The (Un)Remarkable Fatness of Valiant’s Faith

2020 ◽  
pp. 69-83
Author(s):  
Stefanie Snider
Keyword(s):  
Popular Culture ◽  
Positive Shift ◽  
As If

This chapter examines the potential, as well as the limits, of making the superhero Faith Herbert/Zephyr fat. Typically framed as monstrous in western superhero comics, Faith’s fatness is treated textually and visually as if it is not in any way aberrant. The author of this chapter questions whether this representation marks a positive shift in western popular culture in relation to fatness, or whether, in this case, Faith as a monstrous woman has been “defanged” and denied the potential to be subversive of marginalizing norms.

scholarly journals Editorial: Dis laf fit kill person - An overview of Nigerian humour

2018 ◽  
Vol 6 (4) ◽  
pp. 1
Author(s):  
Ibukun Filani
Keyword(s):  
Popular Culture ◽  
Daily Life ◽  
Political Leadership ◽  
Special Issue ◽  
Everyday Living ◽  
As If

In Nigeria, in relation to the aforesaid functions, everyday citizens and professional humourists use humour to express their expectations from and disappointments in the socio-political leadership of the country. Common Nigerian jokes indicate the country’s travails with ethnicity and failed political leadership. They also enunciate populist perspectives on nationhood, identity and the challenges of everyday living. In spite of the centrality of humour to daily life in Nigeria, scholarly interests in its sociocultural, political, rhetorical, interactional and interpersonal dimensions have been very minimal. According to Obadare (2016), it is as if once something is categorised as humour, it is expunged from any serious interrogations. There are diverse and numerous dimensions of humour in Nigeria, given the country’s extensive and still expanding popular culture landscape. A handful of these dimensions are examined in the papers that make up this special issue of EJHR.

scholarly journals Popular Culture. A Reply to Shusterman and Małecki

2009 ◽  
Vol 20 (38) ◽  
Author(s):  
Stefán Snævarr
Keyword(s):  
Popular Culture ◽  
Popular Art ◽  
The Usa ◽  
As If

The article is a response to criticism of my two recent articles on Richard Shusterman’s view of popular culture by Shusterman and Małecki. The former maintains that I have misrepresented his view on Europe, the USA and popular culture. But I point out that he talks as if there is no popular culture in Europe due to Europe’s aristocratic traditions, and that the USA is a hotbed of popular culture thanks to its egalitarian traditions, and that Europe can be treated as a country comparable to the USA. He also says that I falsely think he is talking about popular culture while he is really talking about popular art. But I show that it is meaningless to talk about popular art without talking about popular culture and that as a pragmatist Shusterman should have understood that. I show that Małecki grossly misrepresents my article, maintaining that I am against all forms of popular art and against everything Shusterman says about popular art. I show that this is blatantly wrong.

scholarly journals Television vampire fandom and religion

2013 ◽  
Vol 25 ◽  
Author(s):  
Minja Blom
Keyword(s):  
Popular Culture ◽  
Television Show ◽  
Buffy The Vampire Slayer ◽  
Contemporary World ◽  
Fan Communities ◽  
True Blood ◽  
Good And Evil ◽  
Popular Texts ◽  
As If ◽  
The Way

Popular culture and fandom provide a setting where people can reflect on the questions of life. A television show defines for many of its fans what it means to be human. It also discusses the way things are, and the way they should, or could, be in our reality. In this article the author shows that tele­vision shows Buffy the Vampire Slayer, True Blood and the Vampire Diaries have made the same kind of impact on their fans. The fan writings of Buffy the Vampire Slayer, True Blood and the Vampire Diaries show that these popular texts, and the communities they have formed, have greatly affected the lives of fans. People have found on their TV screens stories they can get strength and hope from. The vampire shows deal with the supernatural – vampires, werewolves, and witches – and place them in our contemporary world as if they are a natural part of it. Television vampire stories revolve around topics of death, good and evil, and humanity. These stories have created massive fan communities and even life changing fan experiences. The reflections upon existential questions, and the way the shows have empowered fans, make this phenomenon important to study in the context of today’s religions reality.

Animals, Women, and Weapons: Blurred Sexual Boundaries in the Discourse of Sport Hunting

2004 ◽  
Vol 12 (3) ◽  
pp. 237-251 ◽  
Author(s):  
Lori Baralt ◽  
Linda Kalof ◽  
Amy Fitzgerald
Keyword(s):  
Popular Culture ◽  
Feminist Theory ◽  
Empirical Evidence ◽  
Random Sampling ◽  
Theoretical Framework ◽  
Moral Outrage ◽  
Sexual Boundaries ◽  
Traditional Masculinity ◽  
Sport Hunting ◽  
As If

AbstractThe furor and public outrage surrounding the release of a fictionalized video in which naked women are hunted down and shot with paintball guns ("Hunting for Bambi") inspired this paper. Arguing that distressing representations of hunting as a sexually charged activity are resilient popular culture images, this paper examines the theoretical framework that links hunting with sex and women with animals and the empirical evidence of such linkages in the hunting discourse of a popular newsstand periodical. Contemporary feminist theory often connects hunting with sex and women with animals. This paper details clear evidence of the juxtaposition of hunting, sex, women, and animals in the photographs, narratives, and advertisements of a random sampling of Traditional Bowhunter magazines (1992-2003). Particularly prominent in the magazines' hunting discourse is the sexualization of animals, women, and weapons, as if the three are interchangeable sexual bodies in narratives of traditional masculinity. This paper concludes that moral outrage at the degradation of women might be targeted best at widely read newsstand periodicals that serve as popular culture precursors to videos that celebrate hunting naked women.

Improvement of an artificial test substrate technique for evaluation of em immunocytochemical labeling

1987 ◽  
Vol 45 ◽  
pp. 762-763
Author(s):  
G. D. Gagne ◽  
M. F. Miller
Keyword(s):  
Bovine Serum Albumin ◽  
Serum Albumin ◽  
Bovine Serum ◽  
Artificial Substrate ◽  
Chemical Fixation ◽  
As If

We recently described an artificial substrate system which could be used to optimize labeling parameters in EM immunocytochemistry (ICC). The system utilizes blocks of glutaraldehyde polymerized bovine serum albumin (BSA) into which an antigen is incorporated by a soaking procedure. The resulting antigen impregnated blocks can then be fixed and embedded as if they are pieces of tissue and the effects of fixation, embedding and other parameters on the ability of incorporated antigen to be immunocyto-chemically labeled can then be assessed. In developing this system further, we discovered that the BSA substrate can also be dried and then sectioned for immunolabeling with or without prior chemical fixation and without exposing the antigen to embedding reagents. The effects of fixation and embedding protocols can thus be evaluated separately.

Influence of death obsession and anxiety on exposure to popular culture media

2014 ◽  
Author(s):  
Lance C. Garmon ◽  
Meredith Patterson ◽  
Jennifer M. Shultz ◽  
Michael C. Patterson
Keyword(s):  
Popular Culture ◽  
Culture Media
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