“Double Assemblies” in Ancient Israel? (1 Kings 12:1–24)

2018 ◽  
Vol 107 ◽  
pp. 9-28
Author(s):  
Min Suc Kee
Keyword(s):  
2017 ◽  
Vol 23 (1) ◽  
Author(s):  
David Tuesday Adamo

Both the Deuteronomist and the Chronicler repeatedly testify that Solomon married an African woman who was the daughter of Pharaoh. The fact that Pharaoh‟s daughter was singled out in this manner is significant as similar treatment was not given to his many other wives and concubines. In the African polygamous system, the first wife exercises enormous power over the husband and other wives. In keeping with the tradition, as chief wife Pharaoh‟s daughter would have had immense influence over Solomon. This pervasive influence can be seen in the economic, political, and administrative policies of the day, as well as in the prohibition on Solomon marrying an Israelite woman. Although Solomon‟s African wife is nameless in the biblical record, and both Solomon and his wife are unattested in the archaeological record, the marriage represents an aspect of African influence on and contribution to ancient Israel.


Author(s):  
John R. Spencer

Within the Hebrew Bible/Old Testament there is a provision for six cities of refuge (“cities of intaking” [ערי מקלט]), where someone who has unintentionally committed murder can go and not be subject to blood revenge (Exodus 20:12–14; Numbers 35:9–28; Deuteronomy 4:41–43, 19:1–13; Joshua 20; 1 Chronicles 6). This practice has been described as refuge, asylum, and sanctuary, and the cities have been given all three of these labels, which has resulted in differing understandings of the intention of these cities. The basic legal issue is the distinction between intentional and unintentional killing. For most societies in the ancient Near East, including ancient Israel, the idea of “blood revenge” (an “eye for an eye”; lex talionis) was the way in which the killing of a member of your clan or family was avenged (Exodus 21:23). The distinction made in association with the cities of refuge/asylum was how to deal with an individual who accidentally, without intention, killed another (Exodus 21:12–14; Number 35:16–28). Also associated with this idea is the nature of sanctuary or asylum that one can obtain when one reaches a cultic center with an altar (1 Kings 1:50–53; 2:23–24). One should also note that all the cities of refuge are also Levitical Cities (1 Chronicles 6), but it is not clear what the role of the Levites was in such a city of refuge. Among the issues associated with these cities are the following: Did they actually exist, or were they simply a fiction created at a later period of time? If they were real, what was their historical context? Was it premonarchic, the time of David and Solomon, related to the centralization of Josiah, or postexilic? When were the texts composed (a question associated with the previous issue and raising wonderings about different hands in the composition of the texts associated with the idea of asylum cities)? What is the connection between altars of sanctuary and the cities of refuge, and why the apparent replacement of altars with cities? Who and how was the validity of the claim of unintentional killing (Numbers 35:24–25; Joshua 20:4) decided, even if the killer was a “sojourner” (gēr) (Joshua 20:9)? What was the consequence of the death of the high priest (Numbers 35:27; Joshua 20:6), and how it was related to some concept of atonement? What was the relationship between the different biblical presentations of refuge or asylum? What was the connection with the Levites (See Oxford Bibliographies in Biblical Studies articles Levi/Levites) and Levitical Cities? Finally, what is the relevance to today’s society with its issues of sanctuary for immigrants and sojourners?


2020 ◽  
Vol 20 ◽  
Author(s):  
Andrew Knapp

The protocols for succession to the throne in ancient Israel and Judah have attracted little scholarly attention. In this article I first survey monarchic societies throughout history to show that there are no universally valid succession principles, despite scholars often treating primogeniture as such. I then look at evidence from ancient Near Eastern societies and suggest that in a “standard” scenario the incumbent king was expected to select a successor from a pool of viable candidates. I conclude by rereading Solomon’s accession to David’s throne in 1 Kings 1-2 in light of this.


2019 ◽  
Vol 27 (2) ◽  
Author(s):  
David Tuesday Adamo

Psalm 100 is one of the most popular psalms of praise and thanksgiving. Almost every scholar accepts this psalm as a hymn commanding the congregation to praise Yahweh in thanksgiving. This song is so vital because to praise and worship Yahweh is to live and to live is to praise and worship him for his majesty and all the things he has done for ancient Israel. Psalm 100 is also called the imperative psalm because of the seven imperative verbs that seem to dictate the structure. The content of this psalm not only resembles ancient Israelite worship but also typical African worship. This article aims to apply an Africentric interpretation to Psalm 100 in order to demonstrate how the praise and worship in African churches reflect the description of Psalm 100 (without saying that they are the same). This article aims to demonstrate how African religion and culture can be used to understand Psalm 100 without condemning Eurocentric approaches. 


2017 ◽  
Vol 25 (1) ◽  
pp. 72-98
Author(s):  
Temba T. Rugwiji

The Hebrew Bible depicts that music and dance formed part of worship and reverence of Yahweh in which various musical instruments were played during ancient biblical times. In the modern post-biblical world, music and dance characterise every context of human existence either in moments of love, joy, celebration, victory, sorrow or reverence. In Zimbabwe, music — which is usually accompanied by dance — serves various purposes such as solidarity towards or remonstration against the land reform, despondency against corruption, celebration, giving hope to the sick, worship as in the church or appeasing the dead by those who are culturally-entrenched. Two fundamental questions need to be answered in this article: 1) What was the significance of music and dance in ancient Israel? 2) What is the significance of music and dance in Zimbabwe? In response to the above questions, this essay engages into dialogue the following three contestations. First, texts of music, musical instruments and dance in the Hebrew Bible are discussed in view of their spiritual significance in ancient Israel. Second, this study analyses music and dance from a faith perspective because it appears for the majority of Gospel musicians the biblical text plays a critical role in composing their songs. Third, this article examines music and dance in view of the spirituality which derives from various genres by Zimbabwean musicians in general. In its entirety, this article attempts to show that the Zimbabwean society draws some spirituality from music and dance when devastated by political, cultural or socio-economic crises.


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