Following the Admiral

2018 ◽  
pp. 111-152
Author(s):  
Dixa Ramírez

This chapter examines how European colonialism, U.S. empire, and Dominican patriarchal nationalism intersected over a century to create the Columbus Lighthouse Memorial in Santo Domingo. These entities, however, cannot account for subaltern subjects’ relationships to monuments such as the Lighthouse and the history that they celebrate. To get at this “history from below,” the chapter analyzes Junot Díaz’s The Brief Wondrous Life of Oscar Wao, the Dominican-American film La Soga, and the controversy surrounding the 1985 murder of pop merengue icon Tony Seval in police custody. Juxtaposing these narratives, I contend that working-class island and diasporic Dominican men, most of them nonwhite, resist the persistent nationalist and imperialist violence that the Lighthouse celebrates through the performance of a distinctly Dominican hyper-masculine performance known locally as tigueraje. While resistant to Eurocentric patriarchal history, these performances remain masculinist and prioritize the enactment of violence on non-compliant subjects, including women and queer subjects.

2021 ◽  
pp. 095394682110466
Author(s):  
Nigel Biggar

This article aims to articulate a set of general principles of a Christian ethic of mass immigration. Toward this end, it considers: biblical and theological grounds for cosmopolitanism (and ‘open borders’); biblical and theological caveats against cosmopolitanism; elements of a Christian ethic of the treatment of near and distant neighbours; what Francisco de Vitoria’s ‘On the American Indians’ has to contribute; what lessons should be learned from the history of European colonialism; and the nature of mass immigration into twenty-first-century Europe and the problems it entails. The article concludes with six principles: relevant empirical data should be mastered before developing a judgement; concerns about mass immigration should not be dismissed out of hand as ‘racist’; care of the alien may take a variety of forms, not only that of granting asylum; illegal economic immigrants should normally be returned home; compassion should look in several directions—not only at the migrant, but also at the working-class competitor for jobs and services, and at members of government burdened with the responsibility of making hard decisions; and the Christian is obliged to exercise, not only compassion, but justice and prudence.


Author(s):  
Joscelyn Jurich

This article is based on a conference the author co-organized at CELSA-Sorbonne in 2018 entitled, “Médias indépendants et droits de l’homme: la tension entre ‘reporting’ et ‘reportage’? Enquête et démocratie” (“The Independent Media and Human Rights: Tension between “reporting” and “reportage”? Investigation and Democracy”). The conference featured presentations by independent photographers NnoMan Cadoret and Yann Levy and Le Monde reporter Rémi Barroux. It focused on how independent and “traditional” photographers and journalists represent human rights issues including police violence and discrimination based on race, gender, ethnicity and sexual orientation and how they cover activist movements such as “Truth and Justice for Adama,” the movement formed after the suspicious death of Adama Traoré in 2016 while in police custody and the ZAD (zone à defendre), an autonomous zone in Northwestern France that has had a historically tense relationship to the French state. This article takes as its central questions those posed at the 2018 conference: How do independent photojournalists and journalists, those working for “traditional” outlets and independent cultural producers contribute to investigative and democratic practices? How do these groups represent and, in the case of independent photographers in France, sometimes themselves embody precarious and vulnerable lives? What complementary knowledge can they provide to the academy and to scholarship? Describing the ways in which Cadoret’s and Levy’s documentation of what they call “a permanent social emergency: the migrant crisis, institutional racism, the destruction of the environment, liberal reforms” (Levy 2017) is a form of social and political engagement, the article details their conceptualization of and commitment to representing under-represented and misrepresented vulnerable populations such as residents of the quartiers populaires (working class neighborhoods), migrants and residents of the ZAD. Explicating the distinct ways in which their interpretative community (Hymes 1980; Zelizer 1993; Nichols 1994) as committed independent photographers differs from that of Le Monde journalist Barroux, this article addresses both how these independent and “traditional” media producers conceptualize what Ryfe (Ryfe 2019) has called the single greatest challenge facing Western journalism today: its ontology (Ryfe 2019). Cadoret’s and Levy’s work is then analyzed in the context of the independent American documentary “Whose Streets” (2017), about the killing of Michael Brown and the Ferguson uprisings. To what extent independent photographers and cultural producers creating counter-hegemonic representations could be considered a sensus communis (Rancière 2009) is one of the concluding questions of this work as is the challenge to self-reflexivity and self-critique in the academy concerning questions of representation and precarity.


Author(s):  
Charlton Yingling

Santo Domingo became the first permanent European colony and city in the Americas (1495–1496). As the local Taínos encountered waves of Spanish invaders after the arrival of Christopher Columbus, colonial Santo Domingo and the island of Hispaniola (a region called Ayiti or Quisqueya by its then inhabitants) sank into a series of foreboding firsts of European colonialism in the Americas. Santo Domingo was the first site of mass indigenous forced labor, die-offs, and coerced conversions. It was home to the first boom-and-bust cycles in both gold and sugar, was a base for Spanish expansion across the region, and the location of initial African enslavement and slave revolts in the Western Hemisphere. Though Spanish profits surged from other parts of their sprawling empire in the Americas, Santo Domingo remained a hub of governance and religiosity given the presence of the Audiencia and Arzobispado in the city. Santo Domingo in the Age of Revolutions again became pivotal to salient points of dawning political modernity due to its frontier on Hispaniola with the revolutionary French (after 1789) and the even more radical Haitian state (after 1804). After the start of the Haitian Revolution (1791) in particular, Dominicans and Spanish officials were at the forefront of debates over abolition, secularism, and republicanism. In the ensuing seventy years of near-constant political turmoil, slaves gained emancipation in neighboring Saint-Domingue (1793), the French Republic occupied Santo Domingo (1802–1809), and an elite and moderate Dominican independence project (1821) was supplanted by Haitian annexation with popular appeal (1822). Despite efforts at decolonization and the establishment of the Dominican Republic (1844), remnants of Hispanic nostalgia resurfaced in elite politics to define Dominicans as protectors of Spanish culture. Spanish recolonization (1861–1865) prompted mass Dominican dissent over the fear of reenslavement and ended in the reestablishment of an independent Dominican Republic with support of regional neighbors, like Haiti. In more-recent years, scholarship has moved beyond dated, top-down accounts of the colonial era that often serviced elite Dominican nationalism, and in the mid-20th century the Trujillo dictatorship’s antihaitianismo and hispanismo, which lingered through the many years of Balaguer and beyond. This scholarly turn nuances our understandings of Dominican race and slavery, revolutionary connectivity, and solidarity with Haitians, which in sum supplement persistently relevant works related to political, institutional, economic, and military histories of the Spanish Empire. Scholarship on colonial Santo Domingo could still benefit from gender studies and environmental histories.


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