Michie Mee
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This chapter analyses the formation, maintenance, and transformation of the Caribbean diaspora in the formation of rap music in Toronto, Ontario, Canada. It discusses the marginalization of rap music and people of color within the music industry in Toronto. The author focuses especially on the way artists use rap music to challenge racist and racialized conceptions of Canadian identity and, at the same time, help redefine Canadian identity in ways that emphasize the importance of diasporic identities.
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2003 ◽
Vol 15
(3)
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pp. 161-166
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2020 ◽
Vol 15
(4)
◽
pp. 28
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