scholarly journals A writer writes on Amazonian plant medicines

2021 ◽  
Vol 12 (2) ◽  
pp. 123-135
Author(s):  
Jimmy Weiskopf
Keyword(s):  

The use certain writers make of “substances”, like coffee, tobacco, or alcohol, to inspire themselves is an intriguing subject. Does dependence on such stimulants necessarily harm a writer´s judgment and ruin him in the end? Is it valid to condemn it as “addiction” when it is he or she who writes the book, not the bourbon or marijuana and what counts is its quality, not the writer´s character? Jimmy Weiskopf extends these concerns to three indigenous plant medicines of the Amazon with which he has tried to unleash his creativity –ayahuasca, mambe and ambil. Also basing himself on academic and indigenous accounts of their properties, he discusses their very different effects and comes to the unsurprising conclusion that there are no shortcuts to composing a decent novel or essay. Such plants may aid a writer, but they must be used with much restraint and especially, a respect for their familiars or “spirits”, which, in the indigenous view, are what animate an otherwise mute vegetal matter. In short, they are no replacement for talent, persistence, and hard work.

Author(s):  
Diane L. Kendall

Purpose The purpose of this article was to extend the concepts of systems of oppression in higher education to the clinical setting where communication and swallowing services are delivered to geriatric persons, and to begin a conversation as to how clinicians can disrupt oppression in their workplace. Conclusions As clinical service providers to geriatric persons, it is imperative to understand systems of oppression to affect meaningful change. As trained speech-language pathologists and audiologists, we hold power and privilege in the medical institutions in which we work and are therefore obligated to do the hard work. Suggestions offered in this article are only the start of this important work.


1990 ◽  
Vol 35 (2) ◽  
pp. 132-133
Author(s):  
Maurice J. Elias
Keyword(s):  

PsycCRITIQUES ◽  
2014 ◽  
Vol 59 (33) ◽  
Author(s):  
James H. Korn
Keyword(s):  

2019 ◽  
Vol 45 (5) ◽  
pp. 616-627 ◽  
Author(s):  
Victoria L. Claypoole ◽  
Alexis R. Neigel ◽  
Grace E. Waldfogle ◽  
James L. Szalma

2016 ◽  
Vol 46 (1) ◽  
pp. 89-104
Author(s):  
Kit Fryatt

Maurice Scully published Humming (2009), a single, self-contained work, after the completion of the monumental eight-book ‘set’ Things That Happen (1987–2008). Humming is an elegy, dedicated to the poet's brother, who died in 2004. This article explores Humming as a poem of mourning, assessing the extent to which it expresses and subverts some of the traditional characteristics and functions of elegy. Elegies often include pastoral motifs, repetitions (particularly repeated questions), an element of imprecation, multivocal performance, commentary on the elegist's ambition and achievement, and enact a general movement from grief to consolation; this essay considers the forms these take. For Scully, whose poetic practice advocates self-effacement, the egoistical nature of elegy, its emphasis on accomplishment and aspiration, presents a problem which is perhaps only partially overcome by the formal strategies discussed here. Poetry without designs upon its subjects or readers remains a goal to be achieved: 'it is hard/ work whichever way/ you look at it.' In conclusion, however, it might be said that Humming, like many elegies, enacts a transition between different phases of the poet's work.


2015 ◽  
Vol 27 (3) ◽  
pp. 262-284
Author(s):  
Steven J. Sutcliffe
Keyword(s):  

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