Ten. How Long Can the Party Last? Gendering the European Crisis on Reality TV

2020 ◽  
pp. 246-272
Keyword(s):  
2012 ◽  
Author(s):  
Gina Roussos ◽  
Roger D. Klein ◽  
Elaine N. Rubinstein

2017 ◽  
Vol 6 (4) ◽  
pp. 348-360 ◽  
Author(s):  
Mina Tsay-Vogel ◽  
K. Maja Krakowiak
Keyword(s):  

Film History ◽  
2006 ◽  
Vol 18 (4) ◽  
pp. 459-475 ◽  
Author(s):  
Jan-Christopher Horak
Keyword(s):  

Author(s):  
Rita Fulco

AbstractThe aim of my article is to relate Roberto Esposito’s reflections on Europe to his more recent proposal of instituent thought. I will try to do so by focusing on three theoretical cornerstones of Esposito’s thought: the first concerns the evidence of a link between Europe, philosophy and politics. The second is deconstructive: it highlights the inadequacy of the answers of the most important contemporary ontological-political paradigms to the European crisis, as well as the impossibility of interpreting this crisis through theoretical-political categories such as sovereignty. The third relates more directly to the proposal of a new political ontology, which Esposito defines as instituent thought. Esposito’s discussion of political theology is the central theoretical nucleus of this study. This discussion will focus, in particular, on the category of negation, from which any political ontology that is based on pure affirmativeness or absolute negation is criticized. In his opinion, philosophical theories developed on the basis of these assumptions have proved to be incomplete or ineffective in relation to the current European and global philosophical and political crisis. Esposito therefore perceives the urgent need to propose a line of thought that is neither negatively destituent (post-Heideggerian), nor affirmatively constituent (post-Deleuzian, post-Spinozian), but instituent (neo-Machiavellian), capable of thinking about order through conflict (the affirmative through the negative). Provided that we do not think of the institution statically–in a conservative sense–but dynamically, as constant instituting in which conflict can become an instrument of a politics increasingly inspired by justice.


2021 ◽  
pp. 152747642110272
Author(s):  
Altman Yuzhu Peng

This article provides a feminist analysis of Chinese reality TV, using the recent makeover show— You Are So Beautiful (你怎么这么好看) as a case study. I argue that the notion of gender essentialism is highlighted in the production of You Are So Beautiful, which distances the Chinese show from its original American format— Queer Eye. This phenomenon is indicative of how existing gender power relations influence the production of popular cultural texts in post-reform China, where capitalism and authoritarianism weave a tangled web. The outcomes of the research articulate the interplay between post-socialist gender politics and reality TV production in the Chinese context.


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