scholarly journals O Renascimento de Vênus e um novo O Beijo: identidade e representação nas capas da revista Elle Brasil

Author(s):  
Ciro Martins Pires de Oliveira ◽  
Natália Cabral da Silva Ranhel ◽  
Simonetta Persichetti ◽  
Ana Luiza Coiro Moraes
Keyword(s):  

O artigo tematiza a representação de identidades de minorias, por meio de duas capas da edição de dezembro de 2018 da revista Elle, releituras fotográficas do Nascimento de Vênus, de Boticelli e de O Beijo, de Gustav Klimt. Sendo a primeira estampada por uma modelo transexual negra e a segunda um casal de famosos atores negros como protagonistas da releitura. Utiliza-se como instrumento metodológico a análise iconográfica para interpretar os elementos componentes das fotografias. Conclui-se que as imagens trazem novas representações da comunidade negra e transexual, além e ressignificar os quadros através da escolha de seus elementos de destaque ou de anulação.

Leonardo ◽  
2011 ◽  
Vol 44 (3) ◽  
pp. 221-227 ◽  
Author(s):  
Scott F. Gilbert ◽  
Sabine Brauckmann

Fertilization narratives are powerful biological stories that can be used for social ends, and 20th-century artists have used fertilization-based imagery to convey political and social ideas. In Danae, Gustav Klimt used an esoteric stage of early human embryos to indicate successful fertilization and the inability of government repression to stifle creativity. In Man, Controller of the Universe, Diego Rivera painted a mural of a man controlling an ovulating ovary, depicting Trotsky's view that society will rationally regulate human fertilization. His former wife, Frida Kahlo, refuted this view in Moses: Nucleus of Creation, wherein she painted images of fertilization and embryo formation as the ultimate acts of erotic consummation and generation.


1970 ◽  
Vol 29 (1) ◽  
pp. 143
Author(s):  
J. P. Hodin ◽  
Fritz Novotny ◽  
Johannes Dobai
Keyword(s):  

The Art Book ◽  
1994 ◽  
Vol 1 (2) ◽  
pp. 38-38 ◽  
Author(s):  
WOLFGANG G. FISCHER
Keyword(s):  

1989 ◽  
Vol 10 (1) ◽  
pp. 53
Author(s):  
Mary L. Wagener ◽  
Angelica Baumer
Keyword(s):  

Christian Brandstätter,Wiener Werkstätte: Design in Vienna, 1903-1932. New York: Harry N. Abrams, 2003. 400 pp., 450 color ills, 100 b/w ills., bibliog., index. $40.Manu von Miller,Sonja Knips und die Wiener Moderne: Gustav Klimt, Josef Hoffmann und die Wiener Werkstätte gestalten eine Lebenswelt. Vienna: Christian Brandstätter, 2004. 112 pp., 60 color pls., 57 b/w ills., bibliog. EUR 36.Herta Neiß,Wiener Werkstätte: Zwischen Mythos und wirtschaftlicher Realität. Vienna: Böhlau, 2004. 311 pp., 60 b/w ills., bibliog., index. EUR 39.Waltraud Neuwirth, ed.,Wiener Werkstätte Katalog 1928. Vienna: Selbstverlag Dr. Waltraud Neuwirth, 2004. 106 pp., 9 color ills., 282 b/w ills. EUR 30.Peter Noever, ed.,Yearning for Beauty: The Wiener Werkstätte and the Stoclet House, exh. cat. Ostfildern-Ruit, Germany: Hatje Cantz for Museum für angewandte Kunst, Vienna, and Centre for Fine Arts, Brussels, distr. in U.S. by Distributed Art Publishers, New York, 2006. 452 pp., 418 color ills., 267 b/w illus., 1 appendix, bibliog., index. $95, EUR 60.Renate Ulmer,Emanuel Josef Margold: Wiener Moderne, Künstlerkolonie Darmstadt, Corporate Design für Bahlsen, Neues Bauen in Berlin, exh. cat. Stuttgart: Arnoldsche, for Museum Künstlerkolonie Darmstadt, distr. in U.S. by Antique Collectors' Club, Easthampton, Mass., 2004. 192 pp., 172 color pls., 132 b/w ills., bibliog., index. $75, £45, EUR 49.80.Die Wiener Werkstätte 1903-1928: Modernes Kunstgewerbe und sein Weg, epilogue by Graham Dry in German and English, facsimile repr. of Krystall-Verlag ed., Vienna, 1929. Munich: Ketterer Kunst, 1994. 155 pp. (n.p.), 9 color pls., 167 b/w ills. EUR 60.

2007 ◽  
Vol 14 (2) ◽  
pp. 166-170
Author(s):  
Christopher Long
Keyword(s):  
New York ◽  

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