scholarly journals Perspektivwechsel / A Change of Perspective

2021 ◽  
pp. 538-541
Author(s):  
Sabine Demoliner
Derrida Today ◽  
2012 ◽  
Vol 5 (1) ◽  
pp. 39-54 ◽  
Author(s):  
Marian Hobson

Derrida thematises his writing through a change of perspective which moves from very detailed examination of an argument to more general statements. This paper is a consideration of how Derrida anchors his close attention to the detail of an argument in a wider philosophical-historical and indeed social framework. In this paper, the word in question is ‘freedom’, discussed with the philosopher and psychoanalyst Elisabeth Roudinesco; this paper moves back chronologically to Force of Law, and finally to a passage in Of Grammatology to demonstrate that in Derrida's work from early to late there is a web of reflection about freedom.


Author(s):  
Roberto Garrappa ◽  
Andrea Giusti ◽  
Francesco Mainardi

Author(s):  
Maren R. Niehoff

This chapter addresses Philo's refashioning of the biblical women in the Exposition of the Law, which differs significantly from his interpretation of them in Allegorical Commentary. They no longer symbolize the dangerous body with its passions, best to be left behind, but rather have become exemplary wives, mothers, and daughters who play an active role in the history of Israel. This dramatic change of perspective can be explained in terms of Philo's move from Alexandria to Rome. While gender issues were not discussed in the philosophical circles of his home city, he later encountered lively philosophical discussions in Rome on the role of women in society. His new image of the biblical women in the Exposition closely corresponds to his view of the Roman empress Livia, whose clear-sightedness, strength, and loyalty he appreciates. The biblical women likewise become real historical figures whom Philo interprets sympathetically from within.


2019 ◽  
Vol 14 (1) ◽  
Author(s):  
Galuh Subekti

Modern man has now undergone a change of perspective with various problems concerning individuals and even groups. The reason is so complex, with the current pace of modern man more follow the actual desire is not the choice. Humans assume that he is alright without realizing that he has become an object and experiencing non-existence. Today's modern man has unknowingly experienced and felt the void, hope, loneliness, and anxiety. Since Sylvia young to old Sylvia many changes. Awareness as a manuisa who lost existence is supported by the presence of Paul. Staging will be presented with the concept of pantomime and realist acting style. With so actors are required to be able to combine the concept with the achievement as much as possible. Key word : Theatre, actor, Syvia, acting, physical theatre, pantomime.


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