scholarly journals Cultural Transfer Theory and Exchanges between Britain and the Baltic in the Eighteenth Century

2021 ◽  
pp. 303-316
Author(s):  
Rémy Duthille
2020 ◽  
pp. 300-308
Author(s):  
Jonathan Scott

This concluding chapter discusses how the Anglo-Dutch revolution of 1649–1702 stood at the centre of a succession of wider transformations which were agricultural, political, and commercial. All of these had their origins in the Netherlands before spreading to south-eastern England and across the Atlantic. Understanding their development and diffusion has required attention to religion, migration, and war as well as to economic, social, and cultural life. The result connected a series of unique local human environments, including the Dutch water world, the city of London, and the American frontier into a world-altering imperial system. By the later eighteenth century the Atlantic reorientation of the European economy had thrown the Baltic into relative decline, sparking the dramatic growth of Liverpool, Manchester, and Glasgow while Stockholm, Copenhagen, and Amsterdam stagnated.


Migrant City ◽  
2020 ◽  
pp. 281-306
Author(s):  
Panikos Panayi

This chapter explores how migrants have contributed to the evolution of music in London. Despite episodes of xenophobia in the London musical scene, xenophilia became stronger, partly driven by the fact that both music and musicians inevitably migrate. This is so that, while national traditions of music may emerge, the process of cultural transfer involving both sound and people mean that such traditions cannot remain sealed off from external influences, even if they may develop national-level identities, at least in the short run. While music and musicians crossed European boundaries, during the twentieth century both performers and their tunes have increasingly spanned global and consequently racial divides. The German assertion that nineteenth-century Britain constituted a ‘Land ohne Musik’ (land without music), while an exaggeration, partly explains the arrival of foreign musicians to Victorian London and the eras before and since. The constant settlement and visits by musicians to the British capital since the early eighteenth century meant that London did not become a city without music, even if the tunes and those who played them often originated from abroad.


2020 ◽  
Vol 32 (2) ◽  
pp. 479-489
Author(s):  
Pavel Demchenko

This research note explores the specifics of the Sound Toll Registers as a historical source. It accounts for the shipmasters who sailed into the Baltic but are largely absent from the Sound Toll Registers because they were not attributed to a port. A method of detecting these shipmasters is proposed, together with an explanation as to why this administrative practice developed.


2016 ◽  
Vol 34 (2) ◽  
pp. 279-292
Author(s):  
Helen Watanabe-O’Kelly

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