3.1 Reality TV – Perspektiven auf ein populärkulturelles Genre

2021 ◽  
pp. 70-79
Keyword(s):  
2012 ◽  
Author(s):  
Gina Roussos ◽  
Roger D. Klein ◽  
Elaine N. Rubinstein

2017 ◽  
Vol 6 (4) ◽  
pp. 348-360 ◽  
Author(s):  
Mina Tsay-Vogel ◽  
K. Maja Krakowiak
Keyword(s):  

Film History ◽  
2006 ◽  
Vol 18 (4) ◽  
pp. 459-475 ◽  
Author(s):  
Jan-Christopher Horak
Keyword(s):  

2021 ◽  
pp. 152747642110272
Author(s):  
Altman Yuzhu Peng

This article provides a feminist analysis of Chinese reality TV, using the recent makeover show— You Are So Beautiful (你怎么这么好看) as a case study. I argue that the notion of gender essentialism is highlighted in the production of You Are So Beautiful, which distances the Chinese show from its original American format— Queer Eye. This phenomenon is indicative of how existing gender power relations influence the production of popular cultural texts in post-reform China, where capitalism and authoritarianism weave a tangled web. The outcomes of the research articulate the interplay between post-socialist gender politics and reality TV production in the Chinese context.


2015 ◽  
Vol 20 (6) ◽  
pp. 639-646 ◽  
Author(s):  
Lori A. Klos ◽  
Christy Greenleaf ◽  
Natalie Paly ◽  
Molly M. Kessler ◽  
Colby G. Shoemaker ◽  
...  

2014 ◽  
Vol 15 (1) ◽  
pp. 74-91 ◽  
Author(s):  
Zala Volčič ◽  
Karmen Erjavec
Keyword(s):  

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