scholarly journals Beguines of Languedoc — “other” Beguines and the cult of their saints

2021 ◽  
Vol 2 (3) ◽  
pp. 23-74
Author(s):  
Yu. V. Rodionova

The religious movement of the Beguines in Languedoc in the first quarter of the XIV century is a unique phenomenon of the development of the ideology of spirituals — ideology that arose within Franciscanism. Using his example, it is possible to clearly trace how the ideology of educated intellectuals, who developed it and discussed it within their own order, passed to groups of representatives of the urban population. The new adherents of the teaching developed it within the framework of their idea of how a “classical” religious movement should be built — their own saints, martyrs, martyrologies and holy relics appeared. In Western historiography, in the presence of a large amount of collected material, the activities of individuals who have left written evidence of the development of the doctrine of the Holy Spirit are actively studied, however, there is no connection between how these ideas were practically introduced into the minds of people far from intellectual disputes and their development within urban population groups.

2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.


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