Lifting Every Voice Throughout the Nation

2018 ◽  
Vol 40 (3) ◽  
pp. 142-162 ◽  
Author(s):  
Nancy E. Weiss
Keyword(s):  
United States ◽  
African American ◽  
American History ◽  
African American History ◽  
The United States ◽  
Library Services ◽  
National Museum ◽  
New Professionals ◽  
Grant Programs ◽  
American Experience

The National Museum of African American History and Culture Act authorized the Institute of Museum and Library Services (IMLS) to establish grant programs for museums of African American history and culture. Through its Museum Grants for African American History and Culture program, IMLS helps these museums improve operations, enhance stewardship of collections, engage in professional development, and attract new professionals to the field. The Act has fostered a national ecosystem that leverages the collective resources of the National Museum and African American museums throughout the United States to preserve and share the strength and breadth of the African American experience.

scholarly journals Book Review: History of African Americans: Exploring Diverse Roots

2019 ◽  
Vol 58 (4) ◽  
pp. 265
Author(s):  
Trent Shotwell
Keyword(s):  
United States ◽  
African American ◽  
African Americans ◽  
American History ◽  
Social Life ◽  
African American History ◽  
The United States ◽  
History Of ◽  
The Rich

History of African Americans: Exploring Diverse Roots by Thomas J. Davis chronicles the remarkable past of African Americans from the earliest arrival of their ancestors to the election of President Barack Obama. This work was produced to recognize every triumph and tragedy that separates African Americans as a group from others in America. By distinguishing the rich and unique history of African Americans, History of African Americans: Exploring Diverse Roots provides an account of inspiration, courage, and progress. Each chapter details a significant piece of African American history, and the book includes numerous concise portraits of prominent African Americans and their contributions to progressing social life in the United States.

Robert Johnson e o racismo em Mississipi nas décadas de 1910-1930 no documentário "O Diabo na Encruzilhada"

2019 ◽  
Vol 4 (6) ◽  
pp. 26
Author(s):  
Letícia Ferreira Aguiar
Keyword(s):  
United States ◽  
African American ◽  
Black Community ◽  
American History ◽  
African American History ◽  
The United States ◽  
Symbolic Racism ◽  
Untimely Death ◽  
Social Tension ◽  
The Devil

Neste estudo busca-se analisar a trajetória do músico Robert Johnson em razão da sua vivência como homem negro no Mississipi entre as décadas de 1910 e 1930, período de tensões sociais extremas para a comunidade negra nas condições existentes no estado e no país em si. Para realizar este objetivo, a investigação toma como ponto de partida o documentário “O diabo na encruzilhada”, do diretor Brian Oakes, que aborda a vida de Johnson desde suas origens, destacando os conflitos de classe e raça entre membros de sua família e o Klu Klux Klan, até sua morte, aos 27 anos. Sua vida conturbada é marcada tanto pelo racismo institucional como simbólico. Desmistifica-se Johnson, documentando os aspectos sociopolíticos da época, de forma a explicar seu legado deturpado pela mentalidade racista.Palavras-chave: Blues. História Afroamericana. Racismo.AbstractThis study intends to analyze the trajectory of Robert Johnson, an established african-american musician, about his experiences with racism during the decades of 1910 to 1930. This period was a time of extreme social tension for the black community, especially in the existing conditions of Mississippi, and the entirety of the United States at the time. "The Devil at the Crossroads," a documentary directed by Brian Oakes, approaches Johnson's life focusing from the conflicts of class between Johnson's family and members of the Klu Klux Klan to details of Johnson's life up until his untimely death at 27. Johnson's life was turbulent, stained by institucional and symbolic racism. By demythologizing Johnson, documenting the sociopolitical aspects of the period, Oakes explains how Johnson's legacy was perverted by the racist mentality.Keywords: Blues. African-American History. Racism.

Black Lives Matter

Transfers ◽  
2016 ◽  
Vol 6 (1) ◽  
pp. 122-125 ◽  
Author(s):  
Rod Clare
Keyword(s):  
United States ◽  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
African American History ◽  
The United States ◽  
Washington Dc ◽  
National Museum ◽  
Black Lives Matter ◽  
American President

It has been over forty years since the mostly successful conclusion of the Civil Rights movement in the United States. While some may have thought the election of an African-American president in 2008 heralded a “postracial” America, continued violence and oppression has brought about a rebirth of activism, embodied by the Black Lives Matter (BLM) movement. Now that nascent movement is preparing to be part of the National Museum of African American History and Culture (NMAAHC). Due to open in fall 2016, the NMAAHC will be located at 1400 Constitution Avenue NW, in Washington DC.

James Oliver Horton, 1943–2017

2018 ◽  
Vol 5 (1) ◽  
Author(s):  
Melani McAlister
Keyword(s):  
African American ◽  
Doctoral Students ◽  
American History ◽  
African American History ◽  
National Museum ◽  
Us History ◽  
Local Branch ◽  
Gathering Place

In October 2017, hundreds of faculty, friends, and former students gathered at the National Museum of African American History and Culture (NMAAHC) to remember James Oliver “Jim” Horton. It was a fitting gathering place. As the museum’s director, Lonnie Bunch, commented, Jim’s legacy is everywhere at the museum, from the fact that several of his former doctoral students are now curators to the foundational commitment of the museum itself: that African American history is not a local branch of US history but integral to its core. Jim always insisted in his lectures and classes and on his many TV appearances and public engagements that “American history is African American history.” 

Introduction

2016 ◽  
Author(s):  
Simon Willmetts
Keyword(s):  
United States ◽  
American History ◽  
The United States ◽  
American Democracy ◽  
American Experience ◽  
Architectural Feature ◽  
National Archives ◽  
The Us ◽  
Office Of Strategic Services ◽  
The Sacrifice

If official secrecy had a devastating impact on American history, its impact on Americans’ understanding of that history was a collateral disaster.1 Richard Gid Powers, introduction to Senator Daniel Patrick Moynihan, Secrecy: The American Experience 13 Rue Madeleine, a 1947 semi-documentary that commemorates the sacrifice and courage of the Central Intelligence Agency’s (CIA’s) wartime predecessor, the Office of Strategic Services (OSS), opens with a shot of the US National Archives Building on Pennsylvania Avenue. The building’s location, at the heart of the nation’s capital on the Washington Mall, amidst so many iconic monuments to American democracy, is no accident. Like the Washington or Lincoln Memorial, it is a depository of historical experience that binds up the nation. In its inner-sanctum, as audiences then and now would know, the United States of America’s founding documents, including the Constitution and the Declaration of Independence, are housed. After the establishing shot the camera slowly tilts from top to bottom, surveying the archive’s columnar neo-classical facade – a common architectural feature of America’s monuments that evokes a sense of both history and authority. Finally, it comes to rest on a statue in the forecourt of the archive called Future. On Future’s plinth, the inscription reads: ‘What is Past is Prologue’. At this point we hear the booming voice of an omniscient narrator – an oratory style borrowed from the newsreels of the time that was also a defining feature of the semi-documentary format:...

Smithsonian National Museum of African American History and Culture, Washington, D.C.

2017 ◽  
Vol 104 (1) ◽  
pp. 145-161
Author(s):  
Joanne Pope Melish ◽  
Marcia Chatelain ◽  
Hasan Kwame Jeffries
Keyword(s):  
African American ◽  
American History ◽  
African American History ◽  
National Museum
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