Postmodernist Impossibilities, the Creation of New Cognitive Frames, and Attempts at Interpretation

Author(s):  
Jan Alber
2020 ◽  
Vol 34 (4) ◽  
pp. 544-564
Author(s):  
Benjamin Klasche ◽  
Peeter Selg

The endeavour to explain and predict international affairs is getting harder since it is ever more widely accepted that heterogeneous and fluid actors are making international politics. Positivists of various types have dominated the discussion on knowledge creation in the discipline of International Relations (IR), but the increasing acceptance of the dynamic character of international politics has led to the support and use of constructivist, post-Western or feminist approaches. There has also been an uptick in methodological discussions on these critical, non-positivist approaches. This article contributes to these debates by offering the first steps towards a cognitive frames–based methodology for IR. With a pragmatist ontology as its foundation, the approach re-sets the focus of analysis to the rationality of the international actors. The article, offers an initial description, by relying on illustrative examples, of the creation, the reach, durability and the organisational structure of cognitive frames in the global arena.


2010 ◽  
Vol 1 (1) ◽  
pp. 118-137 ◽  
Author(s):  
William O. Beeman

This paper addresses the question question: How do individuals affect others cognitively and emotionally through performance? Performance here is broadly defined as purposeful enactment or display behavior carried out in front of an audience. Following Alfred Schütz, Erving Goffman, Deborah Tannen and others, the paper posits that performance works through the creation of behavior that is embedded in cognitive “frames” that determine the symbolic interpretation of events. The framed event allows the performer to stimulate the emotions of the audience through pragmatically determined communication in a psychologically protected environment. Both performer and audience utilize the natural human ability to predict the emotional states of others, currently known as Theory of Mind, in order to generate and feel these emotions in an act of co-creation of experience. It is posited that performance has evolutionary value in allowing humans to practice the experience of emotions, and to create group solidarity.


2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.


Author(s):  
Nicholas Temperley
Keyword(s):  

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