: Far Eastern Governments and Politics: China and Japan . Paul M. A. Linebarger , Djang Chu , Ardath W. Burks .

1955 ◽  
Vol 24 (7) ◽  
pp. 108-109
Author(s):  
George O. Totten
Keyword(s):  
2021 ◽  
pp. 1-23
Author(s):  
Yunqi Ye ◽  
Dangpeng Xi ◽  
Lixin Sun ◽  
Dermeval Aparecido Do Carmo ◽  
Lucas Silveira Antonietto ◽  
...  

Abstract Despite the abundant literature on limnic Cretaceous ostracode faunas, the database on mid-Late Cretaceous taxa is still scarce. The Songliao Basin in northeastern China preserves a diverse assemblage of ostracode fossils from the Santonian–Campanian Nenjiang and Sifangtai formations. This rather unique material is of major importance to comprehend Early to mid-Late Cretaceous (Cenomanian–Campanian) limnic ostracode faunas and therefore the evolution of Late Cretaceous basins in China. A study of this fauna was conducted to detail the taxonomy of ostracode species from members 1 and 2 of the Nenjiang and Sifangtai formations in the Songliao Basin. Well-preserved specimens of 14 ostracode species were recovered from samples of the ZKY2-1 well in southwestern Songliao Basin: Scabriculocypris liaukhenensis Liu in Netchaeva et al., 1959, Ilyocyprimorpha netchaevae Su in Netchaeva et al., 1959, Cypridea acclinia Netchaeva in Netchaeva et al., 1959, Cypridea cavernosa Galeeva, 1955, Cypridea gracile Netchaeva in Netchaeva et al., 1959, Cypridea lepida Ye in DOFEAD, 1976, Cypridea squalida Sou in Netchaeva et al., 1959, Fabaeformiscandona? Disjuncta (Hao in Hao et al., 1974), Lycopterocypris profunda Lübimova, 1956, Mongolocypris magna (Hou, 1958), Mongolocypris tera (Su in Netchaeva et al., 1959), Talicypridea obliquecostae (Szczechura and Błaszyk, 1970), Talicypridea reticulata (Szczechura, 1978) and Renicypris renalata (Su in Hao et al., 1974). Four of the species identified received emended descriptions and diagnoses. Other important results include the first discussion on sexual dimorphism in Cypridea acclinia and Fabaeformiscandona? disjuncta, the first study on the ontogeny of Ilyocyprimorpha netchaevae, and the reassignment of Cypridea liaukhenensis to the genus Scabriculocypris. Several species recorded herein are also found in other continental far-eastern Asian basins, while genera range from worldwide to far-eastern Asian distribution; these results support strong affinities among faunas of Mongolia, China, and Japan.


1955 ◽  
Vol 28 (2) ◽  
pp. 170
Author(s):  
F. C. Jones ◽  
Paul M. Linebarger ◽  
Djang Chu ◽  
Ardath W. Burks
Keyword(s):  

1922 ◽  
Vol 12 (4) ◽  
pp. 401-409 ◽  
Author(s):  
W. A. Lamborn

A mosquito survey, having as its object an enquiry into the distribution and prevalence in certain Far Eastern Ports of Stegomyia fasciata, the known carrier of yellow fever, was begun, on behalf of the Imperial Bureau of Entomology, by Dr. A. T. Stanton, whose report was published in the Bulletin of Entomological Research (Vol. x, pt. 3). As it seemed unlikely that he would be at leisure to complete the observations by a survey of the ports of China and Japan, as had been planned, the writer was instructed, in April 1921, by the Government of the Federated Malay States, at the suggestion of the Imperial Bureau, to complete the enquiry.


2016 ◽  
Vol 9 (1) ◽  
pp. 145
Author(s):  
Aleksandar Filipović

In light of the fact that Far-eastern martial arts have to be viewed as an inseparable part of the cultural traditions of China and Japan, their aesthetic character is tied to traditional cultural concepts which dominate these cultures, such as the concept of the unity of opposites, better known as yin and yang; the concept of the Road (the Tao) as a symbol of continuing self-improvement; the concept of Chi or Qui energy which permeates the cosmos as well as individual beings, etc. These concepts owe their existence and development first and foremost to the religious and philosophical systems which shaped and influenced all segments of these two great cultures, and not just the martial tradition. On the other hand, performance arts weren’t spared this same influence. Performance arts and martial arts of the Far East had an intertwined history and strongly influenced each other. The aim of this paper will be to give an outline of the basic concepts connected to the aesthetics of the martial arts of China and Japan and point out the similar roots in other segments of cultural tradition.


1955 ◽  
Vol 21 (1) ◽  
pp. 129
Author(s):  
C. A. Ashley ◽  
G. C. Allen ◽  
Audrey G. Donnithorne

1955 ◽  
Vol 14 (3) ◽  
pp. 394
Author(s):  
Kazuo Kawai ◽  
Paul M. A. Linebarger ◽  
Djang Chu ◽  
Ardath W. Burks
Keyword(s):  

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