefield or the besieged city and are therefore subdivided into four types: Memoirs and Chronicles, Histories, Official Records, and cultural evidence, the last of which appears under the heading Art of War, Art and War. Some publications deal with individual episodes or short spans of time and therefore feature in a Chronology of War, itself subdivided at the death of Louis XII/accession of Francis I, 1494–1515 and 1515–1559. The biographical genre—Lives and Times—is the most obvious way of dealing with the leading protagonists, who tended to be Princes, but group studies are also relevant when one turns to Subjects and Citizens who contributed to the conflicts in some form or other. Some authors have confined their research to military history, including the recruitment of soldiers, their pay, and provisions, as well as their activities on the battlefield, but the Italian Wars witnessed so much overlap between the lives of Soldiers and Civilians that they are brought together in the penultimate section of the article, which then concludes with the miscellanies that are Collections of Papers.


Sign in / Sign up

Export Citation Format

Share Document