scholarly journals Ethical Matters: Pliny the Elder on Material Deception

2021 ◽  
pp. 39-50
Author(s):  
Anna Anguissola
Keyword(s):  
1989 ◽  
Vol 9 (3) ◽  
pp. 252-260 ◽  
Author(s):  
Natale Gaspare De Santo ◽  
Giovambattista Capasso ◽  
Dario Ranieri Giordano ◽  
Mario Aulisio ◽  
Pietro Anastasio ◽  
...  

2013 ◽  
Vol 17 (3) ◽  
pp. 239-252
Author(s):  
Tomasz Polanski

In 72-69 B.C., L. Lucullus successively captured the most important urban centres of the kingdom of Pontus, and Tigranocerta in Armenia. His army also operated in the kingdom of Commagene und in Upper Mesopotamia. Lucullus’ military campaign was continued by Pompey. We come across incidental information about the scale of robbery and destruction committed by the Roman army (the statue of Autolycus by Sthennis in Sinope, the temple of Ma in Comana, the secret archives of Mithradates VI, the Roman library of Lucullus, the treasures of Darius the Achaemenid). Some objects of the plundered art appeared in public at the triumphal shows of wealth in Rome, which was perfunctorily documented by Pliny the Elder, Appianus of Alexandria and Plutarch (63 and 61 B.C.). Artworks were also acquired by functionaries of the occupying administration from urban communities and private persons through extortion and blackmail. The Roman lawyers and intellectuals worked out a set of skilful legal formulas to justify and legalise the plunder of cultural goods (ius belli, monumentum imperatoris, ornamentum urbis). Cicero, Livy and Plutarch never condemn the robbery of artworks and libraries if they were committed in the name of the Roman state. The fragmentary evidence testifies to the once flourishing literary circles of the kingdoms of Pontus and Commagene (Methrodorus of Scepsis, Athenion, the anonymous authors of inscriptions from Commagene, the epitaphs of the Bosporan kingdom).


From time immemorial it has been known that there is something peculiar about the sexual anatomy and physiology of the spotted hyaena. The writers of antiquity relate the legend that this animal is hermaphrodite, or that it can change its sex at will. Aristotle (384-322 B.C.) mentions the story, but says that it is untrue. He did not, however, distinguish between the spotted and striped hyaenas: the legend relates to the spotted hyaena, but his refutation to the striped, the genital anatomy of which he correctly describes. Pliny the Elder (A.D. 23-79) repeats the legend, mentioning Aristotle’s denial of its truth. Claudius Aelianus ( ca. A.D. 160-220) also states th at the hyaena changes its sex in alternate years.


2010 ◽  
Vol 38 (1/4) ◽  
pp. 167-185
Author(s):  
Massimo Leone

In the twenty-eighth book of the Naturalis Historia Pliny the Elder claims that, if a chameleon’s left leg is roasted together with a herb bearing the same name, and everything is mixed with ointment, cut in lozenges, and stored in a wooden little box, this will bestow on those who own it a perfect camouflage. The ring of Gyges (Plato, etc.), that of Midas (Pliny), the heliotropium (Pliny), the dracontitis (Philostratus): ancient cultures abound with references to objects, recipes, and techniques able to bestow different kinds of invisibility, meant as a perfect resemblance with the environment. At the same time, these same cultures also teem with references to how to avert the perfect camouflage: for instance, by being endowed with a pupula duplex, a double pupil (Ovid). The paper explores such vast corpus of texts from the point of view of a semiotics of cultures, in order to track the roots of a conception of camouflage that, from these ancient cultures on, develops through intricate paths into the contemporary imaginaires (and practices) of invisibility. The paper’s more general goal is to understand the way in which cultures elaborate conceptions of invisibility meant as the perfect resemblance between humans and their environments, often on the basis of the observation of the same resemblance between other living beings and their habitat. Ancient texts are therefore focused on in order to decipher the passage from camouflage as an adaptive natural behaviour to camouflage as an effective combat strategy.


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