4. Kediri and Singhasāri: Stone Sculpture from the Eleventh to the Fourteenth Century

2021 ◽  
pp. 129-222
1989 ◽  
Vol 21 (7) ◽  
pp. 431-432
Author(s):  
Amanda Gray
Keyword(s):  

2017 ◽  
Vol 34 (1) ◽  
pp. 85-114
Author(s):  
Ujjwal Kumar

In this paper I have made an attempt to discuss the adaptation method and new vocabulary employed and introduced by the Lokan?ti (Ln). This text was composed in Burma most probably by Catru?gabala around the fourteenth century CE. In premodern Burma Ln was used in monasteries to inculcate guidance on worldly affairs and everyday morality to the Burmese householders in general and to the Buddhist monks in particular.


Romania ◽  
1979 ◽  
Vol 100 (400) ◽  
pp. 540-549
Author(s):  
Lynette R. Muir
Keyword(s):  

2019 ◽  
Vol 15 ◽  
pp. 81-104
Author(s):  
Manu Braithwaite-Westoby

Few scholars would deny that some Old Norse myths have Christian counterparts, a phenomenon first noticed by nineteenth-century archaeologists and antiquarians in their observations of Anglo-Scandinavian stone sculpture in northern England. It is strange, therefore, that despite this long tradition, there is no systematic study on the topic. While this ambition is unfortunately outside the scope of this article, it does seek to address a number of Old Norse myths/legends and place them in conjunction with their Christian counterparts. One of the most important myths for Anglo-Scandinavian craftsmen was probably Sigurðr, who has an obvious parallel in Christ. The apocalyptic narrative in Voluspa known as Ragnarök was also a very popular subject and has a clear cognate in the apocalyptic sections of the Bible. Þórr and the Miðgarðsormr, though less appealing to artists, strongly recalls accounts of the conflict between Christ and Satan or Leviathan. This article uses a theoretical methodology called ‘figural interpretation’ to examine the Old Norse myths and explore how they reflect certain myths from the new religion. While distinctly art historical in approach, this article also invokes some Old Norse texts where relevant, which may themselves have been influenced by Christian thinking.


2004 ◽  
Vol 21 (4) ◽  
pp. 131-133
Author(s):  
Mohammed Rustom

An Introduction to Islam by David Waines consists of three parts:“Foundations,” “Islamic Teaching and Practice,” and “Islam in the ModernWorld.” The author begins by characteristically painting the picture of pre-Islamic pagan Arabia on the eve of Islam’s advent. He discusses the role andsignificance the pre-Islamic Arabs accorded their pantheon of deities, as wellas the (largely inherited) moral codes that governed their conduct in tribalsociety. Waines neatly ties this into what follows, where he discusses thebirth of Prophet Muhammad, the event of the Qur’an’s revelation, and theopposition he encountered from his fellow tribesmen in Makkah. This is followedby an analysis of the Qur’an’s significance, its conception of divinity,and the content and importance of the Hadith as a source of guidance forMuslims. The section is rounded off with examinations of such topics as the first period of civil strife (fitnah) after the Prophet’s death and the interestingbody of literature devoted to Muslim-Christian polemics in earlymedieval Islam.The transition from the first part of the book to the second part is ratherfluid, for the second part is essentially an elaboration of the themes discussedin the first. With remarkable ease and accuracy, the author elucidatesthe historical development and main features of Islamic law in both its theoryand practice. Returning to his earlier discussion on the Hadith, here hebriefly outlines how its corpus came to be collected. Readers unfamiliar withthe main theological controversies that confronted Islam in its formativeyears (e.g., the problem of free will and the status of the grave sinner) willfind the section devoted to Islamic theology fairly useful.Waines goes on to explain some of the principle Mu`tazilite andAsh`arite doctrines, and outlines some of the ideas of Neoplatonic Islamicphilosophy, albeit through the lenses of al-Ghazali’s famous refutation.Surprisingly, the author does not address any of the major developments inIslamic philosophy post-Ibn Rushd, such as the important work of theIshraqi (Illuminationist) school (incidentally, the founder of this school,Shihab al-Din Suhrawardi, was a contemporary of Ibn Rushd). The last twochapters are devoted to Sufism and Shi`ism, respectively. Although Wainesdoes misrepresent Ibn al-`Arabi’s metaphysics of Being by calling it a “system”(pp. 153 and 192), on the whole he presents the Islamic mystical traditionin a refreshing and informed manner. His section on Shi`ism is splendid.It is written with considerable care, and he effectively isolates the mainthemes characteristic of Twelver Shi`ite thought and practice.In the third and longest part of this work, Waines incorporates IbnBattutah’s travel accounts into the book’s narrative. This works very well, asit gives readers a sense of the diverse and rich cultural patterns that wereintricately woven into the fabric of fourteenth-century Islamic civilization.After reading through the section, this present reviewer could not help butmarvel at how the observations of a fourteenth-century traveler and legaljudge from Tangiers could so effectively contribute to a twenty-first centuryintroductory textbook on Islam. Additionally, Waines takes readers throughsome of the essential features of the three important “gunpowder” Muslimdynasties, devotes an interesting discussion to the role played by the mosquein a Muslim’s daily life, and outlines some of its different architectural andartistic expressions throughout Islamic history ...


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