17. Robert Penn Warren, All the King’s Men (1946)

Author(s):  
John Burt
Author(s):  
Howard G. Wilshire ◽  
Richard W. Hazlett ◽  
Jane E. Nielson

This book focuses on the human-caused environmental woes of America’s 11 contiguous western states, its mostly arid western continental frontier. In the nineteenth century, penny pamphlets and dime novels mythologized the American west, making icons of its prospectors, “cowboys,” northwestern loggers, and wide open spaces. The west was free of encroaching neighbors and government controls, open to fresh starts. As Robert Penn Warren wrote, in All the King’s Men, “West . . . is where you go when the land gives out and the old-field pines encroach . . . when you are told that you are a bubble on the tide of empire . . . when you hear that thar’s gold in them-thar hills. . . . ” But the “West” was more than gold and oil bonanzas—it was also a land of rich soils, bountiful - sheries, immense, dense forests, desert wonders, and sparkling streams. It is no myth that the western states were America’s treasure house. The romantic myths related to “winning” the west tend to obscure both its basic objective of resource exploitation and the huge public expenditures that supported every aspect, bestowing fortunes on a few. Western resources supported U.S. industrial growth and affluent lifestyle, but now they are highly depleted or largely gone, and the region is in danger of losing the ability to sustain an even moderately comfortable future. Much of what we have done to these magni- cent lands opened them to devastating erosion and pollution. Today, whole mountains are being dismantled to produce metals from barely mineralized zones. Entire regions may be devastated in the attempt to extract the last possible drops of petroleum. We soon could cut down the last remnants of ancient western forests, along with the possibility of ever again seeing their like. Large-scale farming has opened vulnerable western soils to erosion by water and wind, perhaps inviting another dust bowl era. Irrigating vast crop acreages has converted many of them to salt farms, perhaps resembling the conditions that spelled doom for the ancient Babylonian Empire.


Author(s):  
John Burt

Robert Penn Warren (1905–1989) was a prolific and distinguished poet, novelist, and critic. His novel All the King’s Men (1946), a fictionalized treatment of the Huey Long regime of 1930s Louisiana, is the finest novel of politics in the American tradition. He won the Pulitzer Prize three times, once for All the King’s Men, and twice for poetry, for Promises in 1957, and for Now and Then in 1978. With Cleanth Brooks he wrote a number of textbooks, most important among them Understanding Poetry (1938), which revolutionized the teaching of literature in the United States and shaped literary pedagogy for forty years. As a social critic, Warren played a role in persuading the white South to accept racial integration in such books as Segregation: The Inner Conflict in the South (1956) and Who Speaks for the Negro? (1965).


1972 ◽  
Vol 6 (3) ◽  
pp. 297-307
Author(s):  
R. Gray

Robert Penn Warren is a writer of extraordinarily diverse talents and interests. He is, among other things, one of the founders of the New Criticism, a poet and a poetic dramatist of national reputation (he won both the Pulitzer Prize and the National Book Award for his nineteen volumes of verse), and a gifted teacher. Above all, though, he is a writer whose moral and philosophical bias is towards the kind of historical specificity and social density which is perhaps the special preserve of the novel. This more than anything else accounts for the exceptional range and volume of his fictional writing and for the usual association of his name with one book in particular which is, by common consent, his finest achievement: All The King's Men, first published in 1946. Occasionally, a case has been made for the superiority of one of his other novels, and there have been one or two attempts to locate the centre of his work in the poetry. But these have been scattered, infrequent, and in the event, I think, unconvincing. All The King's Men remains his masterwork, and perhaps his most characteristic piece of fiction too, so that any assessment of Warren the imaginative writer has ultimately to focus upon it.


1957 ◽  
Vol 3 (1) ◽  
pp. 27
Author(s):  
Seymour L. Gross
Keyword(s):  

1998 ◽  
Vol 93 (4) ◽  
pp. 934 ◽  
Author(s):  
John D. Cox
Keyword(s):  

1973 ◽  
Vol 62 (5) ◽  
pp. 704
Author(s):  
Allen Shepherd
Keyword(s):  

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