Introduction: The Public Lives of Sovereignty

2021 ◽  
pp. 1-28
Keyword(s):  
2021 ◽  
pp. 17-30
Author(s):  
Graham Mitchell

Although the public lives and history of giraffes have been well recorded in many books, the story of giraffes told in this book would be incomplete without a brief review of how giraffes first entered into the consciousness of those humans who did not live in Africa. They did so via art and literature. The first appearance of giraffes in literature is probably in the Old Testament, but after that, many other authors wrote of them, in particular Pliny the Elder. Their appearance in art begins with rock paintings in southern and northern Africa, and artwork in Egypt over the period 6000 to 3000 BC. More modern images began appearing ~AD 500 in the first texts that dealt with the natural world. Julius Caesar brought the first living giraffe to Europe, followed by Lorenzo de Medici in the thirteenth century. By the late seventeenth century they had disappeared from public view in Europe except as a stellar constellation.


2016 ◽  
Vol 37 (1) ◽  
Author(s):  
Vhumani Magezi ◽  
Christopher Magezi

This article argues that the transcendence and immanence of God amplified in Christ should influence African believers� private and public ethics. It accomplishes this by engaging transcendence and immanence of God in the traditional African worldview. The African traditional worldview in many respects believes the transcendent God whose immanence is mediated by lesser spiritual intermediary powers. In responding to this view of God�s transcendence and immanence, we discuss the amplified transcendence and immanence of God in the Adamic incarnational Christological model. This model argues that in the incarnation, God�s transcendence and immanence is amplified by his assumption of our human mode of existence as the New Adam for our redemption. That is, even though God has always been transcendent and present within his creation before the incarnation, his immanence within humanity is amplified by God becoming man in and through Jesus Christ as the New Adam. The ascension of Jesus Christ does not diminish God�s presence within Christians. God continues to have his personal presence within believers through the dynamic presence of the Holy Spirit among them. The transcendence and immanence of God (amplified in Christ) therefore is brought to bear in the private and public ethics of Christians. In contrast to the limited immanence of human beings, God�s immanence is infinite. That is, there is nothing human beings can do which is outside of God�s reach and knowledge. It is from this perspective that African Christians are encouraged to live lives conscious of the infinite-immanent God, who sees both their private and public lives. The private and public life of believers should resemble God�s character and behaviour demonstrated by Jesus Christ, God incarnate, in his earthly ministry. Thus, the transcendence and immanence of God amplified in Christ influences African believers to live as the true ambassadors of Christ who exhibit exemplary ethical behaviour within the public sphere. The article reflects on the role of theological ethics in informing public ethics. As such it is theologically intradisciplinary but focusing on intertheological disciplines and their relationship to public space regarding ethics. It seeks to engage and influence public ethical behaviour in a context corruption and disregard of other human beings� entitlements.Intradisciplinary and/or interdisciplinary implications: The article challenges the privatisation of Christianity to take a public role in order to influence the public. This approach contributes to shifting African Christians from being passive in the context of unethical behaviours to being active agents who influence the public. As such, it contributes to public, practical theology and public ethics.


Author(s):  
Hüseyin Rahmi ◽  
Emrah Sahin ◽  
Janna Tamargo
Keyword(s):  

Selections from a 1924 novella by the Turkish writer Hüseyin Rahmi, depicting women and their husbands discussing drinking, dress, and the public lives of women. 


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