EPIGRAM, ARGUS, on the release of Francis I

Machiavelli ◽  
2020 ◽  
pp. 1463-1464
Keyword(s):  
1987 ◽  
Vol 82 (3) ◽  
pp. 734
Author(s):  
Ann Moss ◽  
P. M. Smith ◽  
I. D. McFarlane
Keyword(s):  
The Arts ◽  

PMLA ◽  
1904 ◽  
Vol 19 (1) ◽  
pp. 33-63
Author(s):  
W. A. R. Kerr
Keyword(s):  

Some twenty years ago M. Émile Picot had occasion to edit a group of sixteenth century French moralities, two of which were signed by the device “Rien sans l'Esprit.” He discovered that this curious pseudonym veiled a certain Pierre Duval, a poet of Rouen. On following up his researches, the learned Paris scholar found that Duval was the centre of a little group of poets who produced several modest volumes of verse during the last decade of the reign of Francis I.


Author(s):  
Olga Khavanova

The article is based on the materials from Russian and Austrian archives and devoted to lesser-known circumstances of the preparation and course of the 1761 diplomatic mission of Baron A.S. Stroganov to Vienna on the occasion of the wedding of the heir to the throne, Archduke Joseph, with Isabella of Parma. The embassy is considered in the context of symbolic communication through ceremonial gestures between St. Petersburg and Vienna. It emphasised the particularly friendly nature of the relationship between the two dynasties and two courts, not only united by a bilateral treaty and membership in the anti-Prussian alliance during the Seven Years War but also symbolically related as godparents. A.S. Stroganov was a young aristocrat without proper experience in the field of diplomacy and of the modest court rank of Kammer-Junker. The appointment was explained by his kinship with Chancellor M.I. Vorontsov whose daughter Anna officially accompanied her husband on the trip. The imperial ambassador to St. Petersburg Count Nicolaus Esterházy spared no effort to smooth over the awkwardness and find benevolent patrons for the young couple in Vienna. European education and the exceptional personal qualities of the ambassador allowed A. Stroganov to fulfil the commission with honour and receive the title of a Count of the Holy Roman Empire from Emperor Francis I as a reward. The embassy became the last page in the history of relations between St. Petersburg and Vienna on the eve of the break of bilateral relations and Russia’s withdrawal from the Seven Years War in 1762.


PEDIATRICS ◽  
1980 ◽  
Vol 66 (6) ◽  
pp. 888-888
Author(s):  
T. E. C.
Keyword(s):  

The Dialogues by Claudius Hollyband and Peter Erondell, published in 1568, contain this conversation between Francis the schoolboy, a late riser, and Margaret, the maid.1 A similar conversation, save for different articles of clothing and a mother rather than a maid, might well be heard in 1980 in many American homes. Margaret. Ho Fraunces, rise and get you to school: you shall be beaten, for it is past seven: make yourself readie quickly, say your prayers, then you shall have your breakfast. Francis: Margerite, geeve me my hosen: dispatche I pray you: where is my doublet? bryng my garters, and my shooes: geeve mee that shooyng horne. Margaret: Take first a cleane shirte, for yours is fowle. Francis: Make hast then, for I doo tarie too long. Margaret: It is moyst yet, tarry a little that I may drie it by the fier. Francis: I had rather thou shouldst be shent, than I should be either child or beaten: where have you layde my girdle and my inck-horne? Where is my gyrkin [jerkin] of Spanish leather of Bouffe? Where be my sockes of linnen, of wollen, of clothe? Where is my cap, my hat, my coate, my cloake, my kaipe [cape or short coat], my gowne, my gloves, my mittayns [mittens], my pumpes, my moyles [mules], my slippers, my handkerchief, my pointes, my sachell, my penknife and my books. Where is all my geare? I have nothing ready: I will tell my father ...


Archaeologia ◽  
1782 ◽  
Vol 6 ◽  
pp. 179-220
Author(s):  
John Topham

The general advantages which arise to the Antiquary and Historian from the preservation of auch authentic historical representations as are coeval with the transactions they record, and the reasons which occasioned the interview between the two kings of England and France, as well as the manner in which that scene of pomp and magnificence was conducted and carried into execution, have been already so ably and elaborately demonstrated by our late worthy Vice President, Sir Joseph Ayloffe, Bart. in his “Historical description of an antient pic-“ture in Windsor Castle representing the interview between “king Henry VIII. and the French king Francis I. between “Guînes and Ardres, in the year 1520,” printed in the works of this Society [a] ; that it will now only be necessary to refer to that learned description upon those heads, and confine our present observations to the matters arising from a view of the picture before us, distinctly from the other painting ; and for that purpose, to bring to the recollection of the Society, that after every regulation had been made, and preliminary settled by Cardinal Wolsey for this interview taking place in June 1520, king Henry VIII. removed from his palace at Greenwich on the 21st of May on his way towards the sea ; the first day he went to Otford, then to Leeds Castle, then to Charing, and from thence on the 25th he reached Canterbury, where he proposed to keep the approaching festival of Whitsuntide [b].”


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